9 W( k+ z( q# x
DECCA SOUND The Piano Edition 55CD. g& i6 b: k- h
Decca Sound - The Piano Edition0 c$ U+ m7 \5 F; o* f# N6 X6 \5 h
“迪卡之声”钢琴专辑55CD
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: S/ @: t* C% G( G& r9 U迪卡公司将于10月20日发行“迪卡之声”系列套装新一集:钢琴专辑。从选材上看,有不少罕见的版本,内容与以往发行的“大包子”重复不多。
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这套装包含:6 b* H5 m* j3 T- Y# s
•DECCA的首张FFRR协奏曲录音:艾琳•乔伊斯演奏的柴可夫斯基第二钢琴协奏曲(这张从未发行过的失传已久的78转唱片测试录音,来自最近才被发现的马里兰州国际钢琴大赛档案)& m6 m. M+ N5 o2 e* Q) p S' @
•包括诸多钢琴名家唯一的DECCA录音曲目,有阿格里奇、鲁宾斯坦、李帕第、米凯兰吉利、伯恩斯坦和哈斯基尔。
- F/ B5 _( Y. e/ u•部分用作曲家自己的钢琴弹奏的录音——Thibaudet弹奏肖邦的钢琴;席夫和马尔科姆弹奏莫扎特的古钢琴。. U$ F) [7 _9 t- j* h d
•获奖录音包括拉罗查演奏的拉威尔协奏曲(格莱美大奖);Mustonen演奏的塔科维奇24首前奏曲(爱迪生和留声机大奖)
4 C: z6 F% e' P( l+ b& q4 O% j•以前未发行的记录包括——乔伊斯演奏的柴可夫斯基第二钢琴协奏曲;阿格里奇演奏舒曼(阿格里奇的首张DECCA录音,柴利指挥)
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这套专辑收录了1940-2010年代,近八十年间DECCA唱片公司与世界各地钢琴家合作的录音精华,以及多张得奖专辑与首度发行的录音,展现了DECCA产品的丰富性与内容的珍贵,绝对称得上是近一世纪以来录音史上最重要的钢琴音乐瑰宝。: j7 U2 |2 f. {/ A
8 p& H+ t2 I' g4 u, H3 j4 F 专辑共55张CD,收录的作品共有六大国家派别:德国、法国、俄罗斯、西班牙、英国与美洲;从巴哈与史卡拉第,以至20世纪的当代作品,包含了独奏钢琴作品、协奏曲甚至爵士乐。主要曲目则有贝多芬钢琴协奏曲全集、布拉姆斯钢琴协奏曲、拉威尔钢琴协奏曲、萧邦钢琴协奏曲、莫札特钢琴协奏曲和许多动听的钢琴小品,以及双钢琴与四手联弹曲等。除了已故大师的经典诠释,更有青年世代的精彩演奏,其中还收录许多未曾发表过的录音。精美的解说册由Cyrus Meher-Homji撰写有关演奏家与录音过程之记事,Mike Gray则剖析录音技术的变革。所有专辑均保留原始封面设计。
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1945年DECCA发表全新的「全频段录音」(Full Frequency Range Recording)技术,本辑便收录了第一份以此技术录制,由艾琳.乔伊丝(Eileen Joyce)演奏的柴可夫斯基第2号钢琴协奏曲。这份录音从未发行过78转黑胶唱片,而母带也是直到最近才在马里兰(Maryland)的国际钢琴档案室中被发现。另外还有首度以CD格式发行的阿格丽希演奏舒曼钢琴协奏(夏伊指挥),此录音也是阿格丽希在DECCA的首张专辑。鲁宾斯坦在DECCA的唯一录音--布拉姆斯第1号钢琴协奏曲也收录在其中。其它珍贵录音还包括李帕第、米开兰杰里、伯恩斯坦与哈丝姬儿等人的演奏,可谓众星云集。
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, j! n- X# U2 b9 K; A 专辑囊括多张获得国际奖项肯定的录音,如:拉萝佳演奏的拉威尔钢琴协奏曲获颁葛莱美奖,以及荣获爱迪生奖与留声机杂志大奖双重肯定的慕斯托年演奏萧士塔高维契24首前奏曲。此外多张以往仅在部份地区与国家出版的录音,也在此首度成为国际发行,包括罗杰演奏巴托克第1-3号钢琴协奏曲、凯萨琳.隆(Kathleen Long)演奏莫札特第24号钢琴协奏曲、顾尔达与DECCA合作的第一张专辑、亚顿与塔米尔双钢琴安可曲、坎普早年于DECCA的录音以及巴克豪斯1954年在卡内基音乐厅的演奏会录音等等珍贵记录。
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这套专辑将近一个世纪的钢琴演奏曲目、风格、技巧以及录音技术做了总结性的整理,也为声名鼎沸的「笛卡之声」录音做出完美说明,是一套兼具演奏艺术与录音水准的专辑。内容不仅充满了演奏家的天纵才情,并有着DECCA录音工程师为保留最美好琴音,孜孜不倦所投入的工作热忱。限量低价发行,只要喜爱钢琴音乐,无论是行家或一般爱乐者,这都是一套绝对值得珍藏的录音经典。8 o6 R) y% |9 t9 _
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Track List( e5 l1 S$ w' E2 i9 S' d
8 }' M K0 D& H4 ?- W, w% u
CD1 Schumann: Piano Concerto (Chailly) h3 e y, w" D' k' ^2 C9 A2 X
Martha Argerich First CD release (previously digital only)" U) H' v2 O1 A% Y4 ]) J8 {! W
+ Liszt: Piano Concertos Nos. 1 & 2 (Argenta)
0 V* C" a% j6 w' }! NJulius Katchen
% p0 v0 H4 N" |! C3 n舒曼:钢琴协奏曲(阿格里奇)- 李斯特:两首钢琴协奏曲(卡琴)
! k. Y8 x) N: s& Q' z+ A' OCD 1: Schumann: Piano Concerto in A Minor; Liszt: Piano Concertos Nos. 1 & 2
' a0 _9 A( e$ i6 TRobert Schumann (1810 - 1856)" x* A! {7 m2 j6 M' ~! {4 P
Piano Concerto in A Minor, Op.54# {9 v; \: U# u1 T9 M G
1. 1. Allegro affettuoso 14:50
" F& u$ P- x0 f& [2 b2. 2. Intermezzo (Andantino grazioso) 5:47. U3 n5 Z! o; h% Y5 v* I2 W" r4 x, h; j
3. 3. Allegro vivace 10:14
( c2 j; y0 I3 NMartha Argerich, Gewandhausorchester Leipzig, Riccardo Chailly6 }4 }- b& ~" m& I
Franz Liszt (1811 - 1886)
& c' c& A+ l" n4 |9 @: ePiano Concerto No.1 in E Flat Major, S.1242 b E0 Q2 `: n' D+ W5 Q
4. 1. Allegro maestoso - Tempo giusto 5:21
' _4 m" G G2 h0 U7 g5. 2a. Quasi adagio 5:10, O, B$ `$ D3 v
6. 3. Allegretto vivace 4:12
: x. n3 J; S h. G# }7. 4. Allegro marziale animato 3:591 ^) S4 O' s. l8 }5 M! K" F
Piano Concerto No.2 in A, S.125
5 D8 s: Q3 W5 U! ^' K* `, t8. 1. Adagio sostenuto assai - Allegro agitato assai 7:00
" R6 \& S0 L! y9. 2. Allegro moderato 5:02
' Q0 y5 `" B8 o, P! A2 M2 s& y10. 3. Allegro deciso - Marziale un poco meno allegro 6:02" z6 V: {4 K$ ~4 C8 O
11. 4. Allegro animato 1:424 W- A8 j; |5 u1 k$ ]$ Y# d
Julius Katchen, London Philharmonic Orchestra, Ataúlfo Argenta
, J4 N2 b( V( _Total Playing Time 1:09:19
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* k5 G. z, Q* M) G Z( s, E A+ QCD2 Brahms: Piano Concerto No.2 (Haitink) • Prokofiev: Piano Concerto No.3 (Previn)
% M' e9 Z3 ]( n7 u1 hVladimir Ashkenazy3 {# ~. ~8 Z0 P, G: ^
勃拉姆斯:第二钢琴协奏曲 - 普罗科菲耶夫:第三钢琴协奏曲(阿什肯纳吉)1 w7 ?" M: G% `' H
CD 2: Brahms: Piano Concerto No.2 in B Flat; Prokofiev: Piano Concerto No.3 in C8 t B1 |9 t2 w6 _
Johannes Brahms (1833 - 1897)- Z2 g9 a( C2 R: M6 q! s
Piano Concerto No.2 in B Flat Major, Op.83
- ~: s# {8 @, u3 O3 K) ]1. 1. Allegro non troppo 18:41
5 r2 L1 t% w' {2. 2. Allegro appassionato 9:28* @3 `6 K& H j6 F0 z" x
Vladimir Ashkenazy, Wiener Philharmoniker, Bernard Haitink
, e k7 P# F; O* |4 \3. 3. Andante - Più adagio 13:09# K9 V1 r; g- o% z" C' P( P
Vladimir Ashkenazy, Robert Scheiwein, Wiener Philharmoniker, Bernard Haitink1 i2 O' M! n5 E; c0 Z
4. 4. Allegretto grazioso - Un poco più presto 9:30, U, H4 }! t$ g, u& s8 q' ]% K6 z+ y, i
Vladimir Ashkenazy, Wiener Philharmoniker, Bernard Haitink- u2 d+ H3 L! R5 r5 W
Sergei Prokofiev (1891 - 1953)! B, d0 R# [3 }# t% J" M
Piano Concerto No.3 in C Major, Op.26
6 {5 M5 r- z7 _% ]% a& v$ T' {5. 1. Andante - Allegro 9:44. x/ _# K# b* X' t/ r' y5 h
6. 2. Tema con variazione 9:11
3 ~! Q! k; f1 J) t, `7. 3. Allegro ma non troppo 9:382 C2 e- ~4 d$ K8 s, w& P# a) {
Vladimir Ashkenazy, London Symphony Orchestra, André Previn8 h, j x+ B" f8 V$ S' V
Total Playing Time 1:19:210 C6 B+ x6 q; K" S9 {# _
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( g# B6 |5 K* rCD3 Chopin: Études Op. 10 & 25; Trois nouvelles études4 @ E9 A+ ~0 C2 _* S
Vladimir Ashkenazy
# S9 s$ ~* h# ^* L肖邦:练习曲全集(阿什肯纳吉)
9 E$ |6 A% X% l: t- eCD 3: Chopin: Etudes, Op.10 & 25; Trois Nouvelles Etudes
; L$ B: K9 _" @Frédéric Chopin (1810 - 1849)0 Z$ c5 Z6 [# {+ M$ ?1 o$ m
12 Etudes, Op.10# \7 h/ E3 j/ @* p5 q/ F M& q
1. No.1 In C Major 2:01
/ d/ v5 ~5 v8 B, X& u( r2. No.2 In A Minor 1:20
4 o$ ^- A. ` m- Z9 X" k3 G2 _* L3. No.3 In E Major 4:20; ~! }' k9 H- k# F
4. No.4 in C Sharp Minor 2:04
% W5 A* b4 c0 A# g' _8 \3 V6 l! w5. No.5 In G-Flat Major 1:40& |+ i; I0 N4 d& T {) y/ A
6. No.6 In E-Flat Minor 4:03
8 T f" `7 t G0 z" a7. No.7 In C Major 1:28
, a+ v* U- l/ D. Y, o0 S6 T8. No.8 in F Major 2:20$ E! M9 a* t6 N& e
9. No.9 In F Minor 2:20
6 n( x7 K2 J" [# e* ]( _10. No.10 In A-Flat Major 2:15) x4 f. v' m+ V4 e( U
11. No.11 In E-Flat Major 2:26) \$ f. `6 l6 s% @( q: G
12. No.12 In C Minor 2:44
- }" J8 w5 A3 F1 w0 \/ R12 Etudes, Op.25
* G' N) z) [" j" N( V) x13. No.1 In A-Flat Major - "Harp Study" 2:565 _% G$ `! L. K2 i
14. No.2 in F Minor 1:51
! s1 g) I$ C; R# t15. No.3 In F Major 1:52' z+ p" f4 u8 \3 _" p% q
16. No.4 In A Minor 1:35
6 p5 \8 e$ H2 R: s17. No.5 In E Minor 3:374 c/ D. p' V7 Z6 `" ~
18. No.6 In G-Sharp Minor 2:07
# F+ R( f" A. C6 L. M& \- o19. No.7 In C-Sharp Minor 5:43- @$ _$ R- }- O J% D% x
20. No.8 In D-Flat Major 1:094 n4 `# R2 T; x, d
21. No.9 In G-Flat Major - "Butterfly Wings" 0:57. M! i- [* ^1 l6 q
22. No.10 In B Minor 4:45: m' R) p. w3 y v6 Z G: _+ ]7 H* ^
23. No.11 In A Minor "Winter Wind" 3:47- m/ S" c0 C1 H: \) e$ I
24. No.12 In C Minor 2:51
2 Y2 U$ x# H2 U8 X' m& e25. Etude in F minor, Op.posth. " Méthode des méthodes " 2:14/ f7 g d6 ^6 F
26. Etude in A flat, Op.posth. " Méthode des méthodes " 1:45
1 ?" M9 G2 n! U1 T& `27. Etude in D flat, Op.posth. " Méthode des méthodes " 1:433 U' g/ H$ S5 K7 H# ?5 W/ y, S
Vladimir Ashkenazy
' ]" q$ r8 C' U5 M+ zTotal Playing Time 1:07:53
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. c T2 P8 B# b$ VCD4 Rachmaninov: Suites Nos. 1 & 2 for two pianos; Symphonic Dances for two pianos7 }9 [# D: Z5 s2 c( Z
Vladimir Ashkenazy; André Previn
% _6 e& |9 g. p) e* N9 c: c拉赫玛尼诺夫:双钢琴组曲,交响练习曲(双钢琴版)(阿什肯纳吉,普列文)3 H8 U9 \3 s0 C& _! _$ u( ]; ^
CD 4: Rachmaninov: Suites Nos.1 & 2 for 2 Pianos; Symphonic Dances
' V3 W' `) F7 [. y, [! h8 hSergey Vasil'yevich Rachmaninov (1873 - 1943)! _& y0 {5 s* W: s* T2 q
Suite No.1 for 2 Pianos, Op.5
+ S* v8 S/ } @5 _2 D+ K! f1. 1. Barcarolle 7:39/ Q9 A; X6 X! [( F; n! n3 ^
2. 2. A night for love 6:20
$ Z( k. i/ {, H1 i6 R! _5 a0 B3. 3. Tears 6:13
- @ y8 N! x( c8 w) ]6 {4. 4. Russian Easter 2:26
: `) A+ v* X7 Q I+ N$ aSuite No.2 for 2 Pianos, Op.17
+ @, U: k6 H* _+ T) k7 E) J5. 1. Introduction (Alla marcia) 4:15
! C) A* i6 s5 |6. 2. Waltz (Presto) 5:50
, g d$ V: ~2 x4 {7. 3. Romance (Andantino) 6:53: ]/ h3 q' w; o
8. 4. Tarantella (Presto) 5:45
: D& J, Q8 T& JSymphonic Dances, Op.45
" ?) H. J r; P0 M4 n% GTwo pianos+ ^* ?' i+ l# M
9. 1. Non allegro 11:28% k" k+ ~ J6 Q7 N
10. 2. Andante con moto (Tempo di Valse) 9:19
$ L) ?" n! k4 u8 F11. 3. Lento assai - allegro vivace 13:24# `0 q2 K+ ?, I) c/ s: B
Vladimir Ashkenazy, André Previn
; K' a) P0 p* r* ~. S/ d$ m ?Total Playing Time 1:19:32, b$ N! H( H5 C
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1 p0 @) t0 |' @6 Z* W9 N0 r: nCD5-6 Carnegie Hall Recital (30 March 1954) + Haydn: Sonatas 48, 52, 34, Fantasia Hob.XVII:4# I( [" A+ _) L
Wilhelm Backhaus% ~) q. o, V% T/ i& l/ t: T
First international release of Carnegie Hall Recital
: `1 X8 |2 |6 M+ L5 R& u1 ]巴克豪斯1954年卡内基独奏会
% }. I! b, ?/ f6 m0 M3 k* jCD 5: Wilhelm Backhaus - Carnegie Hall Recital, 1954
; h4 }6 G) O) `8 f) L* F' D3 T$ E. @6 oLudwig van Beethoven (1770 - 1827)2 H9 z& \+ R1 }5 O
Piano Sonata No.8 In C Minor, Op. 13 -"Pathétique"- S+ p0 {- O+ q$ W
1. 1. Grave - Allegro di molto e con brio 6:16/ a/ ~" _& g, m/ Y& y5 e+ i
2. 2. Adagio cantabile 4:51- Z4 Q. h* t# m( T1 `8 x* x5 j
3. 3. Rondo (Allegro) 4:24
: \; X {0 ~3 `' q5 M* G1 L1 RPiano Sonata No. 17 In D Minor, Op. 31, No. 2 -"The Tempest"
, W" }0 p2 u7 X" n0 D4. 1. Largo - Allegro 8:102 K6 T# n \5 s, e/ W! r9 H, {. ^
5. 2. Adagio 6:15
" P5 J- y( A, t9 e! X& K. {8 _6. 3. Allegretto 6:15
( t" g1 f; `: Q: |( dPiano Sonata No. 26 In E Flat Major, Op. 81a -"Les adieux"
: Z* O, X1 ~" X+ Y7. 1. Das Lebewohl (Adagio - Allegro) 6:43
/ s6 B; H% ]+ N- _8. 2. Abwesenheit (Andante espressivo) 3:07. Y- v2 f" ~ P- S; l
9. 3. Das Wiedersehen (Vivacissimamente) 6:110 d- O) M" D! A& S( I. Y- E
Wilhelm Backhaus
; C6 J, ~4 i, fTotal Playing Time 52:12
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" N( E6 a& b/ q! N5 hCD 6: Wilhelm Backhaus - Carnegie Hall Recital, 1954( O' @: m8 @( f7 d
Ludwig van Beethoven (1770 - 1827)
, V: j. B- R% h# z6 o& |Piano Sonata No. 25 In G Major, Op. 797 ~9 O3 S+ g: i$ a
1. 1. Presto alla tedesca 4:11 R& d1 ?: {* n5 z0 C& Q
2. 2. Andante 2:55/ n0 ?& K* D, m3 R$ N' P' [7 Y
3. 3. Vivace 1:456 S- d+ ^8 C! X7 D+ Y; `; V' S
Piano Sonata No. 32 In C Minor, Op. 111
8 y( _5 ~/ |+ T7 T' M4. 1. Maestoso - Allegro con brio ed appassionato 8:11
& s9 I; R# G8 U) `) O1 L5. 2. Arietta (Adagio molto semplice e cantabile) 13:27
7 J3 E1 I3 ^ ]. p! _% l1 V' I6 QFranz Schubert (1797 - 1828)6 Z: W" P5 T5 T/ B
4 Impromptus Op.142, D.935, I5 M: I( g% e: ]
6. No.2 in A Flat Major: Allegretto 4:19
7 Q) J: M9 g* \9 E4 ]- ?5 |Robert Schumann (1810 - 1856)# n4 l0 r( H" ?( i
8 Fantasiestücke, Op.124 c2 j3 ~4 D" x6 M, u
7. 3. Warum? 3:00) L" N5 O- M+ R1 I. `' Q% \
Franz Liszt (1811 - 1886)# y7 x" r! G: w' b/ ~, `
Soirées de Vienne: 9 Valses-Caprices after Schubert) Y4 f' y/ D* G
8. No.6 in A minor 6:40
7 p) H/ m$ h. N2 @' }- @. fJohannes Brahms (1833 - 1897)3 R; R6 A; v+ U. D8 x; w. b" W
4 Piano Pieces, Op.119
h, j- F" i1 }7 v m9. 3. Intermezzo in C 1:33) l H' \6 y r0 @
Franz Joseph Haydn (1732 - 1809)
: b' P" h# f$ F" r9 M$ ]2 N5 B8 SPiano Sonata in C Major, Hob.XVI: 48
' h3 D$ I6 l* J' M1 k# G10. 1. Andante con espressione 5:05
1 j1 w6 ?( J$ v; w& v2 X11. 2. Rondo (Presto) 3:12
0 j7 W* Z3 Y6 OPiano Sonata in E Flat Major, Hob.XVI:.52+ v& _* r2 F& G$ _, K7 G& c
12. 1. Allegro 5:46
* |, {+ M8 K b) c3 R13. 2. Adagio 4:51
7 P% U& {% W. K* W. T* N. { G! p14. 3. Finale (Presto) 4:15
# x! ^ _: t, K% G& B: JPiano Sonata in E minor, H.XVI No.34
- o3 \, M G4 R+ Y15. 1. Presto 2:37: [# W; W* V- b
16. 2. Adagio 3:01
5 [& l4 i$ [$ v. ~# A$ F+ T' x17. 3. Vivace molto, innocentemente 3:21" N x, U6 }1 q8 K7 [
18. Fantasia in C, H.XVII No.4 5:17: F9 ] O- P9 p! R/ T
Wilhelm Backhaus
4 {# }7 y6 C; ?' aTotal Playing Time 1:23:264 Y1 p' G: @5 P& P. p4 J
% D1 G2 c) \/ A$ k% ~' U9 Q3 ~4 e4 K" i
CD7 Chopin/Godowsky: Études & Waltzes
6 D0 S9 @2 S: K P# L& XJorge Bolet# v5 b3 K4 ^9 ~0 n Z% {& \
戈多夫斯基改编肖邦练习曲、圆舞曲(博列特)
+ S" q' o9 B; m/ T/ o4 h4 Y9 k+ oCD 7: Chopin: Etudes; Waltzes
* Z+ V8 a9 V* |' c1 F. H, p$ WFrédéric Chopin (1810 - 1849)
* Q' \. @! T4 L. ?9 S* a7 \12 Etudes, Op.10( B( r- K; M% d j$ A2 e9 @
Arr. Godowsky8 c/ \ S5 \( O* h8 s
1. Etude Op.10 No.1 2:31
5 [/ }3 i8 U' x2. Etude Op.10 No.3 6:02
* \: C# d& T$ j5 Y( ?5 B' F3. Etude Op.10 No.5 2:09
" Q% _, i! a5 v$ H* H* ^; y5 C, b4. Etude Op.10 No.5 2:121 g! D8 j7 ?5 P% k, U$ `. o
5. Etude Op.10 No.6 for the left hand 4:11
2 W, n& U" `" b3 V6. Etude Op.10 No.7 4:199 B7 i4 s$ t- I$ q
12 Etudes, Op.25
* l: h; A8 d1 d0 N0 y5 z7 }. [5 y7. Etude Op.25 No.1 (Arr. Godowsky) 3:30
# j+ M5 H# `+ V$ b+ K/ g. k% f! K8. Etude in F Minor, Op.posth. " Méthode des méthodes " 2:58
. L) [1 V9 s8 S3 U& R; F9 a) o' O9. Waltz No.6 in D flat, Op.64 No.1 -"Minute" (Arr. Godowsky) 2:34
. b& C$ @0 D o( q7 b5 aWaltz No.8 in A flat, Op.64 No.3
, R9 B; ?1 F& M! X10. Arr. Godowsky 3:30
! f( l" V9 t0 R7 ?7 R0 Q. J3 G11. Waltz No.9 in A flat, Op.69 No.1 -"Farewell" (Arr. Godowsky) 5:53' g4 J' @& ^- Z6 Q6 v- D# v: j: [
Waltz No.12 in F minor/A flat, Op.70 No.2
0 r- ^$ e9 V: |" x12. Arr. Godowsky 3:54 }4 |- Q S+ B9 B0 J/ L! |
Waltz No.13 in D flat, Op.70 No.3
& g* U( B; l7 ?# B4 N. V7 R13. Arr. Godowsky 3:38
. V* C" l2 s t14. Waltz No.1 in E flat, Op.18 -"Grande valse brillante" (Arr. Godowsky) 4:29
5 H4 P" W7 R" p# \+ K4 x2 u8 HJorge Bolet! [, \8 [4 \ Q& u
Total Playing Time 51:50, d w* S: V$ _' T! g5 n& s3 p
- Q+ U. G9 q) l- j
0 w+ H5 Y- {9 [( `% y6 `, ^9 p
CD8 Schubert/Liszt: Song Transcriptions
( }* A" ^0 ^ U" j- tJorge Bolet+ ]- V5 S8 f( |
李斯特改编舒伯特的艺术歌曲(博列特)
3 k9 @$ K- b" p0 [3 N% S, ]: ICD 8: Liszt: Schubert Song Transcriptions
0 Y- l" l+ F3 R/ p& c& \Franz Liszt (1811 - 1886)
0 @# ]* i6 N6 E% x1. Die Forelle, S. 564 piano transcription after Schubert 3:57
+ b" m3 B/ r8 y: U2. Der Müller und der Bach (after Schubert) 6:051 Q3 R( I! ]4 e6 P9 t( `
3. Wohin?, S565/5 (after Schubert) 2:581 ^. F/ u0 p: f4 U
4. Lebe Wohl!, S563/1 (after Schubert) 4:40
( z: f- b+ W! ]2 u$ n5. Das Wandern, S565/1 (after Schubert) 1:52
4 R; U# q8 H) s6. Der Lindenbaum, S561, No.7 (after Schubert) 5:09" ]) E. R1 Q2 f0 z8 Q6 s
7. Ständchen ("Horch, horch! die Lerch"), S.558 No.9 piano transcription after Schubert 3:26* L! b6 @% @6 ~5 W
8. Auf dem Wasser zu singen, S. 558 No.2 piano transcription after Schubert 5:09
1 q$ ?& {, S9 B8 c: ?$ T9. Die Post, S561/4 (after Schubert) 2:55% B$ o# @ e7 C% X
10. Aufenthalt, S.560 (after Schubert, D.957) 3:407 A/ c; k. }8 f4 \
11. Lob der Tränen, S557 (after Schubert) 5:377 n6 r4 L: s5 M
12. Erlkönig, S.558 (after Schubert, D.328) 5:093 I$ T6 k# T, z; F, ~/ V, q( A
Jorge Bolet
/ m5 W# T {# L1 S6 p/ B5 G' D3 z, {Total Playing Time 50:37& ]0 J' d& Q) E2 j) F
% b9 S8 @, Q' k0 |* d, [2 ]
* N! O) p5 G" i% J! G0 f7 t1 ZCD9 Rachmaninov: Piano Concerto No. 3 (Temirkanov) • Rubinstein: Piano Concerto No.4 (Ashkenazy)
" y6 U; U) R' }% P; ]+ ]! E. YShura Cherkassky' K, D; G1 ^4 M7 e
拉赫玛尼诺夫:第三钢琴协奏曲 - 鲁宾斯坦:第四钢琴协奏曲(切尔卡斯基)
/ n3 o9 T; |. Z3 f7 v0 i4 E; [CD 9: Rachmaninov: Piano Concerto No.3 in D Minor; Rubinstein: Piano Concerto No.4* A$ c3 s9 j1 f5 p# F- N
Sergey Vasil'yevich Rachmaninov (1873 - 1943)4 R' A+ O# H" l2 [
Piano Concerto No.3 In D Minor, Op.30
' k; Z. b6 T% y+ r+ Y0 c1. 1. Allegro ma non tanto 17:17+ ]- v" G" _( M0 X* j F
2. 2. Intermezzo (Adagio) 11:28; [8 y3 i' y4 ~8 ?/ ?/ q" C
3. 3. Finale (Alla breve) 16:22
/ @$ ?0 b4 ^! `; ?2 G+ \Shura Cherkassky, Royal Philharmonic Orchestra, Yuri Temirkanov
/ U: @, O5 j: C9 h) j( eAnton Grigorievich Rubinstein (1829 - 1894)5 t$ _) o) w/ _8 W* A8 E( _: {; f- ~& c
Piano Concerto No.4 in D, Op.708 D1 y9 x. R8 Z" B& P2 S/ K8 x3 g
4. 1. Moderato assai 13:521 B+ e# v% e; T* b
5. 2. Andante 11:379 ~. r- ?1 p% r3 A! u
6. 3. Allegro 11:08
+ r' F- j% S# X- B xShura Cherkassky, Royal Philharmonic Orchestra, Vladimir Ashkenazy
2 E: B, C! [- o* bTotal Playing Time 1:21:449 r5 b3 e& j1 b4 r
) I5 u7 E& N. V/ O/ K6 H( O7 p1 s: S& r% j& g
CD10 Kaleidoscope (1-13, 1974) • Rachmaninov: Five Pieces! d, L) d! n( B. q P9 ^
Shura Cherkassky
& G1 {4 W: s1 I: p& R6 y2 WCherkassky’s first and last Decca recordings
/ k/ t7 ]5 ~; ~切尔卡斯基演奏钢琴小品集; f0 Z; U) w$ X& z% T6 Z
CD 10: Kaleidoscope
z# |% A$ k6 S/ N9 j pJohann Strauss II (1825 - 1899)
% o B/ U8 z2 n+ v9 X1. Wein, Weib und Gesang, Op.333 (arr. by Leopold Godowsky) 9:08
4 k+ b! D$ `: Z0 S5 J) LCamille Saint-Saëns (1835 - 1921)6 q: T# `& }" r q( `' K
Le carnaval des animaux, R. 125
+ B8 V' H; @5 M( M6 ^; ^Paraphrase by Godowsky7 ~5 {" n0 I+ P
2. XIII The Swan 3:02/ U, I. r* R, E# ?
Jean-Philippe Rameau (1683 - 1764)
9 c" C s7 R7 }5 |5 X9 E& R3. Tambourin 2:53; H. r i, o& T9 b. v
Leopold Godowsky (1870 - 1938)
6 R% J1 a* D: i1 m4. Waltz-Poem IV for Left Hand alone 2:24( }; W4 i# V3 O. \" o3 J# G
Franz Schubert (1797 - 1828)1 s; t* ^! Z. n
6 Moments musicaux, Op.94, D.780
4 O5 L0 V$ d; b- b; q1 x- Z8 KArr. Leopold Godowsky( t4 G9 D* T Q7 b$ d
5. No.3 in F minor (Allegro moderato) 1:51
: @6 h! d! I; P" V8 D: g3 b% {( mIsaac Albéniz (1860 - 1909)
* w8 R. |9 D! B$ Z/ k6. Tango, Op.165, No.2 3:14
J1 W( `, U0 e& J! }; j% KLeopold Godowsky (1870 - 1938)+ V. [3 p, X! X% k
Triakontameron - 30 Moods & Scenes in Triple Measure1 N: i7 D2 Z/ h5 i9 H8 z
7. 11. Alt-Wien 2:20& e. G2 u' {5 n* z" X' U+ _: k
Josef Casimir Hofmann (1876 - 1957)
% z; D8 A2 E( ^& A' @6 w8. Kaleidoscope, Op.40, No.4 4:28
6 X, G8 ]+ k( x7 ~! q8 DAnton Grigorievich Rubinstein (1829 - 1894)+ ~0 V$ \3 C. X6 O, r! f$ [2 ?
9. Melody in F, Op.3, No.1 4:16
+ l U& @! ^2 I* {8 B- o1 qPeter Ilyich Tchaikovsky (1840 - 1893)
{3 C/ N, @; H* k6 Pieces, Op.19, TH.133
! B( _6 A( i% l5 S4 d+ N! A10. 4. Nocturne 3:45
5 A4 i; Q8 d0 b% o" Y( WAlexander Glazunov (1865 - 1936)
; R; M4 N( r, z" m' ~' v: y& X3 Miniatures for Piano, Op.422 u& h1 a) M, y; Z8 W' P" K- o# ]
11. 3. Waltz in D Major 3:16
& b" S% _# z$ m1 M0 w7 DCécile Chaminade (1857 - 1944)
n' b. J/ F6 t+ y* j" T! b' @12. Autrefois, Op.87 4:19
' ]% @3 ^: J2 O t! zMaurice Moritz Moszkowski (1854 - 1925)- L: y# u# z. | S
13. Capriccio espagnole, Op.37 5:45, P6 Q' A4 r7 l* |
Sergey Vasil'yevich Rachmaninov (1873 - 1943)
8 k P3 d7 M! w( s' m6 t10 Preludes, Op.23) I. B0 q6 R0 @5 S5 c
14. No.5 in G Minor - Alla marcia 4:15
: L1 w) b6 e/ Y" C& |- GMorceaux de Salon, Op.10
2 D( r$ |$ j5 C# w$ N. c15. 3. Barcarolle 4:14+ R* S: O* {% h, Z, o8 J! t% Q
5 Morceaux de fantaisie, Op.3
* f8 t# w: k! D- M( k- ^4 I; F# |16. No.3 Melodie in E 4:47
% T% E" ~7 _7 Y. g$ j$ o13 Préludes, Op.327 m& I3 b6 S& P" O& M+ ?, H
17. No.12 in G Sharp Minor - Allegro 2:47
) O: d" D' z0 _. [( F9 [5 Morceaux de fantaisie, Op.3
5 n4 @' h2 j6 O+ q2 M6 C) W+ n18. No.2 Prelude In C Sharp Minor 4:21
6 a0 a8 o3 h4 Y9 R! M8 ^! p2 ?1 dShura Cherkassky
7 x* i/ t. ^9 Y- ~9 S7 z6 o1 JTotal Playing Time 1:11:05+ @% Y; {8 m& ^
h# M. t# Q" I, V
4 }" K+ b3 R& B5 `CD11 Beethoven: Eroica Variations • Schubert: Moments musicaux • Britten: Introduction and Rondo alla burlesca; Mazurka elegiaca*
1 F0 y% J7 v9 z. F& Y; P8 y. OClifford Curzon; Benjamin Britten* S* A* L' }1 u: ]* Y
贝多芬:英雄变奏曲,舒伯特:音乐瞬间(柯曾)
! {, z) }4 ^1 P4 p& GCD 11: Beethoven: Eroica Variations; Schubert: Moments Musicaux' K5 Z! H& V! y: g
Ludwig van Beethoven (1770 - 1827)
# ? v0 ^5 j1 y# g( [( \% r5 d8 k15 Piano Variations And Fugue In E Flat, Op.35 -"Eroica Variations"0 u3 G( r8 `# Q" j$ r
1. 1. Introduzione col Basso del Tema: Allegretto vivace 3:33
4 h, D3 r- q" k0 K# [' ~2. 3. Variation 1 0:38
6 s) q9 A0 Q6 G2 M# v" g6 m( @! @3. 4. Variation 2 0:562 E* e3 d0 k2 v$ v
4. 5. Variation 3 0:41: H V* o. l2 e6 b6 i4 `% w8 f8 P; e6 t
5. 6. Variation 4 0:381 K2 T5 A7 n5 W* h+ J% ]5 h5 M+ N
6. 7. Variation 5 0:48
8 |5 r& a5 \7 N! Z7. 8. Variation 6 0:385 l5 C* T3 m4 o. t& @
8. 9. Variation 7 Canone all'Ottava 0:41. \# _) C% g I+ c4 ]+ m- N5 i
9. 10. Variation 8 0:54
/ k. s( ]* M# K) {0 ]; p10. 11. Variation 9 0:40 f: S1 P" Z& e. o' _9 Q8 ]" b( }
11. 12. Variation 10 0:426 M6 Q; m3 K: B8 m4 G( v
12. 13. Variation 11 0:47
+ g6 @! x4 a- i% C; c( O+ |13. 14. Variation 12 0:38
' L7 Q7 [; }1 x5 M14. 15. Variation 13 0:40# m7 G3 f+ Z8 @& ?5 X/ v
15. 16. Variation 14 Minore 1:16
* B# K! L! B- m% R. x. V2 i16. 17. Variation 15 Maggiore. Largo 5:29
- N8 k# D3 x, b0 G17. 18. Finale. Alla Fuga. Allegro con brio 4:364 K$ r$ D U/ h3 ?$ n. Q
Franz Schubert (1797 - 1828)
* S N1 x1 |& `" [6 Moments musicaux, Op.94, D.780& K5 Z# |! P- Y/ Z7 k# c9 P. f) g( S) G
18. No.1 in C Major (Moderato) 5:081 r) U% f* U/ u% N1 k9 W
19. No.2 in A Flat Major (Andantino) 6:37) C Z2 e8 V5 ?4 f: z! K. L
20. No.3 in F Minor (Allegro moderato) 1:53. S5 n) [( u" }0 T+ M' K
21. No.4 in C Sharp Minor (Moderato) 4:17
0 D" i: ]$ G" b2 K4 g: s22. No.5 in F Minor (Allegro vivace) 2:102 A* ]& {1 P+ ^9 f" c1 w8 _# O
23. No.6 in A Flat Major (Allegretto) 7:39% H& e8 C5 t+ ]- g# l$ w9 I X
Clifford Curzon# i* n* V9 R0 M9 \; \
Benjamin Britten (1913 - 1976)
! y; z) t6 w+ D0 b24. Introduction and Rondo alla burlesca, Op.23, No.1 8:56, w( Q) w. _1 U* ^. E/ D) x
25. Mazurka elegiaca, Op.23, No.2 7:35
7 s* O+ `/ ~; I0 v8 q3 C5 f' yClifford Curzon, Benjamin Britten
: G ^: D7 i1 n/ W2 R1 D) v* ]Total Playing Time 1:08:300 W) Z* P/ P. N
4 }4 O, Q/ e; S8 }4 q) m
" W" } t+ M9 h! \) B5 @
CD12 Mozart: Piano Concertos Nos. 20 & 27 (Britten)9 s$ a$ ~" w% M. ]% {
Clifford Curzon' U) r( X3 W; {
莫扎特:第20、27钢琴协奏曲(柯曾)
: e, @$ i8 M1 d; e6 }9 `6 ]7 a8 TCD 12: Mozart: Piano Concerto No.20 in D Minor, K.466 & No.27 in B Flat, K.595: W. N- ~* q6 f' b+ k7 H8 ]
Wolfgang Amadeus Mozart (1756 - 1791)6 |- B, a0 `( z; e( C |
Piano Concerto No. 20 in D Minor, K.466
. o1 `0 r& q I4 e1 N3 n u8 ?7 W1. 1. Allegro 15:06
& i/ w9 m. b a; I8 S% ^( N2. 2. Romance 10:02
3 h- ]" a# M0 r* u3. 3. Rondo (Allegro assai) 7:52$ G) A3 i5 C5 B+ S/ h
Piano Concerto No.27 in B Flat Major, K.5959 h6 d' Y) G7 ?$ X; q: ?
4. 1. Allegro 14:20# o% `8 B3 ^' r
5. 2. Larghetto 8:57
9 e; D, Z* x& V6 g4 K6. 3. Allegro 8:46
* Q) j( L! d( \2 Q6 ^% [- ^) s/ CClifford Curzon, English Chamber Orchestra, Benjamin Britten L& Z M; H7 `7 ^, k
Total Playing Time 1:05:03
. a# H8 ?$ B" a0 d
+ ?0 t, O/ Q X
/ e) a; H( T S7 fCD13 Mozart: Piano Concertos Nos. 23 & 24 (Kertész)* B2 t, m- a( ]
Clifford Curzon
. A6 t! P! ?2 f* ]# y# a1 A莫扎特:第23、24钢琴协奏曲(柯曾)" `$ H* C* }9 I
CD 13: Mozart: Piano Concerto No.23 in A, K.488 & No.24 in C Minor, K.491
' B* q+ x& h; ?/ Q* GWolfgang Amadeus Mozart (1756 - 1791)
: G0 V* v% N$ W% w5 X2 L( K2 nPiano Concerto No. 23 In A Major, K.488
' O# @- A4 m- D. y1. 1. Allegro 11:18+ R1 P3 r. y8 j1 s: n) x @
2. 2. Adagio 7:02
! m. {0 |: e5 `: ^- ~) C( u( M3. 3. Allegro assai 8:14( w! [* W8 q, L; H) \. z( R
Piano Concerto No.24 in C Minor, K.4917 l- {% t. r' t! Q3 [0 ~# C
4. 1. Allegro 13:091 N# l* M2 v2 j* V6 V
5. 2. Larghetto 7:41( i9 L- D. J- N! M: M' w3 n1 }) ?
6. 3. Allegretto 8:52
. J8 ~1 k6 w5 D1 i7 ^( D( lClifford Curzon, London Symphony Orchestra, István Kertész+ O% y3 L6 `4 _1 t! | n. T5 |
Total Playing Time 56:16* l! W3 |0 R$ K# V) _+ W ^
, r6 m2 q. f* z$ A: o$ O( g e$ ?
# C7 f1 Z1 b. d) D& ^CD14 Gottschalk: Piano Music
6 [7 |2 K. Z8 xIvan Davis
: x: f+ N; [ @( | d; iBonus: Carnival of the Animals (Rogé/Ortiz)
$ h; {, f+ |' A戈特夏尔克:钢琴作品 (Ivan Davis)
3 ~3 ] Z0 v( S# Y! g! v9 a& |CD 14: Gottschalk: Piano Works; Saint-Saëns: Carnival Of The Animals
7 |# q4 K7 U3 q/ m- }Louis Moreau Gottschalk (1829 - 1869)
3 P$ @8 A0 G0 q1 j& d% y1. Souvenirs d'Andalousie 'Caprice de concert sur la caña, le fandango, et le jeleo de Jerez', Op 22 3:53" u; n6 p: x4 r0 Z: D
2. Le Mancenillier, Sérénade 6:35
6 j. A3 } S8 r' C6 h3. Manchega, Etude de Concert 3:49
- Q7 ]5 u( ?- [& K `+ y6 @4. Souvenir de Porto Rico, Marche des Gibaros 5:529 `+ B) p# k4 v1 R# l4 c$ J/ u, p
5. O ma Charmante, Épargnez-moi! 3:01
6 S* r) `9 M% }3 e' I6. Suis-moi, Caprice 3:20
6 s4 c( r% t$ q( c; b+ u+ M4 M& v7. The Banjo - Grotesque Fantasie, American Sketch 3:538 v0 r+ Z' S1 |* j
8. Pasquinade - Caprice 3:44 M" B0 m+ m( E- R3 Z6 e
9. Grand Scherzo 4:52
$ M. c* }6 n: s2 K7 T10. Le Bananier, Chanson Nègre 3:04$ n3 H( ]% V+ ]; Q
11. The Dying Poet 7:14
" T. G( ^% s _% R12. Tournament Galop 2:49
' B; P3 O+ ]5 ~. Z3 DIvan Davis8 u5 K4 F: ^1 b- n
Camille Saint-Saëns (1835 - 1921)* t5 \9 v' J) I2 p) @; p$ S$ U' L: {
Le carnaval des animaux, R. 125- E: R* [- {$ n. a2 g* [
13. Introduction et Marche royale du Lion 2:197 H* ] {" H" W' L
14. Poules et Coqs 0:57- @6 _7 Z4 m7 d6 J. o; N$ r
15. Hémiones (Animaux véloces) 0:31/ I1 h; _1 a4 R) ^5 d
16. Tortues 2:174 @/ N% ~+ v Z% a/ b A
Pascal Rogé, Cristina Ortiz, London Sinfonietta, Charles Dutoit: i3 I @$ k, Q, b1 f$ t; y
17. L'Eléphant 1:30
. A3 m1 V: U& Q3 nRobin McGee, Pascal Rogé, Cristina Ortiz, London Sinfonietta, Charles Dutoit
1 U4 j8 t! a6 e! Q18. Kangourous 0:57
& G7 X1 o3 n1 e& _* m19. Aquarium 2:31
; S: y5 g+ U2 CPascal Rogé, Cristina Ortiz, London Sinfonietta, Charles Dutoit2 _: `0 b+ A3 s/ r7 e; _
20. Personnages à longues oreilles 0:44
& C* h! w$ W% D0 C2 G" KLondon Sinfonietta, Charles Dutoit
5 u/ h2 L$ v- O, x: V21. Le coucou au fond des bois 2:33& u. Z% p7 |5 p. e! |% y
Antony Pay, Pascal Rogé, Cristina Ortiz, London Sinfonietta, Charles Dutoit/ I; e3 j. m; O* C/ i/ t
22. Volières 1:12
% q( S9 k& J2 l7 K; ?23. Pianistes 1:20
& ^3 L- a. q$ X# K# p24. Fossiles 1:19: S" H ?8 r/ K' G$ ~& g- S7 z* ]
Pascal Rogé, Cristina Ortiz, London Sinfonietta, Charles Dutoit5 [8 X/ @3 K/ X. s# R% v# n9 b, ]
25. Le Cygne 2:47( E6 M7 d( p- b
Christopher van Kampen, Pascal Rogé, Cristina Ortiz, London Sinfonietta, Charles Dutoit
5 u- B, X- l5 Q8 z" P5 m4 c8 [ U26. Finale 1:583 C" d [5 k7 l; |
Pascal Rogé, Cristina Ortiz, London Sinfonietta, Charles Dutoit
, M& M i. Y qTotal Playing Time 1:15:01# V, S6 Z: p, J# _7 @$ e
( R1 T2 b2 v+ J8 I6 V0 v& `" A5 b# e S1 s! e$ }) B) l7 D
CD15 Two Piano Encores + Poulenc: Sonata for four hands; Milhaud: Scaramouche; Lutoslawski: Paganini Variations) s3 ~( L: L8 d! } Q2 z {4 O
Bracha Eden; Alexander Tamir' ^$ ?. _4 a' k0 L: X/ f
First CD release
" n3 L" |% I& {/ H0 h- Z4 p双钢琴曲集 (Bracha Eden,Alexander Tamir 布拉查 艾登&亚历山大 塔米尔)
: p( [" H& |9 [0 v2 @" h+ eCD 15: Two-Piano Encores# f/ l/ Q+ {8 ]6 W
Sergey Vasil'yevich Rachmaninov (1873 - 1943)
1 g$ y9 T, Z* E1 q P6 m9 cSuite No.1 for 2 Pianos, Op.52 D5 N' j) \) O" S7 x
1. 1. Barcarolle 7:54
/ q# M7 |2 r& ^/ MAram Il'yich Khachaturian (1903 - 1978)1 Y# g, Y* e: i7 d, N
Three Pieces for Piano Duet1 G% n: T' T' k: W, u0 c
2. 3. Fantastic Waltz 3:38. y8 W1 |! l2 ^/ u$ _; X3 [
Jaromír Weinberger (1896 - 1967)
3 L: V9 o9 {5 ?) b& [: h% H5 S4 S5 hSchwanda the Bagpiper9 s# K6 u) o5 n
Arr. Weinberger for two pianos7 I( x% R/ H* l1 ?2 R
3. Polka and Fugue 7:40/ ]9 L" K- ]. s0 z! a
Francis Poulenc (1899 - 1963), g! `, u# ~. L- v, f' Y) a% M
4. L'embarquement pour Cythère, valse-musette for 2 Pianos 2:440 ~* u7 c7 I) X. A( z- a+ Z
Anton Stepanovich Arensky (1861 - 1906)8 U& y7 g O* z' t: y" L6 l2 A
Suite for Two Pianos. D2 i6 ^1 ^+ D9 g. n
5. Waltz 4:45
" s! r e" n s# KFranz Schubert (1797 - 1828) L8 T7 B: |2 _& {
6. Rondo for Piano Duet in D, D.608 6:429 K/ M' X& ^% O" a; T- i2 O
Johannes Brahms (1833 - 1897)
. T K8 Q, J. |0 d( ]# T+ V* i. I16 Waltzes, Op.39
) x2 T6 l/ D, a2 M7. 9. in D minor 1:02
- [* X5 w4 I5 N% q" N% a! [8. 10. in G 0:26+ M; ?; M% C1 ? n+ W0 D
9. 11. in B minor 1:10; z3 X( i4 K# [8 [6 j4 p
10. 15. in A flat 1:45' w9 _" N! ~1 l
11. 16. in C sharp minor 0:53! o3 M8 ]( b! y. \' Z6 K5 G7 m) A
Robert Schumann (1810 - 1856)
7 |) i1 V* k8 [* v6 Studien in kanonischer Form, Op.56
# {' F! o+ C, V; ?* J( B! ~/ IArr. 2 Pianos! b( O4 L( d/ J$ ?3 _0 ?8 q
12. 2. Mit innigem Ausdruck 2:57' ]+ k( [ @. ^( K+ C! ]& t4 s) |. V
13. 3. Andantino 1:49 z; C; k2 K8 ^2 @
14. 4. Innig 2:51
: h* c, M2 c; M0 AFrancis Poulenc (1899 - 1963)
/ E4 S, ?1 P9 x. uSonata for Piano 4 Hands, FP 89 [- H& p) E* P g' M, R) U, f; c
15. 1. Prélude (Modéré) 2:03% Y8 U$ ~: p( D+ j3 Z5 A: C
16. 2. Rustique (Naïf et lent) 1:48
`) X' L9 G8 w1 W& u17. 3. Final (Très vite) 2:03* K2 L \ `5 X
Darius Milhaud (1892 - 1974)7 v, _8 d: [7 w/ e, a
Scaramouche, Suite for 2 Pianos" F8 M" f; [/ P, D
Original Version, Op.165b
* A6 ]8 @+ f2 `& v$ X18. 1. Vif 2:52$ ]5 n8 \; P: {4 D
19. 2. Modéré 3:31
/ l3 S N% m8 U8 D- O! n20. 3. Brazileira (Mouvement de samba) 2:14
" ^* D( q. o8 Y! R, o, X; L: zWitold Lutoslawski (1913 - 1994)
/ L2 s8 f$ [4 G3 v21. Variations on a theme by Paganini 5:17* K3 E. u0 ^, a" V1 x
Bracha Eden, Alexander Tamir
2 h0 A1 Q6 s. e+ pTotal Playing Time 1:06:04
( K( W$ Q; a8 s% g4 y9 s" U) }6 K
( k9 N$ n' z5 e& v6 p8 q2 b8 z X* |
CD16 The American Virtuoso
- W6 }8 C0 N$ m) ]# z9 s' N, o7 x) xIncludes Grainger’s arrangements of Fauré and Gershwin( ?8 F# [: d" i( g
Alan Feinberg
4 s. \$ r* Q# Y; b: \4 q美国超技钢琴作品集(Alan Feinberg 阿兰 费因伯格)1 Z3 Y3 M* T" s9 r, n# k. F
CD 16: The American Virtuoso
5 m! H: Y7 N, L$ ]7 }Edward Alexander MacDowell (1860 - 1908)% u# f+ z5 n' O, \* s7 G
1. Concert Etude, Op.36 3:511 ? Q' G/ g# g
Gabriel Fauré (1845 - 1924)
2 \ C# Y6 I9 G% V/ s7 a% RAprès un rêve
" E5 X% G( z3 s# S6 x1 |5 J2. arr. Percy Grainger 3:184 W& y! j: T: G0 W( f# c$ q
Louis Moreau Gottschalk (1829 - 1869)
. `! x' c* r0 d3. Manchega, Etude de Concert 3:23
' J7 e) B) b* ]Amy Marcy Beach (1867 - 1944)1 S8 z: B9 s; Q7 I% [6 t6 t
4. Scottish Legend, Op.54, No.1 3:14 X; {) Q6 L; X; P4 j
5. Tyrolean Valse-Fantaisie, Op.116 8:275 m; G% x; m# f j1 c" g/ C% h
6. Fireflies 2:34
) y8 t) S1 B9 |, q6 R" h6 xLouis Moreau Gottschalk (1829 - 1869)
: K2 z: ? i. Z7 H( z* s6 f8 i7. Union (Paraphrase de Concert) 7:53, l! X' G/ l8 N; F
Amy Marcy Beach (1867 - 1944)
+ v7 v! K5 h5 [9 j" C8. A Hermit Thrush at Eve, Op.92, No.2 5:21
% C6 \/ u! U! W/ N0 s7 i4 v. FEdward Alexander MacDowell (1860 - 1908)
* \) ~' b( k) J$ c8 o1 f9. Hexentanz, Op.17, No.2 2:34
- {3 R5 V" n+ w3 dGabriel Fauré (1845 - 1924)/ x6 R M5 R+ G0 |
Nell, Op.18, No.1. j1 L+ N3 G2 Y' s P' o S/ n# w
10. arr. Percy Grainger 2:10' h7 S/ A3 o0 W: P3 Z
John Dowland (1562 - 1626)2 {8 o* Z# |& u+ k
Now, O now, I needs must part
) x, ^7 L4 N1 b! [0 \11. arr. Percy Grainger 3:529 @6 e9 \5 z- e) z$ ^
Teresa Carreno (1853 - 1917)5 g1 T' C2 x- Y$ _; `" I
12. Corbeille des fleurs, Op.9 5:06
/ d5 r/ C' W b; X5 J+ {0 ULouis Moreau Gottschalk (1829 - 1869)
' w; f% `( u0 n4 x0 `13. Home Sweet Home 6:158 U" j0 _3 a. Z; L8 J, N; G2 \3 _
14. Souvenir de Porto Rico, Marche des Gibaros 6:00" R3 Y/ L; G) n0 F- H. `. @. i$ T
Traditional# T) z# m2 K+ \& B$ f$ f
15. Londonderry Air 3:05
' f- j$ l1 s- P- k! X$ B' F0 j7 mGeorge Gershwin (1898 - 1937), F2 r& S& s, N
Lady, Be Good
9 N; d, m6 ]* A5 V! TArr. Percy Grainger* i+ C+ n2 N% Y. F8 b
16. The Man I Love 3:502 q, Z @: q j0 X0 }/ d# G
Clap Your Hands9 b" [+ t3 Y) ^+ U7 L6 d1 E% n! [6 B
17. trans. Artis Wodehouse 2:47! B# y% u8 g* N% W) Q z' l
Alan Feinberg# m9 e) K/ B2 v3 {4 ^! o% N
Total Playing Time 1:13:40' e5 i5 {5 @) g. P( C3 h; l% O: K7 q+ E
- |: [- M+ r9 o1 k0 E- b' C
( h% H Y" H4 f3 B# u8 o% U4 BCD17 Brasiliero
* c+ |# w# Q9 cNelson Freire2 C5 T$ p5 A& q3 ]
巴西风(弗莱雷)
0 E# u0 \. k" ]( zCD 17: Brasiliero
$ d4 H9 @7 i2 X. o/ Z0 H8 oHeitor Villa-Lobos (1887 - 1959)
& d8 S0 C& v8 \: d3 s+ I6 m0 wCarnaval das çriancas! U6 v1 o0 [2 f8 b/ o6 z, q
Children's Carnaval( K# g/ X+ l) E& a: M8 x9 E
1. 1. O ginête do pierrozinho 1:060 e6 R: |) x) {- K. i. T
2. 2. O chicote do diabinho 1:33
' g) c) q9 i/ `' q3 q" ]3. 3. A manha da pierrete 1:57( [3 _7 C3 [6 S2 H, U% y
4. 4. Os guizos do dominozinho 1:08
" I2 E1 p: g; |: C; K* j. j* x/ ~- N2 A5. 5. As peripécias do trapeirozinho 1:16
4 {# K" C! x D' ]6 T0 x3 N% u6 v% Z6. 6. As traquinices do mascarado mignon 1:26
5 r& Q+ k$ s0 \8 ?- J5 ^7. 7. A gaita de um precoce fantasiado 2:50
+ f |! O# Q; s7 h8. Chôros No.5, W207 4:25
8 _3 @9 \& a/ L9 P) |9. A Maré Encheu (Guia Prático) 1:28
0 Z5 ?3 z% w U1 X( t& |" n$ y( q10. Valsa da dor 4:12! r, [, d; p1 J1 {
11. Saudades das Selvas Brasilieras No.2 2:54& C$ } w+ H, k% t. C5 i, j, {5 h
12. Pobre cega 1:32
7 z+ q2 j$ [' y' S9 xCirandas
$ @: A' `6 U+ T1 ~3 _1 `2 I' A N5 v4 y13. 14. A Canoa Virou 2:396 q% }+ l; n+ i( x8 B# b9 v; F( E2 q
14. A Lenda do Caboclo 3:308 O! a% d B3 B! g' o) g$ S: @' z
Mozart Carmargo Guarnieri (1907 - 1993)1 F: @, t1 V- q( o8 H) q) @ n
15. Dansa Negra 3:32
( u, H- E+ R& p, C16. Ponteio No.24 1:41
& Q4 n a& `4 P6 c: o) a' U6 o6 U17. Toccata 2:40
% F* U' x: ]: p" bHenrique Oswald (1852 - 1931)) p' L/ ~; P. K7 e& [! V: G
18. Valse Lente 3:04; V* B/ N" ^4 P& S
Alexandre Levy (1864 - 1892)# h5 y& l0 x4 N. o7 {
19. Tango Brasileiro 2:02
- P1 r' ]+ _0 Z* q7 ]2 r, rBarrozo Netto (1881 - 1941), \4 Z. D. a9 e- E5 y
20. Minha Terra 1:45
4 Z- y3 }9 b1 s% P# d6 J% dOscar Lorenzo Fernândez (1897 - 1948)
" d/ t+ X1 q4 \' g" p% y% ZTres Estudos em forma de Sonatina3 J# f9 o. Z7 z e5 t/ T
21. 1. Allegro con brio 3:27+ L& R& \+ M7 v1 l4 u
Tres Estudos em forma de Sonatina
: l5 J5 T9 R# N5 L& o22. 2. Moderato 3:13$ ^+ Y, D/ E! `# C J$ X h
Tres Estudos em forma de Sonatina
7 C7 \3 I8 s6 p23. 3. Allegro scherzoso 2:08& Z- t% @% A) D+ B n3 r# H
Heitor Villa-Lobos (1887 - 1959)
, @* v0 W5 T, P( w" ~Prole do bebe, Book 2 - Os Bichinhos (1921)
1 C1 F+ N. T( X24. 2. O Gatinho de Papelao 3:42 L2 b. R( N8 X1 E2 n5 c( p/ C$ w
Claudio Santoro (1919 - 1989)5 K3 D/ p6 V9 x9 p: D/ j" G6 z
25. Paulistana No.1 1:26* ^! p6 I' B0 I; ~' Q+ s
26. Toccata 2:58
* c3 K, Y) c) s& Q9 N' cHeitor Villa-Lobos (1887 - 1959)- d* O/ W$ A8 c# D& b4 S
27. New York Skyline, W407 3:03
: h/ {, o9 ~( ]/ Y" ZFrancisco Mignone (1897 - 1986). n9 ^% `' L$ S- _% I4 b) f n
28. Valse Elegante 2:194 X( h# J' ~6 F8 G
Quatro Pecas Brasileiras! \! |2 h( C; Y# C0 A
29. 1. Maroca 1:440 h. ^2 }, a1 ?, s6 r9 b
30. Congada 2:59" Z+ c+ v3 |% @& S0 u$ \
Nelson Freire7 b9 v; p) s; a
Total Playing Time 1:13:39
/ F- ~+ s+ K6 V/ x# L D. B2 J# f: [7 T: d/ [* q4 @
+ m( \9 n. U% h
CD18 Chopin, Liszt, Ravel
9 T+ H+ ~5 F, b# l' A* Q+ Z+ Liszt: Gnomenreigen; Bach/Kempff: Siciliano from Flute Sonata No.2
0 R) Y1 f `7 \' fBenjamin Grosvenor
! L! {* P; Z/ m% SGrosvenor’s debut disc plus the first CD release of Liszt: Gnomenreigen and Bach/Kempff: Siciliano2 V y6 ?+ L5 l# G+ ~" A
肖邦、李斯特、拉威尔钢琴作品 (Grosvenor 格罗斯文诺尔)
6 {# f# a' P; I' x2 C/ UCD 18: Chopin: Four Scherzi; Ravel: Gaspard de la nuit
2 N$ F: ?6 s. @% _* X, v7 N9 k% EFrédéric Chopin (1810 - 1849)1 u7 p- Z8 _7 t7 f+ ^# i: }
1. Scherzo No.1 In B Minor Opus 20 8:14
% I0 o' E# U0 S0 }: s& {2. Nocturne No.5 in F sharp, Op.15 No.2 3:06
6 X, a9 I" [9 C* @7 S3. Scherzo No.4 In E Opus 54 9:569 Y: {# W! N; s& T& E: t) X8 T
4. Nocturne No.19 in E minor, Op.72 No.1 3:59: M' Y3 U0 C0 I: r+ b8 R# c' N
5. Scherzo No.3 in C sharp minor, Op.39 6:361 x4 Y# g- ?0 x8 O0 Z- Y& \
6. Nocturne In C Sharp Minor, Op. Posth. 3:43
! m5 r9 C: _% C; f# M7. Scherzo No.2 In B Flat Minor Opus 31 9:11; |- S+ g' f8 L: \* _& [
6 Chants polonais de Frédéric Chopin, S.480$ k. H+ d, n4 f4 N% H
8. 5. My Joys 3:20( i' Y% T" K- c* a Q& @' q0 o
9. 1. The Maiden's Wish 3:359 I% k- }0 p, j% q. {
Franz Liszt (1811 - 1886)
8 | G* N3 o) q10. En reve, nocturne, S.207 2:20
0 ~- J/ v) u3 ?0 N+ }7 {Maurice Ravel (1875 - 1937)1 M! F5 }" M( T2 w- v
Gaspard de la nuit, M.55
7 N9 g" f- l5 ^11. 1. Ondine 6:31/ M5 U- H+ t4 \, J/ H
12. 2. Le Gibet 5:305 i5 X" ^7 N% _8 m) p9 B. c
13. 3. Scarbo 8:38
6 Q6 H6 Q$ s3 v! k* `0 [: s0 W$ ^( IFranz Liszt (1811 - 1886)
* ^- ], e/ U7 z3 k6 f4 B/ @5 o2 Etudes de Concert, S.145
9 Q1 _5 X9 Q# r( ^* E \14. No.2 Gnomenreigen 2:44
) ^3 P: o7 W# A$ aJohann Sebastian Bach (1685 - 1750)! ]' B1 \7 t+ s: i. Q. p
Sonata For Flute & Harpsichord, BWV 1031
% O' w" w3 [+ k# A# F15. 2. Siciliano (Arr. Wilhelm Kempff) 3:36
, `, V2 u. [; Z/ H) b8 K1 d3 W0 eBenjamin Grosvenor- u: d, p) i0 V* f
Total Playing Time 1:20:59
1 W' `& p! @7 E/ w( W# Y7 f- x6 e( {7 D' q2 J; o. H
' J6 d( P/ q2 P0 s U9 v. g1 Q% @
CD19 Beethoven: Piano Concertos 1 & 2 (Stein)
+ ?7 b/ \+ j3 [# OFriedrich Gulda
2 G% e( H2 R" l1 R% b o贝多芬:第1、2钢琴协奏曲(古尔达)
$ n) {3 Q( E' k( `- L: b' O( Y7 iCD 19: Beethoven: Piano Concertos Nos. 1 & 2
1 Y" f+ {' C- r7 S& q5 j+ z+ H, L0 {Ludwig van Beethoven (1770 - 1827)" Y9 h& b, y* k$ Q/ @6 r+ i* y
Piano Concerto No.1 in C Major, Op.15* D" e0 `4 O6 l5 ]: F& I
1. 1. Allegro con brio 18:00( g9 S1 |. Q: @8 X) }' M; p
2. 2. Largo 11:198 K5 m. A( z1 t" R
3. 3. Rondo (Allegro scherzando) 9:02/ j1 \5 k& Z) e& `1 e7 \5 t% c
Piano Concerto No.2 in B Flat Major, Op.19
8 A( _1 E6 a- f! s2 F3 b2 K/ F4. 1. Allegro con brio 13:48
& u' b: L. u* w/ a7 \8 `- [5. 2. Adagio 8:20" [8 e/ f3 Y9 W: E- d1 b, n$ v
6. 3. Rondo (Molto allegro) 6:51' g5 Z, E5 ]2 X2 |4 o% N: K
Friedrich Gulda, Wiener Philharmoniker, Horst Stein
/ A2 T9 S' @2 t. _Total Playing Time 1:07:20& c# h2 p+ `, ~3 z4 E# \6 v0 a
$ n" Y/ }% v7 [. _0 s8 I& r9 n4 y
: s$ c# ^% m! O/ I; c: K
CD20 The Early Recordings
a2 x) E( O4 n, H9 hFriedrich Gulda b1 |7 O% O g7 J
First international CD release
3 `$ ~0 l6 {7 n: r% ?4 L% t古尔达早期录音集7 g. Q- M6 X/ i, n) {
CD 20: Gulda - The Early Recordings, o: ?! A* I& B+ U1 L
Johann Sebastian Bach (1685 - 1750)
4 v* ~1 T) ]6 d, ^2 h. ?( v$ P6 d7 aThe Well-Tempered Clavier: Book 1, BWV 846-8692 u. S/ d/ r3 J# }
1. Prelude & Fugue in G Major, BWV 860 3:18
4 Z" \0 ^, E' c5 SPartita No.1 In B-Flat Major, BWV 8250 k% n$ z( ?7 k) P% i% S! z
2. 5. Menuet I 3:35
' F3 y2 o% o: j% x, u3. Fugue In C Minor, BWV 911 7:26( F& g$ j, ]$ ~' {% }+ a7 E0 S
Ludwig van Beethoven (1770 - 1827)9 w5 t* T \3 R X- Q
11 Bagatelles, Op.119+ x! L) u. Y9 V Z! T6 D" O
4. 11. Andante, ma non troppo 1:53
: F- R4 G0 x2 ~' G/ C8 }' f( n5. 6 Ecossaises, WoO 83 2:01
1 A8 [/ `) H1 U4 D& pFrédéric Chopin (1810 - 1849)4 b6 F: [3 v0 _8 ~8 n: u3 R7 q
6. Berceuse In D Flat, Op.57 4:19
' c9 L9 o. o0 |% R% V% U; E12 Etudes, Op.25
$ I) S( g5 p) C( |3 Y$ t7. No.1 In A-Flat Major - "Harp Study" 2:06
2 { a# @- ~9 {7 `8. No.2 in F Minor 1:24
; n7 q8 |+ C4 R2 n9. Ballade No.3 In A-Flat Major, Op.47 6:36; X7 @( m! y4 O d2 E4 w
Sergei Prokofiev (1891 - 1953)& R# j+ D- G, s3 \: \* \
Piano Sonata No.7 in B flat, Op.83
9 u" p' K- H. N9 [' o/ D7 w5 F10. 1. Allegro inquieto - Andantino - Allegro inquieto - Andantino - Allegro inquieto 8:02
: W% a8 l' t2 }- m! m11. 2. Andante caloroso - Poco più animato - Più largamente - un poco agitato - Tempo I 6:16
0 K7 F, k3 @& V$ @4 r12. 3. Precipitato 3:03
( d4 z4 b; q4 {' T7 W7 rClaude Debussy (1862 - 1918)
; n! J4 j. v" q$ m: P' m13. L'Isle Joyeuse, L. 106 5:135 Q3 V V( H" ]
Images - Book 1, L. 110
8 t' M" d$ J$ K' L! T+ Q14. 1. Reflets dans l'eau 5:01
- m& o. Q% [3 d' oWolfgang Amadeus Mozart (1756 - 1791)
, N" s: o& V1 n. ~- j6 V. k3 |Piano Sonata No.18 In D, K.576: ~ \% F! r, ]) ]1 k
15. 1. Allegro 4:54: @) C, d' u) G5 Y! d
16. 2. Adagio 4:50
8 @, Y" Q- O) u4 h, q17. 3. Allegretto 3:547 t( S6 a- L7 c& w! s) M9 _
Friedrich Gulda
9 a( b$ Y5 R7 w5 {Total Playing Time 1:13:51: ?6 B3 i) w% S$ I4 m& S s5 m. O6 }
6 J9 w) l- C; Z+ r3 o4 w3 P
3 k3 k1 g6 V; ~7 W( [CD21 Tchaikovsky: Piano Concerto No. 1; Grieg: Piano Concerto (Maag)# t3 u! T& i$ p- _
+ Lutoslawski: Paganini Variations (piano & orchestra version, Ashkenazy conducting)7 Q! g" Q6 i6 |
Peter Jablonski8 u8 T. A0 @: k% @+ u1 V7 T
柴可夫斯基:第一钢琴协奏曲 - 格里格:钢琴协奏曲(Jablonski 雅布伦斯基)
# t( O" Y) C ZCD 21: Tchaikovsky: Piano Concerto No.1 in B Flat Minor; Grieg: Piano Concerto in A Minor
+ d. @8 L) U, M/ z4 Q! i/ wPeter Ilyich Tchaikovsky (1840 - 1893)# O6 |! i5 I7 m1 G a
1. 1. Allegro non troppo e molto maestoso - Allegro con spirito 21:35
4 P- v( [9 b8 V% oPyotr Ilyich Tchaikovsky (1840 - 1893)
2 u S5 r0 R' A: s3 A5 OPiano Concerto No.1 In B Flat Minor, Op.23, TH.558 r5 d0 L" a* x9 L3 {8 D2 l$ P
2. 2. Andantino semplice - Prestissimo - Tempo I 7:362 U+ T: c9 b8 K/ @8 z- j+ T
3. 3. Allegro con fuoco 6:59
! ^2 n+ P6 B/ AEdvard Grieg (1843 - 1907)
- }' B1 W- H o4 q% z( @) hPiano Concerto In A Minor, Op.164 |* \: r3 c5 \, r% g' o
4. 1. Allegro molto moderato 13:54! V& i$ v2 K# |$ G
5. 2. Adagio 7:00
' x) y5 l8 G3 x3 ]6. 3. Allegro moderato molto e marcato - Quasi presto - Andante maestoso 10:37) U4 _! I0 B" I
Peter Jablonski, Philharmonia Orchestra, Peter Maag3 k6 P- k% {' K
Witold Lutoslawski (1913 - 1994)) ?3 s5 D2 y2 Y0 b, o
7. Paganini Variations, for Piano & Orchestra 8:44
2 d. q) U O% i: ^6 Q$ l, |7 oPeter Jablonski, Royal Philharmonic Orchestra, Vladimir Ashkenazy
0 B& \/ T8 K S f+ M2 ?! DTotal Playing Time 1:16:25
* f& S0 f9 [( Y; }" b/ B; ?; L; L3 C3 H% i6 C) Q
) \) T% z! `4 l2 _3 SCD22 Debussy: Préludes, Books I & II
+ T# r; w9 F1 G: W! Q9 F! NJean-Rodolphe Kars
/ x. S) D E K; O9 WPresented for the first time on one CD; [ c' h7 C- {* g- Y
德彪西:前奏曲全集(Jean-Rodolphe Kars 卡尔斯)
& `* e) @8 F! UCD 22: Debussy: Preludes Books 1 & 2
( w1 W, g4 ?5 f2 H) BClaude Debussy (1862 - 1918)5 \9 V3 ]' Z& @
Préludes / Book 1, L. 117
5 A9 G% m+ w& v; w$ Y& N9 S1. 1. Danseuses de Delphes 3:56) o( e# y. ^! q0 g; f& Q( P# u# G
2. 2. Voiles 3:50
/ W0 `& ?5 Q4 v9 v# U0 K9 ~% S$ ~3. 3. Le vent dans la plaine 2:13
: W8 Y% [$ |; A: O, ~4. 4. Les sons et les parfums tournent dans l'air du soir 3:255 U! T7 k- _3 w/ [* F
5. 5. Les collines d'Anacapri 3:08- e/ F5 N. H J ~+ ~3 w
6. 6. Des pas sur la neige 4:52$ `. ?. U4 M1 q9 d
7. 7. Ce qu'a vu le vent d'ouest 3:11
- V% ?9 k( F2 y, U; _8. 8. La fille aux cheveux de lin 2:30, w2 N) I0 Z7 M6 |
9. 9. La sérénade interrompue 2:47
+ @4 S- G+ V3 P% l& ^10. 10. La cathédrale engloutie 8:069 S9 ~. u; ]# t# U; O0 L4 p0 i' x: {
11. 11. La danse de Puck 2:11& y( R" @8 j4 o' T
12. 12. Minstrels 2:21
0 i* ^9 Z; M6 j- }: @. QPréludes - Book 2, L.123
/ i0 S" j6 d8 t13. 1. Brouillards 4:43
3 D( K& F' f) J- [% \& W0 w1 Y14. 2. Feuilles mortes 3:57
N( {2 D7 |" T/ q15. 3. La puerta del vino 3:25 c( k) u0 E! E7 B; U( Z7 L; F
16. 4. Les fées sont d'exquises danseuses 2:408 V2 [: `/ N; n. ~6 `, A
17. 5. Bruyères 2:35( T! z9 \6 Z: Q
18. 6. General Lavine - eccentric 2:27
8 Y1 l( Y, H/ [9 C! A! {4 r19. 7. La terrasse des audiences du clair de lune 5:55
/ t p2 ~2 m& `0 `/ Y9 T20. 8. Ondine 3:21( B- Z& A7 Q% H" Z$ Y
21. 9. Hommage à S. Pickwick, Esq., P.P.M.P.C. 2:49
/ Y8 }& E6 F6 E# }/ b/ L. C, }22. 10. Canope 3:12
+ F. X. M' {5 \1 a) Y23. 11. Les tierces alternées 2:273 @1 I6 V% D/ J$ P
24. 12. Feux d'artifice 4:10
e) Z8 G+ P# a& a8 V7 ZJean-Rodolphe Kars
- F7 f8 N) h8 z) @. pTotal Playing Time 1:24:11
( l; W' I; I" j7 v5 t* n; H( ^1 E; O0 V1 L9 R1 p
9 q$ \2 u4 @9 V% B; q, }) S- o* ?CD23 Brahms: Hungarian Dances (Vol.1: solo, Vol.2 piano duet with Jean-Pierre Marty)
' B9 s# K$ a8 qPaganini Variations (1965 recording)' ?8 W! `( N1 B* S( x+ h- |
Julius Katchen
~3 c9 T. g0 ^" r8 c! p: v9 o勃拉姆斯:匈牙利舞曲,帕格尼尼变奏曲(卡琴)
/ b- J9 O9 ]8 ], w8 `: g5 N7 K2 ECD 23: Brahms: Hungarian Dances; Variations on a Theme by Paganini
! U# q; E" R& n8 o' lJohannes Brahms (1833 - 1897)9 ]- x9 {1 o% |* w6 f
1. Hungarian Dance No.1 in G Minor, WoO 1 No.1 2:54, b9 J/ A' }; V4 Z+ p$ F) a5 o
2. Hungarian Dance No.2 in D Minor, WoO 1, No.2 3:06
$ Y5 a; [$ Z7 |3. Hungarian Dance No.3 in F Major, WoO 1 2:19+ M+ x! @8 ^' T. V. w6 k4 Q0 ]
4. Hungarian Dance No.4 in F Sharp Minor, WoO 1, No.4 4:14
! e! S( {5 E2 x0 K5. Hungarian Dance No.5 in G Minor, WoO 1 No.5 2:108 N( v) ~5 h2 y8 k
6. Hungarian Dance No.6 in D Flat Major, WoO 1 3:08; a% @9 l) A5 j8 h$ b/ d- K
7. Hungarian Dance No.7 in A Major, WoO 1, No.7 1:27& _! l' `$ r1 R
8. Hungarian Dance No.8 in A Minor, WoO 1, No.8 2:34
, D, O/ y: I7 k9. Hungarian Dance No.9 in E Minor, WoO 1, No.9 1:43& J3 b' z6 n4 O4 n: |. B
10. Hungarian Dance No.10 in F Major, WoO 1, No.10 1:56
+ A- F/ ]8 t7 xJulius Katchen
" X9 d( g5 e Q# u0 K11. Hungarian Dance No.11 in D Minor, WoO 1, No.11 2:128 V% v7 x, ?8 z! M0 E
12. Hungarian Dance No.12 in D Minor, WoO 1, No.12 2:02; x1 e$ Y3 `: [% w
13. Hungarian Dance No.13 in D Major, WoO 1, No.13 1:189 J3 O: L# x0 G$ ]+ c8 d; e1 u* [
14. Hungarian Dance No.14 in D Minor, WoO 1, No.14 1:273 S" D, U1 {- }* R" l
15. Hungarian Dance No.15 in B Flat Major, WoO 1, No.15 2:344 ?4 D: Y3 b: V% K- E7 ~
16. Hungarian Dance No.16 in F Minor / Major, WoO 1, No.16 2:03! a$ ]* w( t* f/ M7 ~
17. Hungarian Dance No.17 in F Sharp Minor, WoO 1, No.17 2:52( {1 M; M' k0 A- K# w
18. Hungarian Dance No.18 in D Major, WoO 1, No.18 1:149 }# ?' b+ u% x5 e7 r$ ^: l( ~
19. Hungarian Dance No.19 in B Minor, WoO 1, No.19 1:49
* y* L- ^3 N$ \, E( }20. Hungarian Dance No.20 in E Minor, WoO 1, No.20 2:01
6 z+ h: M" h% l2 _& M* \- `21. Hungarian Dance No.21 in E Minor, WoO 1, No.21 1:19
9 J; L! t& h j4 w5 h- } n" V0 zJulius Katchen, Jean-Pierre Marty
( B5 T5 U6 T( r. \Variations On A Theme By Paganini, Op.35' S3 C2 i; s! O0 v! B7 x6 v' U4 r
22. Book 1 11:241 k4 D. b2 V9 j/ H( |- L" Y
23. Book 2 8:56 X6 y) U5 q4 o8 M
Julius Katchen
( _. O8 y: I* D: f5 n4 {Total Playing Time 1:06:42* D+ C/ O6 ]: |7 ?/ V7 E
$ r& p/ Y, `: m4 |2 T$ N" ?$ T" L6 ~& d
CD24 Dohnányi: Nursery Variations; Rachmaninov: Paganini Rhapsody (Boult) + Rachmaninov: Piano Concerto No. 2 (Solti)
F8 N% z0 C5 Q/ T7 PJulius Katchen
3 [2 @9 O/ R$ k( f1 M* e: H9 t拉赫玛尼诺夫:第二钢琴协奏曲,帕格尼尼主题狂想曲 - 多纳尼:儿歌变奏曲(卡琴)* J0 s5 ]9 o$ I3 S& d. Y" M- t
CD 24: Dohnanyi: Nursery Variations; Rachmaninov: Paganini Variations; Piano Concerto No.2 in C Minor5 `) P0 B; x: |# C
Sergey Vasil'yevich Rachmaninov (1873 - 1943)
4 U* x2 k9 a' h& W6 Q; zRhapsody On A Theme Of Paganini, Op.43: X* Y5 I5 ~0 v/ X' i2 I
1. Introduction & Variation 1 0:30
+ g4 n* o% C$ t- Z+ A# V2. Theme 0:19
: W6 m3 X/ a, E8 f- T7 h3. Variation 2 0:189 W2 w) @ n+ |) m, ^: i5 M
4. Variation 3 0:255 e5 u) k8 S5 i5 x8 }1 Z0 ?
5. Variation 4 0:26& e( V6 X$ \1 F+ Q
6. Variation 5 0:27& R; N) q \. q4 \) k
7. Variation 6 0:52' J% j, c& @. G
8. Variation 7 1:02( ]% j& @0 L1 }0 J1 ]+ R9 D
9. Variation 8 0:32
3 f7 Q3 z- [! ]2 w. O' j2 P3 r, U0 T10. Variation 9 0:31& p6 L% X) Z! @
11. Variation 10 0:520 c. G: T t# t: Z3 F
12. Variation 11 1:244 o2 s$ M. |6 K- v5 Z9 E( ?
13. Variation 12 1:24# D/ k" `' P2 |0 f8 s
14. Variation 13 0:29
2 Q4 q8 m: L1 K5 g15. Variation 14 0:43( ]/ j2 P+ {+ }4 @& X& o9 C
16. Variation 15 1:01
) T* Z; Z$ d* s$ T i17. Variation 16 1:258 }& b9 {( _, A- O
18. Variation 17 1:57% x+ _3 W1 u& B& ~+ C4 Q& a5 N
19. Variation 18 2:37# V; O4 J% G) g+ {! P) `
20. Variation 19 0:29
* S. g1 f: L7 V/ {& h3 _21. Variation 20 0:34
6 |5 ~; s+ N4 _+ p7 n* l1 i, g22. Variation 21 0:237 x# j+ b" M6 M) J7 D
23. Variation 22 1:39) p0 U. m8 I. P$ y1 ?
24. Variation 23 0:43
# E. [& f% u; U$ L& W5 D# A% i25. Variation 24 1:100 Z' ]4 f" ?2 j! X2 C
Ernst von Dohnányi (1877 - 1960)
- F8 h8 D/ [- c: Z1 G f4 KVariations on a Nursery Song, Op.25
+ }1 q I Q9 y: z26. Introduzione (Maestoso) 3:45
( ]8 E3 Y3 @7 ~# y9 ?' p$ H27. Tema (Allegro) 0:540 }/ D; N$ u, K+ V" Q
28. Var.1: Poco più mosso 0:34/ o5 k8 `( l8 [6 a( K
29. Var.2: Risoluto 0:303 t1 j8 C! y# X5 V
30. Var.3 1:31
]7 N' N- ?- T0 a3 h( o31. Var.4: Molto meno mosso (Allegretto moderato) 1:09% ^) L% d9 A8 g) a2 f! M; y
32. Var.5: Più mosso 0:58
. K! d* l6 q5 x2 c* [' {+ k2 H33. Var.6: Ancora più mosso (Allegro) 0:40" q1 u) v/ q/ U2 Q& P
34. Var.7: Walzer (Tempo giusto) 2:05
' z8 T! H) `7 A$ @35. Var.8: Alla marcia (Allegro moderato) 1:31! L7 f9 L* s0 N5 Y2 W
36. Var.9: Presto - Andante rubato 1:49
2 n. W0 W e4 E. |" }: c% \# c37. Var.10: Passacaglia (Adagio non troppo) 3:27
) P, p6 v7 Z3 j38. Var.11: Choral (Maestoso) 1:27
: X) v6 |4 } Z7 b39. Finale Fugato (Allegro vivace - Tempo del tema -Molto allegro) 2:57
- E: K) h6 `% p5 [, z: J3 vJulius Katchen, London Philharmonic Orchestra, Adrian Boult
% k W" \% g4 BSergey Vasil'yevich Rachmaninov (1873 - 1943)
. Q5 O9 J% H1 z oPiano Concerto No.2 In C Minor, Op.18' j. g/ H$ w5 V
40. 1. Moderato 9:44- X7 y# v# h7 p3 ^ s8 _
41. 2. Adagio sostenuto 11:58- u1 R) t' N2 X: |1 l, v
42. 3. Allegro scherzando 11:07$ d( @) {% f3 L* T' @
Julius Katchen, London Symphony Orchestra, Georg Solti1 V) `4 M: Z z$ \( ?: Z$ K
Total Playing Time 1:18:18% b' P; \& n* v
" A# [& y' S. X. N0 y+ J
$ }' W, k/ O7 K# t; G' u2 cCD25 Mendelssohn: Piano Concertos 1&2 (Collins); Capriccio; Rondo (Martinon): Z0 m o+ U2 F8 @. G
Peter Katin
9 S( n3 g; P( p, V门德尔松:两首钢琴协奏曲,随想曲,回旋曲 (彼得.卡廷)
4 p9 P- b: c t) p1 O8 gCD 25: Mendelssohn: Piano Concertos Nos. 1 & 2; Capriccio Brilliant & Rondo Brillant
- T+ [0 }' x# |: `4 j$ `2 D) hFelix Mendelssohn (1809 - 1847)/ W( C {, a- z0 ]0 Z6 `8 U, a
Piano Concerto No.1 In G Minor, Op.25, MWV O7
- r3 n% ]% t, R' D& c# ^1. 1. Molto allegro con fuoco 7:46
4 g( W ~; s% n/ x6 @( n2. 2. Andante 6:13
( W. Y5 [ j5 q3. 3. Presto 6:54: A" `4 ]5 U5 v! P' c- Q1 r
Piano Concerto No.2 in D Minor, Op.40, MWV O113 L/ s3 C# Q2 B- Z" L- H# m
4. 1. Allegro appassionato 10:22
: ~" \% J7 T# C1 h8 D5. 2. Adagio. Molto sostenuto 7:24( J" p1 a2 ]# b/ f$ g% G
6. 3. Finale. Presto scherzando 6:30+ `5 c$ y3 ]4 a6 \9 ~1 T
Peter Katin, London Symphony Orchestra, Anthony Collins
8 y) M2 s# u3 ~# X) f2 Z/ H6 r7. Capriccio Brillant in B minor, Op.22 10:35
8 l+ Q9 }4 V) @( a8. Rondo brillant, Op.29 9:516 i6 J, ~5 i8 Y5 n9 A
Peter Katin, London Philharmonic Orchestra, Jean Martinon
! z" t# o: s! Y; ]0 I/ y+ yTotal Playing Time 1:05:35; _) i- l" N$ r
& s; d9 ]6 O6 b% z' `4 G% K
. J$ K, ~( s" m2 A3 Q& E
CD26 Bach Recital + Couperin, Rameau, Beethoven Handel8 o- ]+ |1 \% Z) }7 Q( g: G
Wilhelm Kempff) ^8 P% V) H1 M4 B$ j
First international CD release
% |, [( S) _3 c) Z8 C肯普夫演奏巴赫/ o5 P% L) k8 `; L+ V/ \4 n+ b
CD 26: Kempff plays Bach
9 O/ N8 i; ?* T z; L: cJohann Sebastian Bach (1685 - 1750) g( P& A8 V0 Y' T6 v3 d
1. Chromatic Fantasia And Fugue In D Minor, BWV 903 12:44: w( Z" h" x9 x T( O
2. Nun komm, der Heiden Heiland, BWV 659 (Arr. Piano) 6:02
( U# }3 |& R$ ~7 D5 WHerz und Mund und Tat und Leben, Cantata BWV 147
7 i9 X6 D- e" R. O' D3 b3. Jesus bleibet meine Freude (Arr. For Piano By Wilhelm Kempff) 3:46
4 X* D. J$ p& {7 d+ R# }# gHerzlich tut mich verlangen, BWV 727
/ i/ a5 U. c1 s* z6 u) Q7 d4. Arr. Wilhelm Kempff 2:45* I9 k; {; s* D. L- x: `
5. "In dulci jubilo", BWV 729 (Arr. Wilhelm Kempff) 2:014 F( l, e" `( g' B9 U- `4 Q
Nun freut euch, liebe Christen g'mein, BWV 734
/ c- t8 Y5 d& ?* J: q7 ~3 T6. Arr. Piano 1:456 b3 n5 I/ h% w& P2 X3 I3 s! f/ T
Sonata For Flute & Harpsichord, BWV 10314 F1 ^& C6 p$ k3 a
7. 2. Siciliano (Arr. Wilhelm Kempff) 4:189 G" e7 t, I/ M, S! X- _" [ h
Wachet auf, ruft uns die Stimme Cantata, BWV 140
& K/ F* Y! e& _5 OArr. Piano
& l; k* V7 N1 _ M/ j. D5 r/ N8. Wachet auf! ruft uns die Stimme 5:057 C3 I) X6 z! f2 ]* j
George Frideric Handel (1685 - 1759)6 l* j( h E9 ?$ B1 ^
Harpsichord Suite No. 5 In E, HWV 430 - "The Harmonious Blacksmith"
3 f7 e4 v: ]5 H; ]% D9. 4. Air con variazioni ("The Harmonious Blacksmith") 5:28
+ M1 n4 b/ }8 v" fHarpsichord Suite No.1 in B flat major (Set II), HWV434
% A9 X' ?/ N! m& ?+ Jarr. Kempff, ]& P/ [3 o0 P0 e1 E/ }6 t* o
10. Minuet 3:25
4 b3 i& Z" F* S* aFrançois Couperin (1668 - 1733), Z" k. P" d9 b# |9 ?% F2 b8 }
Pièces de clavecin - Troisième livre! W( w' f0 G) t3 Y% }$ L: w
14e ordre+ W/ z, }( Q' u1 R
11. Le carillon de Cithére 4:54
b" |9 X2 a5 I P: B4 }2 G2 wJean-Philippe Rameau (1683 - 1764)
4 a* B+ g; D1 m9 g }6 X& `: kPremier livre de pièces de clavecin, RCT 1, }( ], _* d4 e) O
arr. Kempff8 J- H# e0 ]2 |9 S w3 @* k
Suite in E minor (1724, rev 1731)
' I Q0 g2 e. u x3 R; b9 P12. Le Rappel des oiseaux 3:26
1 ?4 K" X, j+ I* u% }, eLudwig van Beethoven (1770 - 1827)
; r2 T z" o8 Z13. Bagatelle in C minor WoO 52 4:22
& v. e! E; K) l14. Bagatelle In A Minor, WoO 59 -"Für Elise" 3:31/ q" Y# Y, I) Z$ ^. ] y2 x
Wilhelm Kempff
* O; D. {+ I7 X* ^' b5 STotal Playing Time 1:03:324 K4 J; C9 l4 C( I7 g
8 x! P$ w% G a* c; l: T/ r) m6 ^ P" N S4 p( L6 y% B4 l
CD27 Schubert: Sonata D.845; Sonata D.960
9 D2 K8 B& j4 pWilhelm Kempff
6 A7 w$ f( _1 y: GFirst international CD release# {) K( s9 |8 a( T( a
舒伯特:钢琴奏鸣曲D.845、D.960(肯普夫)" }1 n6 T. \' W# i
CD 27: Schubert: Piano Sonata No.16, D.845; Piano Sonata No.21, D.960
" g6 u n* n" {3 h# B7 B8 jFranz Schubert (1797 - 1828)
( g& Z- k' M" U8 S8 K& o8 iPiano Sonata No.16 In A Minor, D.845
5 |7 }% O- |* N' @! q$ D! E1. 1. Moderato 11:03
# D' _- U( Q9 s! i L2. 2. Andante, poco mosso 11:33
# M# U: o$ j# o2 a6 p3. 3. Scherzo (Allegro vivace) - Trio (Un poco più lento) 7:03
$ W# u3 T; f- \- L4. 4. Rondo (Allegro vivace) 5:10& `' j; ^* t! B
Piano Sonata No.21 In B Flat Major, D.9609 ]6 c4 l3 Y: {5 D
5. 1. Molto moderato 15:00- R4 D% r* m/ t
6. 2. Andante sostenuto 8:48, W1 T: d k+ {0 M D
7. 3. Scherzo (Allegro vivace con delicatezza) 4:22$ O' S! O4 D7 e7 t
8. 4. Allegro ma non troppo 7:49
4 N) Z0 t( m* vWilhelm Kempff- A+ R) [$ @8 X) R8 r# z
Total Playing Time 1:10:48% Q% i& U9 g. O! |
! X1 V( u/ u7 S7 }4 T* P. |3 k& i4 X: I- n
CD28 Albéniz: Ibéria (analogue recording)
$ t: k9 d9 R- }1 u& ~. M) TAlicia de Larrocha- R8 `3 b4 k( O. F
Presented for the first time on one CD8 v2 Y& a- V2 D& L
阿尔贝尼兹:伊贝利亚(拉罗查). n a" ^: I8 X- K3 `
CD 28: Albéniz: Iberia
+ j' S5 m4 B% E# ^' h8 gIsaac Albéniz (1860 - 1909)- F# ~2 u# H# {% I8 C
Iberia, B.47
- @7 d c0 S$ k9 S. X3 \Book 1. [2 F1 w) e( o" s9 S0 A3 n' ?
1. 1. Evocación 5:47% e8 }6 V: G+ z" @
2. 2. El Puerto 4:035 e) @5 z$ S2 P; q
3. 3. El Corpus en Sevilla 8:374 y' W9 K+ D* g c9 Y
Book 2; i8 A+ r3 a1 N
4. 4. Rondeña 7:19
. J: c) V; |; ^ O# P. m1 F, c H5. 5. Almeria 9:54
$ h T4 G+ M% B; ]0 X6. 6. Triana 5:00( p! x- t5 u; K2 Z% C1 u
Book 3
7 Y2 z2 W `" o. e( A4 R# Z7. 7. El Albaicín 7:38
7 J5 y0 _ O: r9 ^; Y2 k1 |8 `8. 8. El Polo 6:50
5 b0 W' a' [3 L, r, l9. 9. Lavapiés 6:30
9 Z" ^4 B5 c8 l; QBook 47 x3 M4 A# p8 s# j! Y/ W' W
10. 10. Málaga 4:51
+ A, @% m( H; d! x3 J: L( q; G11. 11. Jérez 9:52. S+ s! ^9 o ` ^1 p3 S; r
12. 12. Eritaña 5:19
/ Q' S) J+ s0 iAlicia de Larrocha7 x" s% q( }4 F0 }9 F1 \
Total Playing Time 1:21:40
9 @7 p- a \ g
( r& o3 E. X6 M& t) V/ E
& p e! C# E9 Q: \2 CCD29 Liszt: Sonata in B minor • Schumann: Fantasie, Op. 17 • Falla: Nights in the gardens of Spain (Commisiona)
5 C: k! ?$ q" R" F" EAlicia de Larrocha
4 ~+ |9 X9 ~* A0 p3 `6 a李斯特:钢琴奏鸣曲,舒曼:幻想曲 - 法雅:西班牙花园之夜(拉罗查)- h! v1 ]# |$ H& q+ P+ x7 a
CD 29: Liszt: Sonata in B Minor; Schumann: Fantasie, Op.17; Falla: Nights In The Gardens Of Spain
, A- G7 e& z1 E0 `0 ?Franz Liszt (1811 - 1886)
6 Q. m/ ^* b! V% T1 Z% CPiano Sonata In B Minor, S.178
1 L, A4 D& e9 c! F& L/ u6 K( f4 e2 \1. Lento assai - Allegro energico - Grandioso - Recitativo 12:132 b3 S4 {4 I$ v6 u, P
2. Andante sostenuto - 7:008 `* _" W# k9 ]; e
3. Allegro energico - Andante sostenuto - Lento assai 10:52
& [9 W# H9 R- }) jRobert Schumann (1810 - 1856)5 n" P0 N; p& @% O+ z9 a% q
Fantasie In C, Op.174 u& @2 N$ C- z8 T ?5 L* R' k/ D
4. 1. Durchaus fantastisch und leidenschaftlich vorzutragen - Im Legendenton - Erstes Tempo 13:353 B6 P1 W8 X7 \' B1 s/ t3 E7 A
5. 2. Mäßig. Durchaus energisch - Etwas langsamer - Viel bewegter 8:13: Q m; P% G- e9 S
6. 3. Langsam getragen. Durchweg leise zu halten - Etwas bewegter 10:079 n! x# h# V- h4 j- Y# o
Alicia de Larrocha$ y3 R a# z* O7 B/ `
Manuel de Falla (1876 - 1946)
4 |# d8 m# L/ f% lNoches en los jardines de España
0 J8 [* X) q) k+ E- S7. 1. En el generalife 10:21
% X ^$ E/ L- {8. 2. Danza lejana 5:206 i& r- w9 |* O7 p! l
9. 3. En los jardines de la Sierra de Cordoba 8:54
$ o( Z7 w# ^& e: i N5 i Y% tAlicia de Larrocha, L'Orchestre de la Suisse Romande, Sergiu Comissiona
0 [/ |, @6 a" _5 `, y$ n |0 I: WTotal Playing Time 1:26:354 B4 k& f, N3 M& s$ G' S" [, }4 v
$ V6 U9 p8 D% T" n2 L1 e) Z% y4 w9 v4 _) y
CD30 Ravel: Piano Concertos (Foster) • Fauré: Fantasie, Op.111 (Frühbeck de Burgos) + Franck: Variations symphoniques (Frühbeck de Burgos)* y0 K2 N- f. _: n% j5 T0 G) p2 w; S/ n
Alicia de Larrocha
) Y9 P$ a2 c. P7 B. I( I拉威尔:钢琴协奏曲,福莱:幻想曲 - 弗朗克:交响变奏曲(拉罗查)/ n; {8 q3 x2 Z' L
CD 30: Ravel: Piano Concertos; Fauré: Fantasie; Franck: Variations Symphoniques
, ?. ]% h6 q8 M& ]+ |+ Y8 k6 wMaurice Ravel (1875 - 1937)2 z) e2 l- C" D5 e
Piano Concerto In G Major, M. 833 G& P3 |; ?+ [, h8 @; @4 o
1. 1. Allegramente 8:34
/ O7 t" y4 s* q5 S# Y" [2. 2. Adagio assai 10:07
* ]+ p& V U# ^1 m3. 3. Presto 4:08
3 M5 r* N1 ^. u$ M5 Q4. Piano Concerto For The Left Hand In D, M. 82 18:45
# C' S1 F5 i+ j9 I: j8 G1 JAlicia de Larrocha, London Philharmonic Orchestra, Lawrence Foster; r7 Z! h- n' c$ p' I
Gabriel Fauré (1845 - 1924)0 v1 i8 d7 U/ K/ g
5. Fantaisie for piano & orchestra, Op.111 14:35
6 C/ b$ |! x2 M; Q" rCésar Franck (1822 - 1890)
. T! s+ x' O. p$ u$ k) a4 K2 Q6. Variations symphoniques 16:55! J& x' r j% |4 E# d) y3 H
Alicia de Larrocha, London Philharmonic Orchestra, Rafael Frühbeck de Burgos) g& u: V; Z4 w# o- \) d1 y( w- f' Q
Total Playing Time 1:13:04 m/ b9 U$ K1 Z
( C, I) ]2 z8 J4 V/ T+ r) i
8 D* _3 p( w( J; z1 r
CD31 Mozart: Piano Concertos Nos. 9 & 12 and No.11 (Hogwood)2 j* B: T& [/ ^* A: I4 _8 k
Robert Levin (fortepiano)
7 u1 E! M' q& `/ K- h莫扎特:第9、12钢琴协奏曲(Robert Levin 罗伯特 列文)4 l- X4 B. N X& u( A
CD 31: Mozart: Piano Concertos Nos. 9, 12 & 11
# ^2 g$ h% q& p: {Wolfgang Amadeus Mozart (1756 - 1791), p n4 B/ S# K$ V ~9 A
Piano Concerto No. 9 in E Flat Major, K.271 - "Jeunehomme"
% F7 d7 f2 p+ S) |% H: x9 j3 c1. 1. Allegro 10:25
/ U8 Z: Q5 B5 Q5 ]7 M( M% s2. 2. Andantino 10:04
/ Z! I/ U5 t* _2 c- I3. 3. Rondeau (Presto) 10:07- M- z) Q' p& H! Z9 \1 r
Piano Concerto No. 12 In A Major, K.414: H, }% p0 z2 m: r, w, v G
4. 1. Allegro 10:05
: v! y; s5 {4 P* n5. 2. Andante 8:06- m5 V; A! i B0 ]3 Z7 H" r
6. 3. Rondeau (Allegretto) 6:39
. E: w& S5 l: }; FPiano Concerto No. 11 in F major, K.413
' {2 e7 Z% Q/ ~6 r5 s ^$ z5 E7. 1. Allegro 9:320 C2 e! y" Q/ D$ n
8. 2. Larghetto 6:55
/ c( R9 s- Z$ a+ m& x- C9. 3. Tempo di menuetto 5:280 t& l/ ~& m6 l, r# V& X
Robert Levin, The Academy of Ancient Music, Christopher Hogwood" Z! J+ g5 K* |& A4 U8 H
Total Playing Time 1:17:219 Q% A$ o4 R* A
/ \% L2 e$ i m5 n+ Y2 i2 ?; ^/ D
CD32 Schumann: Piano Concerto (Ansermet)( V4 e& A) v4 _- I1 ^
Dinu Lipatti Lipatti's only Decca recording.
& B& l7 I1 P) f& F+ Tchaikovsky: Piano Concerto No. 2 (Fitelberg) Eileen Joyce
' p- ?" a! P. i! |4 hFirst-ever release of Joyce/Tchaikovsky (one of the first FFRR recordings)
% V: Y. Q p6 W3 I+ v3 E7 |0 S舒曼:钢琴协奏曲(李帕蒂)- 柴可夫斯基:第二钢琴协奏曲(Eileen Joyce)
1 ^+ v. G7 R z( ~' o" n) X% OCD 32: Schumann: Piano Concerto in A Minor; Tchaikovsky: Piano Concerto No.2
8 j! S4 H% S' y$ Z3 x7 Q9 g1 KRobert Schumann (1810 - 1856)
! W9 I( k8 e6 V- u5 D- W5 dPiano Concerto in A Minor, Op.54
/ G/ }% h3 _& d7 F# C4 J- \; Q. }1. 1. Allegro affettuoso 15:33
, V8 x# r! X& o6 t* q' j' X0 [2. 2. Intermezzo (Andantino grazioso) 4:523 J) g. ?) ]+ J3 e
3. 3. Allegro vivace 10:15
7 \+ O H5 E6 @* X LDinu Lipatti, L'Orchestre de la Suisse Romande, Ernest Ansermet
0 @% A( C7 W% p( |. RPyotr Ilyich Tchaikovsky (1840 - 1893): a& u) R' r! v8 @0 X9 Y2 L
Piano Concerto No.2 in G Major, Op.44, TH.60- |: I6 N* {) e& o/ A7 X
4. 1. Allegro brillante 16:16( J2 S! v# R) H/ l% m3 n: I
5. 2. Andante non troppo 7:51
0 Y4 {: M: ^8 U6. 3. Allegro con fuoco 7:21! M5 i4 { D2 L# E! S
Eileen Joyce, London Philharmonic Orchestra, Grzegorz Fitelberg
( a f. e, ]; {! }% }0 I9 STotal Playing Time 1:02:08( V6 R R, O; C. ^4 |6 V
9 g" r% l6 ?7 Y1 zCD33 Liszt: Piano Works
* P7 ^$ \5 ?! ?Valentina Lisitsa8 n% G; C; S/ ^6 z# m( j4 [
李斯特:钢琴作品集(Lisitsa)5 n/ S6 w H, Y
CD 33: Liszt: Piano Works' l2 t$ A1 q( X( z2 w
Franz Liszt (1811 - 1886), Franz Schubert (1797 - 1828)5 i* A+ [( e8 o; O, y. J
1. Ave Maria 5:32, c6 ^, A( L% U3 G
Franz Liszt (1811 - 1886)6 T: m5 u J ?( J, V( g, K7 Z6 d |
2. Ballade No.2 in B minor, S.171 16:00
3 B# Z0 ?4 [( G SFranz Liszt (1811 - 1886), Giuseppe Verdi (1813 - 1901)
4 S" V. T3 w5 k3 R# S5 g3. Aida: Danza sacre e Duetto finale: Concert Paraphrase, S.436 11:39
+ i$ ]& L, L/ C% X P; M9 EFranz Liszt (1811 - 1886)7 r" x4 D" `& q; q# V$ r
4. Rondo Fantastique sur Un Thème Espagnol, El Contrabandista S.252 11:14
( X6 J8 `5 e p. E8 J0 }Franz Liszt (1811 - 1886), Franz Schubert (1797 - 1828)4 \ H2 X7 v9 [% f) F" x% v% @" K
5. Gute Nacht, S.561 (after Schubert) 5:14. U, \( K! ~# P
6. Des Mädchens Klage, S563, No.2 (after Schubert D191) 4:24
, _* O2 C, m/ R" a9 G2 v4 T% N7 kFranz Liszt (1811 - 1886)
& ^" `; X" p7 @! J' e7 G7. Erlkönig, S.558 No.4 (after Schubert D. 328) 4:36
( d% P. A6 X( |7 U3 L. A$ U0 i6 r6 \Franz Liszt (1811 - 1886), Franz Schubert (1797 - 1828)
2 u I3 [7 y! H- F) ^' v) H1 t/ _5 {9 j8. Der Muller Und Der Bach S565 No.2 6:08
/ e3 a1 H- q0 k+ b. x% ~& AFranz Liszt (1811 - 1886)
+ G# n' U4 ~) k8 q9. Hungarian Rhapsody No.12 In C-Sharp Minor, S.244 11:10
- t: z4 L: f; |! d% AValentina Lisitsa
9 Z2 P9 n. N4 u: L* ?6 gTotal Playing Time 1:15:57
4 ?6 l" o; d. j. }6 a' M: A; y# I
. }9 U1 D- Z2 |6 }& T! p: JCD34 Mozart: Piano Concerto No. 24 (Van Beinum)
. Y; P- Y# }! H8 c x9 h& A( ]Kathleen Long First international CD release
) d4 {% p# G0 D+ o+ Beethoven: Piano Concerto No. 4 (Zecchi) • Schumann: Waldszenen Clara Haskil( i" G. }. `1 _5 E9 O
Haskil's only recordings for Decca; {3 r2 M0 r" M# p
莫扎特:第24钢琴协奏曲(Kathleen Long)- 贝多芬:第四钢琴协奏曲,舒曼:森林情景(哈丝姬儿)
9 u" s7 H0 q, T1 Q/ H2 SCD 34: Mozart: Piano Concerto No.24; Beethoven: Piano Concerto No.4; Schumann: Waldszenen. @3 P/ X+ G& @+ ?, a
Wolfgang Amadeus Mozart (1756 - 1791)
/ S% k4 j% l% c ?0 G- e+ ?) J% {' LPiano Concerto No.24 in C Minor, K.491" W1 d% L. z5 Y6 N
1. 1. Allegro 13:40
( Y* X# N5 R3 ?0 k. x( U8 y5 e2. 2. Larghetto 7:15
! S, \$ A4 I. q0 R" A3. 3. Allegretto 9:10
3 G5 I! A9 D- ^4 U! p8 xKathleen Long, Royal Concertgebouw Orchestra, Eduard van Beinum( q) Q2 t6 Z0 n( v/ U# R
Ludwig van Beethoven (1770 - 1827)
! a! g2 a; F& Z# N- S. LPiano Concerto No.4 in G Major, Op.58
! P5 z& N! p- [ E7 Y4. 1. Allegro moderato 17:516 L& @% e: L8 d1 }, P4 M/ F0 v
5. 2. Andante con moto 5:03$ E$ K7 L7 b& f- I" t7 K2 O
6. 3. Rondo (Vivace) 9:57% K* U: w- F0 l1 G* V; {
Clara Haskil, London Philharmonic Orchestra, Carlo Zecchi
: h6 u2 w6 r5 q% G L- kRobert Schumann (1810 - 1856)6 U9 s) D/ x& ` L8 X% ~- e
Waldszenen, Op.82- F: @' b; _/ Z5 I+ {/ ]
7. 1. Eintritt 1:44
. M/ C/ Z7 k# J( A0 d8. 2. Jäger auf der Lauer 1:14
+ Q. w& g; t# w3 M; L+ i. t& A8 F1 ?9. 3. Einsame Blumen 2:07
+ g6 p& J8 i# n/ J10. 4. Verrufene Stelle 2:26
8 p* j0 e0 d* L- `11. 5. Freundliche Landschaft 0:59# j# o. m1 X* }) b. B% f
12. 6. Herberge 1:450 c, j. p( }' S2 M
13. 7. Vogel als Prophet 3:04
0 H% O. A I) I! {1 F7 J- {14. 8. Jagdlied 2:19$ Y* p! e8 G' c
15. 9. Abschied 3:14) v* ]4 h5 i& ]0 G, g
Clara Haskil$ [$ ?$ i" M1 y# U7 Y" j* k2 P8 O- n
Total Playing Time 1:21:48
8 \. \0 O( ]0 Z2 N J9 H% j8 t% H
. z- M. t. G t2 g2 F4 kCD35 Beethoven: Piano Concerto No. 3 (Foster) • Piano Concerto No. 5 (Mehta)
: X; O+ S' _! p+ KRadu Lupu6 @$ p% S# Q8 {! s3 b
Piano Concerto No. 3 - Lupu's first concerto recording for Decca (Nov. 1970)
" j% r% e1 g$ _1 f; A" R w贝多芬:第三、第五钢琴协奏曲(鲁普): l$ m1 f& W* I C/ R
CD 35: Beethoven: Piano Concerto No.5 in E Flat - "Emperor" & No.3 in C Minor( ^2 ]9 r' h' q! m
Ludwig van Beethoven (1770 - 1827)0 i5 I7 ~/ P ~8 _
Piano Concerto No.5 in E Flat Major Op.73 -"Emperor"
7 F6 c: T, ^ L5 E% _# N* Y% l1. 1. Allegro 20:30& ]# x/ U, s, v# c6 K# k5 |1 @9 E/ t
2. 2. Adagio un poco mosso 7:25
: W/ ~8 x* @) \ t* n: M: n- X2 w3. 3. Rondo (Allegro) 10:30# l6 e9 w/ v$ w) u$ a& T' f8 ]3 D
Radu Lupu, Israel Philharmonic Orchestra, Zubin Mehta; j L5 N& j9 e
Piano Concerto No.3 In C Minor, Op.37) E# q7 a4 X& F6 {
4. 1. Allegro con brio 16:53
" h+ G& }: S' e. y; k4 _! G5. 2. Largo 10:18/ V0 ~5 f+ K5 Z" R/ k" N
6. 3. Rondo (Allegro) 8:50
! y- \8 {; Y0 l, \+ d5 X/ VRadu Lupu, London Symphony Orchestra, Lawrence Foster( f& u$ w; V* g! ^; y/ z
Total Playing Time 1:14:264 u2 D5 p4 W5 z5 H. }
/ j9 E9 y& V. A1 o
CD36 Beethoven: Piano Sonatas - Moonlight, Pathétique, Waldstein • 32 Variations in C minor
8 M5 k6 W4 J% B0 y/ `0 @# l% F& F! {贝多芬:月光、悲怆、黎明奏鸣曲(鲁普)- v* V8 W: {! R! R* g' C' q, f
CD 36: Beethoven: Piano Sonatas Nos. 14, 8 & 21; 32 Variations in C Minor% i7 {" k) Y7 {+ `' m2 x
Ludwig van Beethoven (1770 - 1827)
0 w7 [! U' E- W+ V# xPiano Sonata No. 14 In C Sharp Minor, Op. 27, No. 2 -"Moonlight"$ @( `, ^+ ?/ s0 L
1. 1. Adagio sostenuto 7:09
$ b! D, W2 M$ F2. 2. Allegretto 2:32# p# z/ S9 w, c* A2 [2 Q( v
3. 3. Presto agitato 7:42
' i4 T& w) \ f8 l& zPiano Sonata No.8 In C Minor, Op. 13 -"Pathétique"9 z- l$ [# `9 o, |7 Z' ]/ f
4. 1. Grave - Allegro di molto e con brio 10:09
+ R1 q: m, K z7 s( q8 ^5. 2. Adagio cantabile 7:02: I& p. K5 U8 x$ w$ B& i
6. 3. Rondo (Allegro) 5:00
$ `2 n% ]6 D6 R6 N5 j" C& [) ?: aPiano Sonata No. 21 In C Major, Op. 53 -"Waldstein". V# A/ [- I1 Y# q$ p( i' v. X
7. 1. Allegro con brio 10:557 l: o+ M3 |7 q' g# [$ `; q9 b/ R
8. 2. Introduzione (Adagio molto) 4:36
' K) \- ?1 D5 v+ W9. 3. Rondo (Allegretto moderato - Prestissimo) 10:35: V; Y Q1 X9 e2 I) c- `" r1 m
10. 32 Piano Variations In C Minor On An Original Theme, WoO 80 11:12
7 T, `) f6 A3 q m% H2 jRadu Lupu4 |- e! ?8 q: R9 `* S/ h+ ~- O8 r5 q) o
Total Playing Time 1:16:524 x1 q) ]! c9 S! W- e) @7 S" C" n6 [
8 u3 B& c0 C- F( ]6 ECD37 Brahms: Piano works • Theme and Variations from Sextet
7 a* i8 s$ c, v) S* tRadu Lupu
, {' H; X* m0 l' m+ a0 `: j勃拉姆斯:钢琴独奏作品集(鲁普)
L$ J# I, a: D9 gCD 37: Brahms: Piano Works - Op.117, 118, 119
" ^0 [8 Q& C0 B3 {* XJohannes Brahms (1833 - 1897)) m8 W0 m* U/ k" ], L1 q: a
6 Piano Pieces, Op.118% ]9 D! l0 p9 I$ }0 y1 ]
1. 1. Intermezzo in A minor 1:48& |! ~, o. E0 i. z
2. 2. Intermezzo in A 5:56
1 A* B' X+ n3 K3. 3. Ballade in G minor 3:056 O+ Z+ v8 M6 B/ j
4. 4. Intermezzo in F minor 2:393 \) N3 ^' ?, U, ]( m3 f7 n
5. 5. Romance in F 3:49
# k& C5 n# U( J Y2 G6. 6. Intermezzo in E flat minor 5:30$ U. D8 P5 W( G q) c- R. J& L( T7 z
4 Piano Pieces, Op.119
8 U: y. t( v7 ^) v$ l" t6 K7. 1. Intermezzo in B minor 3:12
$ P+ x. n& E7 o8. 2. Intermezzo in E minor 5:17' v. B$ @! k; `4 Y' R9 t5 s1 W1 m
9. 3. Intermezzo in C 1:39
9 u/ Q" A$ N, f ~, p$ C( P10. 4. Rhapsody in E flat 5:00/ j- d. N. r" m0 J
11. Rhapsody in G minor, Op.79, No.2 5:44: a5 W, @2 a ^* j: r& i8 e
12. Rhapsody in B Minor, Op.79, No.1 10:03( C% S* m+ Q7 w; c
Intermezzi, Op.117# Q, g& F U4 F, {" m. x9 V
13. 1. in E Flat Major 5:44
7 G. S. l+ G) M( q, w8 Y2 ^9 j: f. Q14. 2. In B Flat Minor 4:56
8 D: S5 W& q& S& A" i15. 3. in C Sharp Minor 6:12
' z; n* T3 a) {$ _* A6 m1 R( r* V16. Theme & Variations (Arr. of 2nd Movement of the String Sextet Op.18) 11:096 W6 z) [% A0 |8 [
Radu Lupu
+ A5 Q0 O! [+ `& I C6 o/ n% s8 Z" aTotal Playing Time 1:21:43+ ]7 h7 K3 @- ]+ J. R; m; C
5 r8 z0 W; Y% DCD38 Khachaturian: Piano Concerto (Fistoulari) + Saint-Saëns: Piano Concerto No. 2 (Martinon)
! ]0 m4 w4 L" t2 r4 oMoura Lympany
6 {& X3 I7 I9 A3 p4 F) ~哈恰图良:钢琴协奏曲 - 圣桑:第二钢琴协奏曲(琳潘妮)
& x" @2 V; ]' q0 U" NCD 38: Khachaturian: Piano Concerto; Saint-Saëns: Piano Concerto No.2
! J' a$ F' C% MAram Il'yich Khachaturian (1903 - 1978)8 _" x9 J: Q1 p) U
Piano Concerto in D flat (1936)
, L- x5 ?2 H, K& x% l# ~1. 1. Allegro ma non troppo e maestoso 14:21
2 i9 Q- @; V. ]; p2. 2. Andante con anima 10:49) P: x# Z7 \/ r) p4 @/ r# B
3. 3. Allegro brillante 7:521 q1 d! q- h/ M p
Moura Lympany, London Philharmonic Orchestra, Anatole Fistoulari$ a; K% d, G5 A: Z
Camille Saint-Saëns (1835 - 1921)
3 n) s& E* z* n' a' M3 RPiano Concerto No.2 In G Minor, Op.22, R.190
' Z9 J& g/ y4 T" {* r. ^ M4. 1. Andante sostenuto 10:25# }( b8 d$ c: v2 p9 M
5. 2. Allegro scherzando 5:33
5 c+ l; V/ ?% S' _6. 3. Presto 6:36+ r# m: \8 C s
Moura Lympany, London Philharmonic Orchestra, Jean Martinon2 r3 m+ Z; a* G5 J( i0 _) d
Total Playing Time 55:365 K; W' o/ F' F+ G' V7 D' S
9 z+ |7 }1 s- d; o0 i9 ~
CD39 Beethoven: Sonata Op. 111, Galuppi, Scarlatti
/ x' |" _9 U2 E4 r" V1 K( y/ }Arturo Benedetti Michelangeli Michelangeli's only recording for Decca% s+ N" R r" X, T6 X8 I8 q
+ Mozart Piano Concerto No. 15 Leonard Bernstein; d9 h; A6 X: s- z P4 c
Bernstein's only recording as pianist for Decca# G% |7 T( i' z
贝多芬:第32钢琴奏鸣曲,斯卡拉蒂、Galuppi作品(米开朗杰里)- 莫扎特:第15钢琴协奏曲(伯恩斯坦钢琴兼指挥)
+ s0 Q N- r9 xCD 39: Beethoven: Piano Sonata No.32 in C Minor, Op.111; Galuppi: Sonata No.5 in C
: O0 X' M$ u9 q+ R" a4 Z1 }1 |Ludwig van Beethoven (1770 - 1827)0 T( f( Q% a) B; }
Piano Sonata No. 32 In C Minor, Op. 111
7 k+ }- L, \/ j6 Z- r. w1. 1. Maestoso - Allegro con brio ed appassionato 9:22
" V& q3 B& E3 \, P) Y2. 2. Arietta (Adagio molto semplice e cantabile) 17:14/ i% U" {, F; I4 R% z1 w
Baldassare Galuppi (1706 - 1785)
2 [* [( h0 I0 M+ r1 E3 MSonata No.5 in C0 D6 u* B x" L$ j" \7 E0 f1 t5 w
3. 1. Andante 7:494 A) x& E& V8 V; `. E3 A) y$ i
4. 2. Allegro 4:00
( h' M9 B* x2 n- s7 @5. 3. Allegro assai 2:34% [; }" b) G- w. d& D: \$ M) e
Domenico Scarlatti (1685 - 1757)+ J' x" m/ N" p- ~6 }
6. Sonata in C minor, K.11 2:49
' g4 ~2 y, m! N1 d3 L ~! D2 O7. Sonata in C major, K.159 2:221 d" }$ T s8 J" W7 X/ f
8. Sonata in A, K.322 3:20
3 p) v. n" L4 n9 `! F0 x! qArturo Benedetti Michelangeli( u* e$ M' r2 K( h. A( Z
Wolfgang Amadeus Mozart (1756 - 1791)
8 }1 |7 v" g! GPiano Concerto No.15 in B Flat Major, K.450" D* X1 `$ h' Q. |! H* ?
9. 1. Allegro 11:17
$ g: u' [4 X- G( m& E6 o10. 2. (Andante) 7:32& o+ h! Y* y$ A, E) P
11. 3. Allegro 8:19$ L/ P7 K5 P- |( G6 b. P- ^
Leonard Bernstein, Wiener Philharmoniker
- D/ o6 G; R2 H" \" ITotal Playing Time 1:16:387 a7 t! x- O4 R% N% G
: `0 |( m# M! v# l2 V8 `0 B+ C+ ~( A9 gCD40 Beethoven: Violin Concerto, arr. Piano; Bach: Keyboard Concerto BWV 1054 (Saraste)
, O. C& ~0 U' t2 mShostakovich: 24 Preludes, Op. 34
( g. e7 x# h% O; H B: NOlli Mustonen, s7 o, l: r/ w _1 G6 U& h
贝多芬:根据小提琴协奏曲改编的钢琴协奏曲 - 肖斯塔科维奇:24首前奏曲(Mustonen)
5 v' M( `$ a( @- B5 g. PCD 40: Beethoven: Violin Concerto (Arr. Piano); Shostakovich: 24 Preludes, Op.346 ]* h1 p8 n2 n4 A! Y
Ludwig van Beethoven (1770 - 1827)8 e; m! |( o m. `
Violin Concerto In D, Op.61
7 ~" q8 G U/ \* P' jTranscribed Beethoven for piano and orchestra0 E$ n6 ~/ a, [7 b
1. 1. Allegro non troppo 21:58% n% [/ h' z' B6 t: X- X
2. 2. Larghetto - 8:109 [) a. e4 d& G. j
3. 3. Rondo ( allegro) 9:12
" I; ~5 T5 @2 d, o, P% jOlli Mustonen, Deutsche Kammerphilharmonie, Jukka-Pekka Saraste. j' O' A9 ^: t$ C
Johann Sebastian Bach (1685 - 1750)' B9 d" d$ m1 _5 ^
Concerto for Harpsichord, Strings and Continuo No. 3 in D major, BWV 10541 F" O, H, B8 j& A$ P
4. 1. -- 7:00, R2 H G2 _5 y4 l% d- u
5. 2. Adagio e piano sempre 5:19
0 d' v& |+ f1 v6. 3. Allegro 2:31
! y# m- F$ Y, IOlli Mustonen, Deutsche Kammerphilharmonie2 r- ]( K# D6 o, i
Dmitri Shostakovich (1906 - 1975)
* h+ f7 i& Z- \9 t4 a! F3 _( cTwenty-Four Preludes, Op.34. V- {( ?9 ]+ J# c/ k7 c K& `$ p
7. No.1 in C major - Moderato 1:21
4 L( P1 \$ m! j+ K8 ]7 P. @" T8. No.2 in A minor - Allegretto 0:46
8 q* Q; {# N4 S, H9. No.3 in G major - Andante 2:12
4 K# U4 H2 L0 I5 Z4 f2 E2 D7 L10. No.4 in E minor - Moderato 1:52' u# F0 M. R2 x8 f0 U
11. No.5 in D major - Allegro vivace 0:285 g3 }; p3 {; B; r% z
12. No.6 in B minor - Allegretto 1:102 n" |) R' [- |& s p4 _
13. No.7 in A major - Andante 1:17
8 L! D; f! p* }( \14. No.8 in F sharp minor - Allegretto 0:51
5 o4 l/ J( ^& p7 m15. No.9 in E major - Presto 0:36
& _- z7 E/ }3 {: Y" W' O/ I9 y16. No.10 in C sharp minor - Moderato non troppo 1:48
, x5 j. w% X3 L7 T" k+ f17. No.11 in B major - Allegretto 0:46
* o& E$ a: ]0 u% I% `: l18. No.12 in G sharp minor - Allegro non troppo 1:03- e$ q! E# o8 R3 ^$ P% o W& n
19. No.13 in F sharp major - Moderato 1:14: z; Q4 z& o# O7 I8 I, v: H6 e
20. No.14 in E flat minor - Adagio 1:58: A! P, q0 W6 K: F: n7 a* y
21. No.15 in D flat major - Allegretto 0:50' _7 S! v# N1 ~9 P; H$ z
22. No.16 in B flat minor - Andantino 1:07- _1 R: i! M1 |1 ], q
23. No.17 in A flat major - Largo 1:539 j; _* J2 j7 Y1 Y" `- g
24. No.18 in F minor - Allegretto 0:42
9 \$ ^ o/ n2 K1 x" S/ i* ?( ~25. No.19 in E flat major - Andantino 1:29) z" I0 k# P) q
26. No.20 in C minor - Allegretto furioso 0:36
. m% l3 X" M/ t a27. No.21 in F flat major - Allegretto poco moderato 0:35
, s8 e7 s% s6 y4 t6 v5 @28. No.22 in G minor - Adagio 2:02
. H0 n" [9 @2 W8 H( W29. No.23 in F major - Moderato 1:22: z7 |3 X( X* z% ~- h
30. No.24 in D minor - Allegretto 1:08
/ O% K$ u3 z" t# L: U+ _: Z( ^Olli Mustonen- R6 M' W/ ^! d# A8 c. Y
Total Playing Time 1:23:169 v F. [* }- X; {* A( r
- S5 r5 I4 F- F% x: UCD41-42 Messiaen: Vingt régards sur l'Enfant-Jésus: H! p2 l' n" {: N7 ^
John Ogdon
5 Y9 k% q0 G& ~+ i( X# ?0 w+ Britten: Piano Concerto (Britten) Sviatoslav Richter; `' V2 w, R2 m; ~* Q
Richter’s only concerto recording for Decca
# m& l' Z) w" o" ^梅西安:圣婴二十默想(奥格登)- 布里顿:钢琴协奏曲(李赫特)6 D8 t4 f% p* b4 W6 Z! Y) v3 v
CD 41: Messiaen: Vingt Regards sur L'enfant-Jésus+ x p- k2 r3 t p4 H
Olivier Messiaen (1908 - 1992)
) n$ H' w/ `/ q5 P$ X- u/ I( |5 vVingt regards sur l'Enfant-Jésus+ D/ c" Y* c+ i0 R$ a( O
1. 1. Regard du Père 8:065 Z; y. l# T" x
2. 2. Regard de l'étoile 2:351 r8 V0 \4 N4 P9 z p9 ?6 I8 X
3. 3. L'échange 1:51( N8 {' ~/ [+ d& j4 s
4. 4. Regard de la Vierge 6:45
6 ?+ P) `2 g6 v5 R2 x& k5. 5. Regard du Fils sur le Fils 8:37! ?6 O; X8 J! C: v. p$ J' m
6. 6. Par Lui tout a été fait 9:126 T* ~. D! r- n" a4 S4 z) d* f
7. 7. Regard de la Croix 4:29
9 u! F: _9 S, L5 g9 a/ _: a8. 8. Regard des hauteurs 2:02& U% H# R; H# q: n# {5 o# d
9. 9. Regard du temps 2:28
9 K$ i9 p0 G) l: O9 |10. 10. Regard de l'Esprit de joie 8:225 g3 `1 v# g, Z) f! l: {4 g
11. 11. Première communion de la Vierge 7:349 X0 S0 L! v( a; n" Z
12. 12. La Parole toute puissante 2:348 q d1 c( a; s2 T% E
13. 13. Noël 3:54+ }+ D, J+ j/ G9 J6 a
14. 14. Regard des anges 4:41
) j$ `; s: C$ \7 V+ G15. 15. Le baiser de l'Enfant-Jésus 12:28
- t- _" y$ i. Q/ V9 }John Ogdon, L- z* |9 O2 s V8 k1 k, k
Total Playing Time 1:25:38
( E1 U/ g J8 Z5 n2 B! ~6 f7 W( M
: N. Z+ R5 @8 j4 oCD 42: Messiaen: Vingt Regards sur L'enfant-Jésus; Britten: Piano Concerto
# ^! \7 A& s B1 SOlivier Messiaen (1908 - 1992)
/ v+ G# ?/ s) {2 t8 CVingt regards sur l'Enfant-Jésus- T8 y7 A9 E2 Q2 c% s' J; ~0 A
1. 16. Regard des prophètes, des bergers et des mages 3:42' p0 o2 ~! M' b4 o
2. 17. Regard du silence 5:367 I, Z3 {* ^, B; k5 n" ^3 J+ k
3. 18. Regard de l'Onction terrible 8:324 W2 Y8 t- H( K8 p2 v3 s7 X* s
4. 19. Je dors, mais mon coeur veille 11:47* Y5 z5 @, L4 n+ U- v6 R
5. 20. Regard de l'Église d'amour 12:573 D- _+ V9 q. o% H7 u/ r
John Ogdon
5 E' ~( U( Z$ \Benjamin Britten (1913 - 1976)+ K0 \1 }4 U2 s8 E
Piano Concerto, Op.138 o+ ~0 J1 e. @, E9 v E$ O
6. 1. Toccata 12:022 g" ~, d' G8 d/ j# x8 E
7. 2. Waltz 5:06
" z/ q; ~; U( n3 T& ^8. 3. Impromptu 8:072 Q/ A+ q$ [9 t$ T
9. 4. March 8:56
; c! J2 o0 }9 x6 q; l; w$ d5 D/ hSviatoslav Richter, English Chamber Orchestra, Benjamin Britten6 R; } |* \& B
Total Playing Time 1:16:45
2 w! d3 D0 s, C' l$ a/ K! G& k0 O: h2 v8 y
% }( l1 l' H# [2 Q9 h0 LCD43-44 Chopin: Complete music for piano and orchestra (Wit)8 ^- W# f+ E# ~
Kun Woo Paik8 r8 Q) D$ Z, B" b
肖邦:钢琴与乐队作品全集 (白建宇)) t1 B+ U( U& @3 X; A
CD 43: Chopin: Works for Piano & Orchestra! I& ~! H0 J4 d. O3 x1 m
Frédéric Chopin (1810 - 1849)" V# `8 N$ g6 Z
1. Krakowiak - Concert Rondo in F, Op.14 13:596 S7 q( x! _9 N7 j6 e: E
Fantasy On Polish Airs, Op. 13# T% J4 R+ k& U$ F
2. Introduction 4:25. b: Z2 r, k! y6 D* p$ V4 M
Fantasy On Polish Airs, Op. 13. ^: n4 C; ]9 C* N4 f" r
3. Air: "Juz miesiac zaszedl" 3:15
# j4 B& P/ D- GFantasy On Polish Airs, Op. 13
8 w7 j" p# \9 ~* ?6 b1 K) i4. Thème de Charles Kurpinski 4:13% v7 R6 f% [% L1 O- ?1 ^+ `! ^: i* p
Fantasy On Polish Airs, Op. 13* V! C: R; v; \
5. Kujawiak 3:06
' \. U. `6 u# Z t% T. fPiano Concerto No.1 In E Minor, Op.11% o+ h" z. y( m* ^ Z# D
6. 1. Allegro maestoso 20:37: ~! y1 q+ W# ^. u @( @
7. 2. Romance (Larghetto) 11:43
2 z$ z- S% z+ y0 P8. 3. Rondo (Vivace) 10:07
: O- Z% l& b$ sKun-Woo Paik, Warsaw Philharmonic Orchestra, Antoni Wit* f6 {' i. d% `; R/ S! h
Total Playing Time 1:11:25& |7 n6 ~8 @8 O' h" J
6 Z) v* H$ f0 g, G5 g
CD 44: Chopin: Works for Piano & Orchestra
/ Z) O( r& a/ F# L7 uFrédéric Chopin (1810 - 1849)( k7 K+ n- m7 G
Andante Spianato & Grande Polonaise Brillante In G Major / E Flat Major, Op. 22
' a! `: t6 q0 b* T' R- aArr. for Piano Solo e' f) k+ }/ q: n6 C
1. Andante spianato 5:51" ], y; f2 b. n
2. Grande Polonaise 9:58
$ k) V9 ~* b+ d. C8 }: ]Variations In B-Flat "La ci darem la mano" From Mozart's "Don Giovanni", Op.2
' l) d x0 a0 M/ `3. Introduction (Largo) 5:158 o/ S+ k. _. d' q. T: W
4. Tema 1:300 ?6 n3 i9 P2 z- m" Q: N. q" R. Y
5. Variation 1 (Brillante) 1:01, E7 q' W+ V8 V
6. Variation 2 (Veloce, ma accuratamente) 1:05
- n! v6 U% L+ \1 e6 x7. Variation 3 (Sempre sostenuto) 1:172 [' S: `, |( S7 F# A
8. Variation 4 1:12" g) i0 V+ w% w6 W# M$ o
9. Variation 5 (Adagio) 2:59( b T8 P- L8 ^% b |2 i
10. Alla Polacca 3:36
7 y: G: V: B4 o! q. H' S) C" yPiano Concerto No.2 In F Minor, Op.21- e% k6 A8 [/ n& H3 B9 A! Y
11. 1. Maestoso 15:291 _: U& B) U) ^. t& M
12. 2. Larghetto 10:360 v9 A0 h/ i, I7 T
13. 3. Allegro vivace 8:495 I4 _( R9 O$ ]) K
Kun-Woo Paik, Warsaw Philharmonic Orchestra, Antoni Wit
* `: X7 t0 _; {% k' `/ RTotal Playing Time 1:08:387 g% l3 q/ X1 ~6 r' z
% b3 ? J0 N7 O( z9 h' HCD45 Live in Zaragoza) O" k$ Z8 b* i+ L6 J" O! u) Q
Jorge Luis Prats8 c1 _' a W+ N
Jorge Luis Prats萨拉戈萨独奏会
+ |( L2 q5 _* E+ _% DCD 45: Prats Live In Zaragoza) H" X6 \! t; {; V" i9 z
Enrique Granados (1867 - 1916)
( j& t) S0 G) Q# MGoyescas - Suite
$ R$ o4 A& v7 e1. 1. Los requiebros 7:39
+ [ ? i# G9 O. `0 {* |6 f% w& H2. 2. Coloquio en la reja 9:09
% c: ]1 \6 {) ?! I3. 3. El Fandango del Candil 6:13
) A4 z( N# _( e. O |4. 4. Quejas ó la maja y el ruiseñor 5:56
% ]2 f9 F. _7 g& n( O5. 7. El pelele (Escena goyesca) 4:16& `6 v; e$ M; L
6. 5. El amor y la muerte (Balada) 12:11
4 Q4 s4 T8 Y* i- Z- n I" @Heitor Villa-Lobos (1887 - 1959)0 ]; O5 m" w" t0 d, t
Bachianas Brasileiras No.4$ o8 N( H' o& V0 ~* h1 m
7. 1. Préludio (Introducao) 5:126 n' @; P3 m B( ~" q; e' R2 F3 I* ^
8. 2. Coral (Canto do Sertao) 3:518 X9 C' X3 F7 M$ d! H; K! K
9. 3. Aria (Cantiga) 5:10
& K' `/ R- R+ q5 I m/ L" S10. 4. Dansa (Miudinho) 3:18
9 d+ o ^" z5 i8 Q$ lCarlos Fariñas (1934 - 2002)3 U5 M$ L2 a# ?# b0 n
11. Alta Gracia 7:32$ n' N- @9 |# u& I
I. Cervantes (1847 - 1905)' \6 Q' ], @0 s! D
12. Danzas Cubanas 7:30' R) r. R8 X) a$ Y6 V( \
Ernesto Lecuona (1896 - 1963)
4 F. H& B$ K( X8 a" r: ^ G7 e5 F" IAndalucía - Suite
$ ?: ~1 B# u ^/ S% @+ z. ^) m3 C13. Malagueña 3:53
( _# i% `: c& U4 ]0 z! WJorge Luis Prats
( v! X3 w0 k! h/ i4 V) |Total Playing Time 1:21:50; n& V7 N5 d. m
' k( f" K& g _8 T$ L9 _
CD46 Bartók: Piano Concertos 1-3 (Weller)# E f% p8 _& z) E5 ~: s, p
Pascal Rogé
# y! u/ [/ e, W, {2 v2 e; Z( hFirst international CD release
# \3 ~* @/ `7 ?, S2 A8 }1 l巴托克:三首钢琴协奏曲(Roge)5 D3 }" H; |& v, l5 `8 C( H1 J. |
CD 46: Bartók: Piano Concertos Nos. 1-3; _0 d: C4 H/ p& [& }
Béla Bartók (1881 - 1945)
& r) S8 b$ j6 BPiano Concerto No.1, BB 91, Sz. 83: K9 t4 B+ Q& J, k" Q% }# H3 |9 M
1. 1. Allegro moderato - Allegro 9:575 ~- E4 {1 j" _2 O
2. 2. Andante 8:58
q$ |* o3 r& _: G, R. O$ Y" H3. 3. Allegro molto 7:20: ~5 @% w* P2 @
Piano Concerto No.2, BB 101, Sz. 95
) v2 }1 {' l* c# R: Q" R3 [ a9 z4. 1. Allegro 9:59
" L7 k2 b' v c" P* Z# ^; t5. 2. Adagio - Più adagio - Presto 15:51/ q/ c; V- V z
6. 3. Allegro molto 6:43
6 ^9 r, U4 N+ X$ {: ?Piano Concerto No.3, BB 127, Sz. 119+ r9 H! I* B- {( d$ I% ] v
7. 1. Allegretto 7:33
: O C, T/ w& n0 i# @8. 2. Adagio religioso 10:59
! w/ P! D* N. T9. 3. Allegro vivace 6:28 b- S' I, C8 O H
Pascal Rogé, London Symphony Orchestra, Walter Weller
+ A X' v0 i( O) LTotal Playing Time 1:23:48
0 |3 V5 Z+ o* t( K& K! w3 f: x
5 C9 R, B5 q R: b& M9 j8 mCD47 Fauré: Piano works
0 m/ j2 N( [6 m9 S/ Q2 t3 lPascal Rogé
9 W& v& A3 v; c0 F3 h, R. Q$ w福莱:钢琴作品集(Roge)# L$ ^: t$ F" A6 c: j9 Q
CD 47: Fauré: Piano Works
! o$ f9 [* g, a+ S/ k* sGabriel Fauré (1845 - 1924)
- r* o: u: B+ m- I1. Impromptu No.2 in F Minor, Op.31 3:35
# ~( I( V( v% x1 i/ m2. Impromptu No.3 in A Flat Major, Op.34 4:47
5 a2 I5 z# d) \5 b; N3. Nocturne No.1 in E Flat Minor, Op.33, No.1 7:39
+ q' H0 B' l P6 w8 D% s, l# Q" h4. Nocturne No.2 in B Major, Op.33 No.2 5:47
+ v$ p! s& F2 P- i: X! ]2 y5. Nocturne No.3 in A Flat Major, Op.33 No.3 4:37
1 `5 c ?: S+ C1 D+ s# v" N6 H% q6. Nocturne No.4 in E Flat Major, Op.36 7:17
" G' D: ~' x* n7. Nocturne No.5 in B Flat Major, Op.37 8:27& ] G+ j' T( L9 }- ?7 _
Trois Romances sans paroles, Op.17
, _) ]& G# s! u4 {1 n2 H3 I8. 1. Andante, quasi allegretto 2:102 w' s/ C: l* E" q6 v% r
9. 2. Allegro molto 2:26' U, T: D) f* x1 d! {9 M/ [
10. 3. Andante moderato 2:15
0 y5 I' S9 m/ t7 l, [1 R) R11. Barcarolle No.1 in A Minor, Op.26 4:30. W$ [ w9 r9 I2 z. |, G
12. Barcarolle No.2 in G Major, Op.41 6:46
$ g. D1 x Y+ _- Z* @13. Barcarolle No.4 in A Flat Major, Op.44 4:051 L X* R) x- e' d$ u" `- `
14. Valse-caprice No.1 in A, Op.30 7:08; y C/ A. T1 X1 u2 H! h3 B$ C% [
Pascal Rogé7 q; J: ?5 \+ K
Total Playing Time 1:11:29
7 d7 ^# B0 f8 @3 }1 s: p0 F6 A
* F% \( Y$ ?. B# ~6 _) ECD48 Satie: Piano works2 n2 M8 E; X4 p. Z5 v; Q$ k
Pascal Rogé
$ x2 {7 W! x4 L5 Q* X- ]5 K萨蒂:钢琴作品集(Roge)/ ]; N& L- D6 e9 g
CD 48: Satie: Piano Works2 ]2 p$ o3 A) z9 ?+ t: x: u2 J$ M
Erik Satie (1866 - 1925)" i' E- Y, `- J
3 Gymnopédies
+ L4 D3 C* y9 i, t! V' o* z1. No.1 Lent et douloureux 3:08$ ~# X# N/ |* Q" c' k4 }
2. No.2 Lent et triste 2:30
, N- U6 e( k4 |, m5 @3. No.3 Lent et grave 2:31
0 i/ a. N* e% F* B y" z5 A1 n4. Je te veux 5:09% |& |- B# q A4 F
5. 4 Préludes flasques 5:16
- y0 s; g( E+ r) Z7 j6. Prélude en tapisserie 2:54& J! D0 `- ~3 e7 q* G, g V
Nocturnes
1 q7 a/ s# j' n/ ^9 n' b6 D7. 4. No.4 2:55
/ K3 \8 P3 e5 c1 @# N1 q, N+ V% ?* y: U8. Vieux sequins et vieilles cuirasses 4:23
$ J, H' m7 {6 O/ G: l$ `: T9. Embryons desséchés 6:11
5 M5 q T$ f/ @3 t8 |9 A- rGnossiennes
* f0 A+ V9 d- Y. l. J' A# I10. No. 1 - Lent 3:413 k; W, U7 o- i+ W
11. No. 2 - Avec étonnement 2:30
. h$ h( l9 v2 Q; t12. No. 3 - Lent 3:08
% Q' h* @1 q3 i13. No. 4 3:290 O4 \1 ]* Y- u& r& f
14. No. 5 4:02; d- i4 V8 E( K- |0 b/ a9 @
15. No. 6 1:52
~- O5 `( T( n& b* \16. Sonatine bureaucratique 4:171 M7 H: p" S; r( k. r3 W0 h: {0 C
17. Le Piccadilly 1:36
7 P) w3 e, h3 ~% ^* N, [5 VPascal Rogé u& V8 a. ^8 Y& y# y. Q
Total Playing Time 59:32: u( ] c8 ] R4 y: N/ j* x( N0 X
' L9 M* S1 w7 D/ g2 J
CD49 Brahms: Piano Concerto No. 1 (Mehta) x! }/ I% h* C' F# E
Arthur Rubinstein Rubinstein's only Decca recording; his final concerto recording
9 C, G+ d7 \+ y- h& i2 f( t+ Bartók: Rhapsody No. 1 for Piano & Orchestra (Weller) Pascal Rogé- p6 X' t- @2 {5 _; X3 ]
勃拉姆斯:第一钢琴协奏曲(鲁宾斯坦)- 巴托克:第一狂想曲(Roge)+ ^1 p7 D. o# i% a' c
CD 49: Brahms: Piano Concerto No.1; Bartók: Rhapsody for Piano and Orchestra
* S y# k; l# b" V2 ~5 i# SJohannes Brahms (1833 - 1897)7 x; Z) Q, u& Y" \" T
Piano Concerto No.1 in D Minor, Op.15
, H! l! w, X& `, W( q1. 1. Maestoso - Poco più moderato 22:58
+ i- n: ~& K8 ]4 U2. 2. Adagio 14:30
9 E6 ^6 q$ C1 F. A/ O V3. 3. Rondo (Allegro non troppo) 12:38
6 c' p# c: e, W8 g j* hArthur Rubinstein, Israel Philharmonic Orchestra, Zubin Mehta
, u' F, e) o" L: A8 Y9 ?Béla Bartók (1881 - 1945)
. h: R; _ J9 v! F& ^+ I9 ]8 U4. Rhapsody for Piano and Orchestra, BB 36b, Op.1 (Sz.27) 22:535 y6 O- ?% Y+ U* R1 K
Pascal Rogé, London Symphony Orchestra, Walter Weller
- J2 Z% c7 n3 ]2 B7 g+ wTotal Playing Time 1:12:59
. R+ B1 R; v9 v# P3 J- B, a' ?0 L8 {+ {! d; u/ r1 C0 H- K$ p
CD50 Bach: Goldberg Variations
' x/ ]* K6 _) f% v& rAndrás Schiff
4 a5 Y2 |+ ?+ ^2 E' m4 f: A* F6 D巴赫:哥德堡变奏曲(席夫)2 o. v3 f. l7 R# @
CD 50: Bach: Goldberg Variations, BWV 9982 ?* ]! l5 c* N( _* ^) a! s
Johann Sebastian Bach (1685 - 1750)
/ b% x, A% _* i9 W* T& eGoldberg Variations, BWV 988
! j7 m3 G* |$ Q6 A1. Aria 3:508 T9 V5 F6 O% ~; p0 }; r
2. Var. 1 a 1 Clav. 1:55
% j" t# h% ~: Z* i& K0 w3. Var. 2 a 1 Clav. 1:22- ~: D7 e* B+ C" ]6 R4 }
4. Var. 3 Canone all'Unisono a 1 Clav. 2:034 W" b5 H/ z+ X* b0 Z4 w$ x z0 R
5. Var. 4 a 1 Clav. 1:047 n! ]9 t, F% f
6. Var. 5 a 1 ovvero 2 Clav. 1:273 G( a9 v4 F9 |
7. Var. 6 Canone alla Seconda a 1 Clav. 1:18! \# Z" |2 s! e& m' d- ]' W
8. Var. 7 a 1 ovvero 2 Clav. 1:43 j/ b1 B. y) B# a
9. Var. 8 a 2 Clav. 1:41% y2 ]6 t% A" F0 t7 s5 h6 B
10. Var. 9 Canone alla Terza a 1 Clav. 1:22
9 y% i$ O( r+ o0 F# |8 W11. Var. 10 Fughetta a 1 Clav. 1:39
+ r) g( g0 [, U" X b |! H/ N; r, ~12. Var. 11 a 2 Clav. 1:58
/ f" Y' J7 J5 Y1 i$ P* f13. Var. 12 Canone alla Quarta 2:005 M) d' _. t' k/ O3 J7 Y
14. Var. 13 a 2 Clav. 4:06! ?( F. d u0 u* P# K% R3 I. w
15. Var. 14 a 2 Clav. 2:01
3 j+ b) y( `( p7 s8 h' n7 M% I16. Var. 15 Canone alla Quinta in moto contrario 4:02* }9 R8 d" f5 m F
17. Var. 16 Ouverture a 1 Clav. 2:464 }8 o1 f' h$ Y# [' t! m! a
18. Var. 17 a 2 Clav. 2:006 \3 @4 Z* i5 {; B. p& d
19. Var. 18 Canone alla Sesta a 1 Clav. 1:260 u$ T9 N @( @8 ~8 z, K
20. Var. 19 a 1 Clav. 1:17
$ {" v5 i# c* E8 C/ ~21. Var. 20 a 2 Clav. 1:494 D0 F6 ?# m, r5 \ H
22. Var. 21 Canone alla Settima 2:14
! _: ]. S: N: ^& _6 ^23. Var. 22 Alla breve a 1 Clav. 1:51. U6 J0 j) p r$ U- a$ x
24. Var. 23 a 2 Clav. 2:090 I5 e7 F2 x4 \+ m
25. Var. 24 Canone all'Ottava a 1 Clav. 2:17
" y7 P# z$ X; k3 O7 H26. Var. 25 a 2 Clav. 6:59
7 r* K/ V* Q6 M) M5 ]8 k- \27. Var. 26 a 2 Clav. 2:06' e# F# h2 j0 \
28. Var. 27 Canone alla Nona 1:44
, Z, t) s' n' S( q29. Var. 28 a 2 Clav. 2:40" T$ A+ {; ]5 E7 E9 ]- f
30. Var. 29 a 1 ovvero 2 Clav. 1:53
4 s; t' b- k i31. Var. 30 Quodlibet a 1 Clav. 1:45/ ^6 C3 [ X3 K. e
32. Aria 3:52
2 g4 J. V8 `% [0 W0 j1 _András Schiff6 T! A; d$ g/ B6 o C
Total Playing Time 1:12:192 b# {9 v" V# R3 b- `
) a) L2 [! F% Q0 Y9 ]8 MCD51 Mozart: Piano music for four hands5 F/ a* L9 [- c8 E
András Schiff; George Malcolm- U$ d7 L" x5 L9 Y% R! E" J7 T
Performed on Mozart’s own fortepiano* r9 p0 q5 u0 H6 T% }
莫扎特:钢琴四手联弹作品(席夫,George Malcolm)
+ D/ X3 } i) G& f" @1 g4 h8 ]# qCD 51: Mozart: Piano Music for 4 Hands* X) i, p+ q% a( ~/ C
Wolfgang Amadeus Mozart (1756 - 1791)( r3 }. d$ I/ B) X# ~' `
Sonata For Piano Four-Hands In C Major, K.521
+ w) m6 r: |: y6 e1. 1. Allegro 9:09
2 b4 P% L1 b, q/ M! f2. 2. Andante 6:37
9 h9 L7 @1 h2 J3 I9 ]% X3. 3. Allegretto 8:31) \; M" @4 n. a( x. F$ m0 r
4. Andante And Five Variations For Piano Four-Hands In G Major, K.501 7:458 w1 G( ~5 K, `' H
5. Adagio and Allegro for Organ in F minor, K.594 9:380 D8 R* k G; h
Sonata For Piano Four-Hands In F Major, K.497
5 O3 P0 t3 k. c# _% k$ F7 x7 ~6. 1. Adagio - Allegro di molto 9:022 J% @/ b( Z5 z0 e9 L
7. 2. Andante 7:26# U! Z: T, _; s, w4 Y/ K
8. 3. Allegro 8:02
- C: O2 K$ z+ z9. Orgelstück (Fantasia) für eine Uhr in F minor, K.608 9:35
3 z8 T% m2 F4 h0 lAndrás Schiff, George Malcolm2 M, x/ b$ V) _
Total Playing Time 1:15:45
; _9 G3 R7 `5 J
3 @1 ^/ _0 f0 t% ?5 v7 S% XCD52 Scarlatti: Sonatas
4 D3 L( j5 g- S$ c& @( @András Schiff
R& I8 {' @& l3 \斯卡拉蒂:奏鸣曲集(席夫) _6 R, h9 i% D8 h& p1 m, ^, _
CD 52: Scarlatti: Keyboard Sonatas" E# O* p9 z6 O
Domenico Scarlatti (1685 - 1757)
' ?% f1 h. g& Y8 q1. Sonata in a minor, K.175 3:45) f/ |2 C, L% }) U+ x" o' z
2. Sonata in C, K.513 5:36) _( ^% j+ r6 t) b
3. Sonata in E minor, K.402 11:00) i1 E! W4 w1 y% Y* u( R7 t" u
4. Sonata in E, K.403 4:42$ g! R# s1 V2 P8 w
5. Sonata in G major, K.144 4:14
" ^* b- g; {, S5 X" l6. Sonata in C minor, K.115 7:05
0 l0 o2 C7 ^' s7. Sonata in C minor, K.116 3:33. V7 P0 B/ u6 }, l. g* R- Z, V/ ~- j! o
8. Sonata in E flat major, K.474 5:425 ?# K( [ d$ I* g
9. Sonata in E flat major, K.475 4:23* |2 h" t0 h$ G- l4 |
10. Sonata in G major, K.449 3:00
4 T2 t" f. d; P11. Sonata in G minor, K.450 3:21
7 b* q2 {5 x0 X% w4 F' Q* ~12. Sonata in B flat major, K.544 4:12$ \3 k: I' c7 w' g; m
13. Sonata in B flat major, K.545 2:51; b( b, x5 A) q t# e. V8 w
14. Sonata in D minor, K.516 6:23+ k. O6 R6 s% U) N$ Z$ K
15. Sonata in D minor, K.517 3:25; q5 j- V" }" O& } v1 G& d3 G2 n
András Schiff
4 C: j9 L/ d' f" ~# LTotal Playing Time 1:13:12, ^6 C# T3 e( D* h' \" _, d$ d
" _1 ?/ K0 ]4 i& ?CD53 Chopin: Piano works
! L# b. b K8 V! |0 K$ ZJean-Yves Thibaudet
4 B1 F0 T8 V, r) nIncludes works performed on Chopin's Érard piano
4 p% A/ P7 U' T, x4 N: Q% P A肖邦:钢琴作品集(蒂博代)
* n* [3 X6 s( J5 S$ M, oCD 53: Chopin: Piano Works- E* d5 ^/ Y& p* F
Frédéric Chopin (1810 - 1849)
* n$ ^$ X v% C; k: t( I( z3 M5 I1. Polonaise No.6 In A-Flat, Op.53 "Heroic" 6:29- ]4 l- k5 z+ U
2. Waltz No.6 in D flat, Op.64 No.1 -"Minute" 1:50+ t& K2 V! u, T
24 Préludes, Op.28
# I& ]( d7 x( y3 y3. No.4. in E Minor 2:26' ~) j' p7 \. x x B2 C& G* z Y
4. Mazurka No.51 in F minor Op.68 No.4 1:51
) c/ y5 F: r4 O, X5. Waltz No.1 in E flat, Op.18 -"Grande valse brillante" 4:58
1 J; K. X! Q3 p6. Nocturne No.1 in B flat minor, Op.9 No.1 5:18: k; z& d" m$ B0 F q
7. Scherzo No.2 In B Flat Minor, Op.31 9:27
6 d& @6 p/ n, G% d8. Barcarolle in F Sharp, Op.60 7:53
4 b1 ]* t) d! M9. Nocturne No.2 in E flat, Op.9 No.2 3:51
9 x8 m; m) W2 w4 ~12 Etudes, Op.25
+ S& s( T" ?0 b4 M10. No.3 In F Major 1:29
' [6 Y/ j; c- B11. Mazurka No.5 in B flat Op.7 No.1 2:01
/ z* B* U% ]4 k" k+ a12. Ballade No.1 In G Minor, Op.23 8:43& t/ X, t4 W5 I
12 Etudes, Op.253 `1 o) v$ o2 _3 F4 f
13. No.1 In A-Flat Major - "Harp Study" 2:09
# w0 T5 O3 `# p( d& r$ U12 Etudes, Op.10
* R7 y/ }" e( u! }1 s4 g! w14. No.12 In C Minor 2:27
, D. a+ z+ m+ M6 ?4 n. f/ U# b24 Préludes, Op.287 p% c' b: D5 Z2 R x X/ d
15. No.24 in D Minor 2:06# \8 K- n& U+ b9 u
16. No.15 in D Flat Major ("Raindrop") 6:24
5 l' Y9 D& f7 J' O12 Etudes, Op.25
! F1 c. C( C7 l, ~2 V/ w7 c$ v17. No.3 In F Major 1:33
7 S& v" g! W; @+ u18. Nocturne No.20 in C sharp minor, Op.posth. 3:42
+ Q0 S) R/ B. Q) P. m24 Préludes, Op.284 v# s# f, O$ w6 ]4 I
19. No.24 in D Minor 2:08
4 ]! b9 ^; j: d- ^* V" u! T9 xJean-Yves Thibaudet* _# @' A/ j) z: \8 b
Total Playing Time 1:16:456 {; W) d/ |+ s" S# j
3 j& X" t- P/ N. n0 T
CD54 Conversations with Bill Evans
- u( o" `8 ^- T+ VJean-Yves Thibaudet + Nyman: from The Piano - 1. The heart asks pleasure first; 2. Silver fingered fling6 L6 r% i8 @. f" C+ ?1 f
First international release of Nyman
- e; [/ C1 o1 r# z" b蒂博代演奏Bill Evans、Nyman作品" \0 ` R1 p2 k: r0 `8 X1 [
CD 54: Conversations With Bill Evans; Two Pieces from "The Piano": d: n! d: Q$ d6 h
Bill Evans (1929 - 1980); w* p. ?1 R/ @/ p
Song for Helen
$ B. {% x6 M9 \! k1. transc & arr Jed Distler 4:16
/ |. M) ], b' r6 t! ?, X9 pBill Evans (1929 - 1980), Eugene Lees c5 g& t; [# f
2. Waltz For Debby 1:57
4 _2 C2 }2 @ TBill Evans (1929 - 1980)* ^% D @7 Q1 A
Turn Out The Stars& s8 l. x {/ a* _% l9 `: i
3. transc Jed Distler 5:16. }* \3 r$ ?* g
Michel Legrand (1932 - )
) o, |/ V* F' A/ n9 M8 d$ E2 [ T& lNoelle's Theme
' m5 F5 F/ T6 P/ k! F+ M8 O, ~0 k9 F4. transc. by Jed Distler 5:18
% [' i6 F/ y0 b5 S) l- KDuke Ellington (1899 - 1974)
2 p+ K4 R. t8 e/ {7 b5. Reflections in D 7:21
9 A; q! L$ C5 V( k: dJimmy van Heusen (1913 - 1990)& N: N& P) T$ ^1 V1 U2 I# q3 ^! C& I
Here's That Rainy Day0 A" {6 `# @ `) ^1 X, U
6. transc. by Jed Distler & David Pearl 6:10
, Y4 _5 l! U# y& vSteve Swallow
( t H- ?! G0 w/ L5 dHulo, Bolinas& d3 e) @8 v) }4 O
7. transc. by Jed Distler 4:134 }# Z! _: q8 N0 s* `
Alex North (1910 - 1991)
# n4 B6 V3 m6 t/ A: |Love Theme From "Spartacus"
/ ^ @: ]- n0 L7 J# H6 P& C8. transc. by Jed Distler 3:33, W) V2 z/ h. t- f3 w
Bill Evans (1929 - 1980)6 N2 o( T5 s$ E7 L# V
Since We Met
* A0 e; ^: T2 N5 R! f9. transc. by Jed Distler, based on transc. by Bob Bonver 4:52
& s/ a8 u. |6 c. I. JPeace Piece5 z3 q5 x* w: O; B3 [2 G
10. transc. by Jim Aikin 7:32
; E/ @. x# v" o. B: DYour Story- {$ x" w: Z- N3 u/ P9 k: z# R" k
11. transc. and arr. by Jed Distler 5:37: B2 D! t+ E1 x% b0 U6 C1 ]
Leonard Bernstein (1918 - 1990)7 j8 ~ Q8 A2 G$ }8 J! s( _1 J
12. Lucky To Be Me 3:578 g' o4 R- P" Q8 r$ l
Michael Nyman (1948 - )5 T8 c M# h5 Y: f$ J% w
The Piano- v! u5 t" S) m, ], M/ c% i
13. The Heart Asks Pleasure First 2:146 }, `' O$ n+ d1 N9 V
14. Silver-Fingered Fling 4:38, m3 P" D; n. B$ C3 b) X
Jean-Yves Thibaudet
2 f2 m3 C3 m4 UTotal Playing Time 1:06:54; y' A$ G2 {6 D( h+ i: v. d( x
6 _2 X& e9 x: D9 e0 k& D6 q- uCD55 Gershwin: Rhapsody in Blue, Variations on I got Rhythm; Piano Concerto in F
- s8 G3 X2 l! B7 |(Alsop)9 ~2 _4 g3 N: k6 ]6 B
Jean-Yves Thibaudet u3 N& Z9 f: D6 x
Jazz-band Grofé versions
; N/ [. s$ K9 T1 \) t( r格什温:蓝色狂想曲,钢琴协奏曲
7 b1 `& w# A. qCD 55: Gershwin: Rhapsody In Blue; Piano Concerto in F
: O- E ^! d- ~# u6 ?# \5 vGeorge Gershwin (1898 - 1937) R, C0 L. {) D. J
1. Rhapsody In Blue 16:51
. {" h1 x( _6 r6 v, }2. Variations On I Got Rhythm 9:05
- N* P' ]- u1 @$ S5 Y: M( T }' sPiano Concerto in F Major2 w0 f+ k$ c" h+ ^
Arr. Ferde Grofé
( Y6 ^: g8 c8 Y& {# q# m3. 1. Allegro 13:12, S5 W! f& k1 }
4. 2. Adagio - Andante con moto 11:44& { \+ e/ ?- p+ N& R
5. 3. Allegro agitato 6:32
3 X. s2 V" t3 p6 f' Q4 M0 RJean-Yves Thibaudet, Baltimore Symphony Orchestra, Marin Alsop0 j% }5 Q9 R# ^
Total Playing Time 57:24$ L* ^9 p% ~( A5 o
# u7 t) @! P0 l2 x5 X6 a
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