[古典/交响/奏鸣曲] Friedrich Gulda - Friedrich Gulda: The Early Rias Recordings (2017) [Hi-Res 24bit/48KHz FLAC]

[复制链接]
查看96 | 回复0 | 2025-5-20 20:28:52 | 显示全部楼层 |阅读模式
COVER.jpg
0 a6 f% p( j5 U! ~8 u% G6 V' ]$ a) X* W1 O2 Z

/ x# g6 f6 Y2 y5 y9 I+ U2 FHiRes专辑名称:Friedrich Gulda - Friedrich Gulda: The Early Rias Recordings) ?& E3 K' @8 b" T
音乐格式:FLAC
6 y  \; |, C2 D" F- |音乐流派:CLASSICAL古典; B' Z& U9 P' x' g9 G/ \
发行年代:2017! Q) |' w2 o, k  R( ?% L0 y! o
音乐分辨率:24bit - 48khz ! j; [8 ^# t' Y1 ~0 `. `
. `! @2 Q; L% ^8 w" f: d, [" V
Hi-Res音乐专辑曲目:* M, f' T* S, h
CD1
% t( ^* m5 _( `) \# k: B1.01. Piano Sonata in G Major, Op. 14,2 I. Allegro5 H; l  ?6 |0 l6 }7 i: s
1.02. Piano Sonata in G Major, Op. 14,2 II. Andante" C2 I% E3 Q# u: O( Y
1.03. Piano Sonata in G Major, Op. 14,2 III. Scherzo. Allegro assai
" H  F2 R. V& D  |$ t0 R. |; v1.04. Piano Sonata in E Major, Op. 109 No. 30 I. Vivace, ma non troppo Adagio espressivo( Y0 t( S; G) @, v7 X
1.05. Piano Sonata in E Major, Op. 109 No. 30 II. Prestissimo
* _* N' w% _. b7 g! d1.06. Piano Sonata in E Major, Op. 109 No. 30 III. Gesangvoll, mit innigster Empfindung. Andante molto cantabile ed espressivo
1 ?: n7 H7 V: I. e1.07. Variations and Fugue for Piano in E-Flat Major, Eroica Variations, Op. 35 Introduzione col basso del tema. Allegro vivace
1 C& H9 ^/ n, ]2 j4 F1 A2 X1.08. Variations and Fugue for Piano in E-Flat Major, Eroica Variations, Op. 35 Var. 1 - Var. 15
; A6 ?3 Z  q+ S6 F' F1.09. Variations and Fugue for Piano in E-Flat Major, Eroica Variations, Op. 35 Finale. Alla fuga. Allegro con brio.. [- P. @- d  L9 o7 q/ e( h8 k
1.10. 32 Variations in C Minor, WoO 80/ e& Z  M. B1 s2 o8 g# G
: J! v0 m- C8 e2 U
CD2* Y2 |3 f. a# t8 J. D
2.01. Pour le Piano, L. 95 I. Prelude. Assez anime et tres rythme& Q; _2 t, m  l9 e
2.02. Pour le Piano, L. 95 II. Sarabande. Avec une elegance grave et lente. m. A, O% w: s) _
2.03. Pour le Piano, L. 95 III. Toccata. Vif
/ o, v9 f6 q& U  j: G1 G1 N+ @8 L6 `2.04. Estampes, L. 100 II. La soiree dans Grenada. Mouvement de Habanera8 P5 \% u$ _( t/ ]6 N
2.05. Images, L. 111 (2eme Livre) III. Poissons d'or. Anime$ e; E3 J  B- D
2.06. Preludes, L. 117 (1er Livre) VI. Des pas sur la neige. Triste et lent., N$ C* B, Z: S& S: w4 S
2.07. Preludes, L. 117 (1er Livre) IX. La serenade interrompue. Moderement anime - Quasi Guitarra.
* B# Q1 ^  t5 V& E* h3 m0 b2.08. Suite Bergamasque, L. 75 I. Prelude. Moderato# C. B7 a6 e& b: h+ q
2.09. Suite Bergamasque, L. 75 II. Menuet. Andantino
% c! ]( Z+ o2 q; b2.10. Suite Bergamasque, L. 75 III. Clair de Lune. Andante tres expressif
, z5 H) e5 J5 Q+ F2 {$ S2.11. Suite Bergamasque, L. 75 IV. Passepied. Allegretto ma non troppo
2 I. W! F3 z9 F( [# r2.12. Gaspard de la nuit, Trois poemes pour Piano d'apres Aloysius Bertrand, M. 55 I. Ondine. Lent
. s/ X4 Z0 Y% R: u# |: S5 @2.13. Gaspard de la nuit, Trois poemes pour Piano d'apres Aloysius Bertrand, M. 55 II. Le Gibet. Tres lent
- u  Q+ Q$ [% d6 d) ~3 Q2 ~2.14. Gaspard de la nuit, Trois poemes pour Piano d'apres Aloysius Bertrand, M. 55 III. Scarbo. Modere
- _( w3 S/ g& [
; E  ^. V# f8 P1 }' j6 D/ LCD3
; J7 B# I) Y, @4 i! H3.01. 24 Preludes, Op. 28 Prelude No. 1 in C Major. Agitato
; ~! \& ~; ?  N- j5 m3.02. 24 Preludes, Op. 28 Prelude No. 2 in A Minor. Lento( D/ R' e6 z' y# u7 B+ h' M
3.03. 24 Preludes, Op. 28 Prelude No. 3 in G Major. Vivace' w' H2 h( f; Z/ e
3.04. 24 Preludes, Op. 28 Prelude No. 4 in E Minor. Largo# q5 m' Z  ?0 N  Q+ c+ ]
3.05. 24 Preludes, Op. 28 Prelude No. 5 in D Major. Allegro molto3 L( f/ ?! T/ a5 g7 o3 S; j5 `/ b: p
3.06. 24 Preludes, Op. 28 Prelude No. 6 in B Minor. Lento assai
/ x, b+ W" t) F1 L0 w* l4 E3.07. 24 Preludes, Op. 28 Prelude No. 7 in A Major. Andantino4 |: T& z+ b+ t) ?! g" G
3.08. 24 Preludes, Op. 28 Prelude No. 8 in F-Sharp Minor. Molto Agitato
+ A6 Z$ _4 Q( U% P9 e8 H1 Q7 ?3.09. 24 Preludes, Op. 28 Prelude No. 9 in E Major. Largo
* `# ]- x9 ?5 {" S3.10. 24 Preludes, Op. 28 Prelude No. 10 in C-Sharp Minor. Allegro molto4 D" {) G! f1 D: m9 I
3.11. 24 Preludes, Op. 28 Prelude No. 11 in B Major. Vivace5 ~- A7 B; m; C1 a* D1 Q* v
3.12. 24 Preludes, Op. 28 Prelude No. 12 in G-Sharp Minor. Presto/ m+ V- e$ R2 v. x4 P
3.13. 24 Preludes, Op. 28 Prelude No. 13 in F-Sharp Major. Lento  z( r& y5 w9 P3 e. g3 t* J
3.14. 24 Preludes, Op. 28 Prelude No. 14 in E-Flat Minor. Allegro
6 P  c2 k8 z1 C' t3.15. 24 Preludes, Op. 28 Prelude No. 15 in D-Flat Major Raindrop. Sostenuto! w( k2 m; e0 V; _/ }$ n2 @
3.16. 24 Preludes, Op. 28 Prelude No. 16 in B-Flat Minor. Presto con fuoco( ~3 M. b- Y! D2 e% y0 x
3.17. 24 Preludes, Op. 28 Prelude No. 17 in A-Flat Major. Allegretto
: P) D3 O& ~" H) ]; F% u5 J3.18. 24 Preludes, Op. 28 Prelude No. 18 in F Minor. Allegro molto
- {: c; Q) [& s7 L9 |/ j. _$ H3.19. 24 Preludes, Op. 28 Prelude No. 19 in E-Flat Major. Vivace0 X& E# x. c: b$ Q) K$ z  s$ I
3.20. 24 Preludes, Op. 28 Prelude No. 20 in C Minor. Largo
3 ?/ d2 _% a0 g, h7 o3.21. 24 Preludes, Op. 28 Prelude No. 21 in B-Flat Major. Cantabile2 [3 _7 l4 s4 ]. c' @9 d1 A
3.22. 24 Preludes, Op. 28 Prelude No. 22 in G Minor. Molto Agitato0 J/ ]/ `$ p: V) {( N' y
3.23. 24 Preludes, Op. 28 Prelude No. 23 in F Major. Moderato
9 O1 |9 y) D& K9 @; a7 ?$ w# X) m3.24. 24 Preludes, Op. 28 Prelude No. 24 in D Minor. Allegro appassionato6 T  o3 s1 ^/ j/ ]. w* ^
3.25. Nocturne in C Minor, Op. 48 No. 1
! ]2 P" g$ {  O6 c: T# g* f3.26. Barcarolle in F-Sharp Major, Op. 60$ b  I* [3 z2 Z
3.27. Piano Sonata No. 7 in B-Flat Major, Op. 83 I. Allegro inquieto - Andantino; P( C9 i! X, z7 p5 j. S' |" d
3.28. Piano Sonata No. 7 in B-Flat Major, Op. 83 II. Andante caloroso  _, q( ?# g# ~  y& m
3.29. Piano Sonata No. 7 in B-Flat Major, Op. 83 III. Precipitato
$ P- F" a5 |2 _; d, X( ^
; v& g; X" W9 g3 I  X5 jCD4
: }8 ^/ j1 w0 |0 ]  b4 z4.01. Piano Concerto No. 24 in C Minor, K. 491 I. Allegro (Cadenza by Johann Nepomuk Hummel)  F9 {+ o3 a5 l4 Y6 Q
4.02. Piano Concerto No. 24 in C Minor, K. 491 II. Larghetto (Eingang by Johann Nepomuk Hummel)& o+ |  ~! ?, v: x! E
4.03. Piano Concerto No. 24 in C Minor, K. 491 III. Allegretto (Eingang by Johann Nepomuk Hummel)$ b6 Q- r* C, @8 E6 Y! n
4.04. Piano Sonata No. 28 in A Major, Op. 101 I. Etwas lebhaft und mit der innigsten Empfindung. Allegretto ma non Troppo
% |' E9 ^# F9 g4.05. Piano Sonata No. 28 in A Major, Op. 101 II. Lebhaft, marschma?ig. Vivace alla marcia
% ~* ^' W. r+ q! C- R: E4 M4.06. Piano Sonata No. 28 in A Major, Op. 101 III. Langsam und sehnsuchtsvoll. Adagio ma non troppo con affetto
4 m0 T2 y5 f# o1 ^3 b3 z! \  n2 |3 J4.07. Piano Sonata No. 28 in A Major, Op. 101 IV. Geschwind, doch nicht zu sehr und mit Entschlossenheit. Allegro
游客,如果您要查看本帖隐藏内容请回复

0 [( x: y( q1 D; w, t
默认解压密码:www.sacdsd.com
回复

使用道具 举报

您需要登录后才可以回帖 登录 | 立即注册

本版积分规则