[录音室专辑] Bob Dylan – The Cutting Edge 1965-1966: The Bootleg Series, Vol. 12 (Deluxe Edition) (2015) [iTunes Plus M4A]

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, H! a: l$ t% {流派:ROCK摇滚( p" f  h0 o* _" K- @
语种:英语' ?: D6 A1 Z9 H+ S
发行时间:2015-11-064 o. g) H4 M) j
唱片公司:索尼音乐) b3 w- w( `  Z% z) R. C$ R. q9 W
类型:录音室专辑
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iTunes Plus AAC音乐专辑曲目:6 G0 X4 a6 {3 H0 o
光盘: 1
4 a3 e: t( @3 n( L1        Love Minus Zero / No Limit (Take 1, Breakdown)
- V/ Y& a5 k4 G+ @2        Love Minus Zero / No Limit (Take 2, Acoustic)
+ g  |; z% h1 ]$ D' `+ x! @3        Love Minus Zero / No Limit (Take 3 Remake, Complete)
$ l/ e! ]- i4 N% `* w3 I9 V2 J4        Love Minus Zero / No Limit (Take 1 Remake, Complete)
) [; @3 t* S2 Q9 [! t6 [, w5        I'll Keep It with Mine (Take 1, Piano Demo)
4 k9 f4 n& I, s8 w; d! X6        It's All Over Now, Baby Blue (Take 1)
8 f8 |& ]: p! c% P: X# x7        Bob Dylan's 115th Dream (Take 1, Fragment)
! z5 c+ H% z8 y: z6 R2 ?+ o8        Bob Dylan's 115th Dream (Take 2, Complete)
$ w) r' E+ C5 {) j9        She Belongs to Me (Take 1, Solo Acoustic)
7 c; U% n. _* p, }8 o8 n' I* M10        She Belongs to Me (Take 2 Remake, Complete); x  \" `7 p% n! G
11        She Belongs to Me (Take 1 Remake, Complete)
/ {; B. p8 d, ^/ L6 z12        Subterranean Homesick Blues (Take 1)/ h  j( }2 d( U) ]" G8 b4 ]% U
13        Subterranean Homesick Blues (Take 1, Alternate Take)
5 o6 \1 a; y- O' z14        Outlaw Blues (Take 1, Complete)
$ ]0 {" h0 e3 x( E. K& w8 t15        Outlaw Blues (Take 2, Alternate Take)3 t, N( b  e0 N2 M% F
16        On the Road Again (Take 1, Complete)
, p$ |& b* F* }8 b+ L17        On the Road Again (Take 4, Alternate Take): q: C: ~8 u' k' d! M) P% F
18        On the Road Again (Take 1 Remake, Complete)  \: R: V, d9 o# e+ v
19        On the Road Again (Take 7 Remake, Complete)
9 d9 @9 e! h; n! [4 w" o7 Y: ]  h, N20        Farewell, Angelina (Take 1, Solo Acoustic)! e+ N3 p7 n' \( |
21        If You Gotta Go, Go Now (Take 1, Complete)
7 M% {% ]1 j* T8 v% A6 Q# i; t( z22        If You Gotta Go, Go Now (Take 2, Alternate Take)4 R% {2 m  L( \
23        You Don't Have to Do That (Take 1, Solo Acoustic)+ H+ F  k# P- o7 k
光盘: 2
8 b, f$ k4 y( {( n2 Q8 W8 o7 K6 _9 W7 S( d1        California (Take 1, Solo Acoustic): }' Q/ }. e3 y
2        It's Alright, Ma (I'm Only Bleeding) (Take 1, False Start)  X$ ]9 O/ p8 ^6 y
3        Mr. Tambourine Man (Takes 1-2, False Starts)2 Q8 a# ~( |+ B' ^+ S
4        Mr. Tambourine Man (Take 3 with Band, Incomplete)! G1 I9 J9 w+ w- t  f* G
5        It Takes a Lot to Laugh, It Takes a Train to Cry (Take 1, Complete (6/15/65))# m% j8 d% s" A* o# @2 U' b- o
6        It Takes a Lot to Laugh, It Takes a Train to Cry ((Take 8) [Alternate Take])
( l. r) K5 X! @' S: F7 G7        It Takes a Lot to Laugh, It Takes a Train to Cry (Take 3, Incomplete)/ @7 R; I6 W( B+ }7 k
8        It Takes a Lot to Laugh, It Takes a Train to Cry (Take 3 Remake, Complete)4 }* i- \# R* Q" z0 V( N- i
9        Sitting On a Barbed Wire Fence (Take 2)5 H& M) j  G' O( {
10        Tombstone Blues (Take 1, Alternate Take)2 g: ~, H9 ^% C5 B
11        Tombstone Blues (Take 9)
6 }: d5 N1 y2 @, o( ^- ~$ A12        Positively 4th Street (Takes 1-3, False Starts)
* r/ x* l+ d/ f+ A8 m13        Positively 4th Street (Take 4, Complete)
* M% V9 P: U) J% I: b. H" f14        Positively 4th Street (Take 5, Alternate Take)
' p7 [7 R; y; q% p8 l15        Desolation Row (Take 1, Alternate Take)
# Y! j3 O; V/ h& G3 |1 a/ W16        Desolation Row (Take 2, Piano Demo)
/ z- b5 b7 W; U3 v6 P17        Desolation Row (Take 5 Remake, Complete)$ I8 Y0 G9 p, I; Y3 i
18        From a Buick 6 (Take 1, False Start)0 v6 y$ |- |7 }3 s( L9 h* K
19        From a Buick 6 (Take 4)
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1        Like a Rolling Stone (Takes 1-3, Rehearsal)
  _# x; [0 A2 i8 K5 Y' X* }2        Like a Rolling Stone (Take 4, Rehearsal)3 j9 x) U* G2 h7 V
3        Like a Rolling Stone (Take 5, Rehearsal)
3 A) A& s( S' p  x# J4        Like a Rolling Stone (Rehearsal Remake)  @# `1 \0 _: e) H' G6 `
5        Like a Rolling Stone (Take 1 Remake, Rehearsal)
, W1 i: s$ h9 M1 n$ d6        Like a Rolling Stone (Takes 2-3 Remake, False Starts)
/ Y3 Z3 G( h, e& P& p7        Like a Rolling Stone (Take 4 Remake)( W/ l8 U3 @4 s
8        Like a Rolling Stone (Take 5 Remake, Rehearsal)2 q1 n: d+ `6 L) r
9        Like a Rolling Stone (Take 6 Remake, False Start)- ?# B( p/ f1 N" K
10        Like a Rolling Stone (Take 8 Remake, Breakdown)! q3 I$ ?9 ^8 |" h" a5 s
11        Like a Rolling Stone (Takes 9-10 Remake, False Starts)' V, P2 b& v8 P+ W. Y* I
12        Like a Rolling Stone (Take 11, Alternate Take)7 o  o5 r9 |# J/ Z
13        Like a Rolling Stone (Take 12 Remake, False Start)
7 U4 U' K# y# x6 L2 E2 ]& \# m" p14        Like a Rolling Stone (Take 13 Remake, Breakdown)
. j" u+ C( w+ {+ [" F' i  d15        Like a Rolling Stone (Take 14 Remake, False Start)* E, ~  O9 j6 ?: }
16        Like a Rolling Stone (Take 15 Remake, Breakdown)6 n% Y! c$ A! \7 c7 a) x" g& r
17        Like a Rolling Stone (Master Take, Guitar)
0 _# p+ N5 w2 H18        Like a Rolling Stone (Master Take, Vocals, Guitar)7 N" }( N9 \+ ~& M. C; C* D
19        Like a Rolling Stone (Master Take, Piano, Bass)5 x3 B. x! W3 h; @$ }; y
20        Like a Rolling Stone (Master Take, Drums, Organ)3 A; e  F: K  E( ^# m4 K, _: e
光盘: 4
  @$ |7 R5 h/ ]* e! J* F1        Can You Please Crawl Out Your Window? (Take 1, Alternate Take)
5 Y* q6 G; O7 o( x& z2        Can You Please Crawl Out Your Window? (Take 17)
' X+ d6 s7 p( j, m3        Highway 61 Revisited (Take 3, Alternate Take)# x" G8 O; t7 m4 E
4        Highway 61 Revisited (Take 5, Complete)
& b# k: \0 Q1 E  N# V, [6 w5        Highway 61 Revisited (Take 7, False Start)
$ Z4 I5 V: @9 V" I- ]6        Just Like Tom Thumb's Blues (Take 1, Breakdown)
: H: o  B4 Z9 S5 a' H7        Just Like Tom Thumb's Blues (Take 3, Rehearsal)
6 @# Q: A& p' Q% n! K; L) s. V8        Just Like Tom Thumb's Blues (Take 13, Complete)
. G6 K: X& Z6 x! u1 c* f9 R9        Queen Jane Approximately (Take 2, Complete)( G! I* k5 t8 O9 ?" R& P
10        Queen Jane Approximately (Take 5, Alternate Take)  Z. X# B) i7 t. b' V/ |
11        Ballad of a Thin Man (Take 2, Breakdown)2 @( m( y0 \/ k2 O6 f( c
12        Medicine Sunday (Take 1); M: \, |( N8 k: [  U. Z
13        Jet Pilot (Take 1)
9 {" }" ^+ Z9 {1 ?/ c% \14        I Wanna Be Your Lover (Take 1, Fragment)
" l5 y: B% _  k$ ?$ _15        I Wanna Be Your Lover (Take 6, Complete)
& w# J4 x+ d. W  f' Q( h16        Instrumental (Take 2, Complete)
9 f/ F8 ?' \# }7 M17        Can You Please Crawl Out Your Window? (Take 6, Complete)7 E, a6 n! H/ e4 q: e- Z
18        Visions of Johanna (Take 1, Rehearsal)
9 K' {& P. U) ^  S+ N9 j19        Visions of Johanna (Take 5, Rehearsal)
& d* e' ?) K# @光盘: 5
. g0 q3 c1 K/ V& e6 K$ b1        Visions of Johanna (Take 7, Complete)
4 O- u0 ~: m8 y4 S" |2        Visions of Johanna (Take 8)
4 C$ ^, A1 b3 t' U& Z. s; g. a  v3        Visions of Johanna (Take 14, Complete)
8 f) ^9 E9 ]  q1 C4        She's Your Lover Now (Take 1, Breakdown)
/ G4 [, r. \- i5 s5        She's Your Lover Now (Take 6, Rehearsal)' ~' Q7 K& V2 b" j8 Y  }: X
6        She's Your Lover Now (Take 15)
2 D& v7 X: {4 ?5 _& b  {3 ^! ~7        She's Your Lover Now (Take 16, Complete)
+ B4 [$ F, |! E0 {0 a  g8        One of Us Must Know (Sooner or Later) (Take 2, Rehearsal), n. O  H9 v% U
9        One of Us Must Know (Sooner or Later) (Take 4, Rehearsal)
/ F1 n# i" b. P- k7 c( L10        One of Us Must Know (Sooner or Later) (Take 19, Alternate Take)) l( G+ l9 y- Z% i5 S/ j3 l" c# N
11        Lunatic Princess (Take 1)7 i5 _+ J- ~, j. o
12        Fourth Time Around (Take 11, Complete)
8 g# N- t1 X. E0 Y8 P% a13        Leopard-Skin Pill-Box Hat (Take 3, Complete)
+ g- N. ~2 o5 W, I' ?14        Leopard-Skin Pill-Box Hat (Take 8, Alternate Take)! d( a; n4 ^# W) [; \5 B' y1 |
15        Rainy Day Women #12 & 35 (Take 1, Rehearsal and Finished Track)
8 k0 M6 `& `! G3 y; \光盘: 6
) t% V% c: y; Z# N# C1        Stuck Inside of Mobile with the Memphis Blues Again (Take 1, Rehearsal)
1 l( e% x* o; P  M2        Stuck Inside of Mobile with the Memphis Blues Again (Rehearsal)
( l+ i8 n: P7 u) L4 _4 i3        Stuck Inside of Mobile with the Memphis Blues Again (Take 5)5 l" i0 }; \5 Y! U& R# d' s5 }
4        Stuck Inside of Mobile with the Memphis Blues Again (Take 13, Alternate Take)
; _9 Y: i/ Q$ U2 f' ], B5        Stuck Inside of Mobile with the Memphis Blues Again (Take 14, Complete)
! [/ d% q2 t' W4 o6        Absolutely Sweet Marie (Take 1, Alternate Take)/ l; K7 f/ f% ~, f* e5 C  J# i
7        Just Like a Woman (Take 1, Complete)
9 B- o. D* B0 u- {2 I+ H! X$ |: [8        Just Like a Woman (Take 4, Alternate Take)
& m; k7 U$ ]1 j/ ]) x$ d9        Just Like a Woman (Take 8, Complete)/ w' K/ v5 `# Z# ~5 l( O9 Y5 w
10        Pledging My Time (Take 1, Alternate Take)0 k5 v* {% J4 K+ ^
11        Most Likely You Go Your Way (And I'll Go Mine) (Take 1, Complete); D( a0 W6 a+ a. e
12        Temporary Like Achilles (Take 3, Complete)- H$ d+ ~6 L. U
13        Obviously Five Believers (Take 3, Complete)# r, S. F2 U* c2 [8 u8 n
14        I Want You (Take 4, Alternate Take)4 j+ x5 ?- {$ s* [
15        Sad-Eyed Lady of the Lowlands (Take 1, Complete)
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