- g$ n% X+ P7 A2 W) S9 Z B, g2 k专辑名称:Various Artists - Stay in Tune with PentaTone
! X" e2 I$ J( k6 c; A音乐格式:DSD64 DSF
' z! B# ?: Z7 ^" Y音乐流派:CLASSICAL古典! f* o) n- {, I- N3 `
发行年代:2005
; t( e2 |( \. W! A/ G音乐分辨率:1bit/2.82Mhz' h: U. ^: V* c! R, Y/ ]
声道:2.0 & 5.1
% } J3 q6 e+ [! O l' V5 ^: b2 ~; U唱片公司:PentaTone8 h3 s k/ U; N% u. v7 H. G
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专辑曲目:
+ R5 d' b3 I9 v3 Q1 u01. Alexander Glazunov-Violin Concerto in A minor Op. 82 - Moderato - 04:31
: b' z( m6 L t: \4 cPerformer: Julia Fischer - RNO / Kreizberg, Composer: Alexander Glazunov (1865-1936)3 g. x( j! _! n7 S4 d" }2 D
02. Johannes Brahms-Symphony No. 2 in D, Op.73 - Allegretto grazioso (Quasi Andantino) - Presto ma non assai - 05:12$ \7 `; g* b) F% y' u
Performer: NRSO / Vonk, Composer: Johannes Brahms (1833-1897), l9 k( H' @1 [5 ~
03. Sergei Taneyev-At the Reading of a Psalm (Po prochtenii psalma) Cantata No. 2 Op. 36 (1912-1915) Double Chorus (Andante sostenuto) - 04:57, {4 x, P) p5 D! Y
Performer: RNO / Pletnev, Composer: Sergei Ivanovich Taneyev (1856-1915)
; X0 ]5 `- i( z$ k. f04. Arcangelo Corelli-Concerto da chiesa in D, op. 6 no 4 - Allegro - 03:17
- s, B# N% X0 |" e# {5 s d- y* FPerformer: NDA / Murphy, Composer: Arcangelo Corelli (1653 - 1713)4 ]( s" W( \8 V; ?! z$ {) W
05. Carl Loewe-Piano Concerto No. 2 in A - Espaniola (Andante grazioso) - 07:470 ^2 `8 i! j2 U- s4 u2 }. _- q
Performer: Mari Kodama - RNO / Nagano, Composer: Carl Loewe (1796-1869)
% N% U1 p0 p4 h2 p* p4 e06. Joseph Haydn-Symphony No. 44 in E minor "Trauersymphonie" / "Mourning" (Hoboken 1:44) - Allegro con brio - 06:35
- U/ _7 t5 F) X6 }* {1 fPerformer: CKO / Boni, Composer: Joseph Haydn (1732-1809)3 \3 N& p# O0 U' {4 t6 l) K% N
07. Ludwig van Beethoven-Piano Sonata No.14 in C sharp minor, Op.27 No.2 “Moonlight" - Adagio sostenuto - 05:48
0 O" p* z {5 I j2 ePerformer: Mari Kodama, Composer: Ludwig van Beethoven (1770-1827)- Y4 ^+ P3 L, X& }" }
08. Johann Stamitz-Sinfonia a Quattro in F (c. 1750) - Tempo di Minuetto - 04:13
. L" Z- e3 b$ fPerformer: NDA / Murphy, Composer: Johann Stamitz (1717 - 1757)4 d- V6 Q, x) d. X/ \
09. Wolfgang Amadeus Mozart-Adagio for Violin and Orchestra in E, KV 261 - 07:57 V- M g. |5 J6 b
Performer: Julia Fischer - NKO / Kreizberg, Composer: Wolfgang Amadeus Mozart (1756-1791)
) A5 n- j; ?& d$ F9 A/ L4 _10. Gabriel Faure-Requiem Op.48 - In paradisum - 03:01- o4 J* ]: Z5 E. |% C& M. ^
Performer: Netherlands Chamber Choir / LSO / Spanjaard, Composer: Gabriel Faure (1845-1924)
: \1 `: t5 ?0 i8 h1 a11. Gabriel Faure-Pelleas et Melisande : Suite Op. 80, Sicilienne - Allegretto molto moderato - 03:346 v" b! h, k$ o
Performer: NedPhO / Kreizberg, Composer Gabriel Faure (1845-1924)1 j) d9 {6 d/ }! p5 y K
12. Gottfried August Homilius-Choralvorspiel "Hilf, Herr Jesu, lass gelingen" - 02:36' E- F# L& |* S+ Y( f
Performer: Bram Beekman, Composer: Gottfried August Homilius (1714 - 1785)
5 j }; H- ~0 l' n: D2 s) l5 p( ?13. Wolfgang Amadeus Mozart-Clarinet Concert in A, KV622 - Rondo (Allegro) - 08:32
+ f7 p1 Z1 t0 e) ~% g5 q* YPerformer: Andrew Marriner / Asmif / Sir Neville Marriner, Composer: Wolfgang Amadeus Mozart (1756-1791)
0 |, x$ |7 G$ ?9 f8 Y$ |14. Richard Wagner-Lohengrin - Prelude 3rd Act - 03:32" O5 E9 p& `2 h! |# Y
Performer: NedPhO / Kreizberg, Composer: Richard Wagner (1813-1883)' ~8 g: r' A/ ~, L- ?- V
: p% z' L! N# O% L7 T9 }Tracks 15-48 in multichannel format only; ?5 e+ b( G8 Z' ?7 g* P
15. Dawn on the banks of Loch Lomond
' I. |" j8 N7 ^% O2 l4 D- N- N16. A steam train journey D$ S# h& P5 I8 X5 {( H0 V7 g
17. The Edinburgh Military Tattoo' L) g" X5 K8 x" s; f# w7 Q
18. Pink noise left front1 R+ _# a. o6 M4 ?
19. Pink noise right front
/ N6 P7 b: f. p# ?6 L( |20. Pink noise center. `) V5 m, m [1 K1 N) j
21. Pink noise left rear
- F* g$ g- N6 O4 q* g4 ]3 I22. Pink noise right rear L$ S* Y- E# M9 O# w
23. Pink noise subwoofer3 \. l8 F+ {8 g, Z& I/ Q& k
24. Phase left right; p& ?' T1 P8 k
25. Phase left center1 n2 F c, C6 V; E) n8 z
26. Phase center right# }9 U% I' G) P# T* F! J
27. Phase left front left rear5 G7 p$ ^7 E, J, f
28. Phase right front right rear, k& A- A4 B5 B, K
29. Phase left rear right rear
* j; V |* f+ I8 X30. Phantom left center
8 n/ A; {, t- z1 m& e) M: Z! r31. Phantom right center
, l5 `1 r) F( V* W( R: `7 v! Y2 ?32. Phantom left front left rear
3 r/ `- L- J4 V33. Phantom right front right rear
; u1 [5 |/ F7 E5 r( A; c34. Phantom left rear right rear, B1 F# j/ a0 h: M5 g$ G. I' H
35. Panorama (twice)5 M# p, ^5 D6 ^) {* Y5 Q: E
36. 60 / 60,2 Hz
8 q0 F, X" R6 m( C37. 70 / 70,2 Hz
( M9 H& Q* {$ L! F( }* v38. 80 / 80,2 Hz
. m. \9 B3 @* P6 f& e- k6 c39. 90 / 90,2 Hz
" l3 l# l' {! S# k3 p7 f3 t40. 100 / 100,2 Hz8 ?# r" N, g9 o; j
41. 110 / 110,2 Hz( W/ P" W. j* k* K \% Z' ^
42. 120 / 120,2 Hz+ {7 y9 O! J! b( l+ y
43. Pink noise left front
* A( B, v8 I8 x" M8 F4 l, ]/ ~; {44. Pink noise right front
& L+ \2 I1 D9 C* n; U6 f45. Pink noise center3 B; }& _2 a6 ?5 {
46. Pink noise left rear8 d8 t" F! X3 o4 w: }6 e- H7 @
47. Pink noise right rear
' I0 e6 g/ v" O1 n9 y: {48. Pink noise subwoofer
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