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$ C M* T4 |/ iHiRes专辑名称:Svjatoslav Richter - Robert Schumann: Symphonic Studies, Fantasie Op. 17 & Faschingsschwank aus Wien
4 R, B5 b) e& w' q; d6 R音乐格式:FLAC
$ E6 S% c1 ^# i音乐流派:CLASSICAL古典! ?' J: J+ N ^; P& Z3 o. N# c$ m
发行年代:20130 T& V8 v7 f, J7 w. ]9 g
音乐分辨率:24bit - 96khz ; t8 w# D! \$ w! o2 L; }
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- _. O8 p5 x" m7 ?01 - Symphonic Studies (I-VII, XI-XII) Op. 13 and 5 posthumous variations: I. Thema. Andante9 [ [# p4 {' u5 b% J0 T; z0 P- z! v# `
02 - Symphonic Studies (I-VII, XI-XII) Op. 13 and 5 posthumous variations: II. Etüde I (Variation I)-Un poco più vivo1 d/ X, \+ o, x0 ^; V0 g( z
03 - Symphonic Studies (I-VII, XI-XII) Op. 13 and 5 posthumous variations: III. Etüde II (Variation II)-Marcato il canto G, X8 `, O9 G' R
04 - Symphonic Studies (I-VII, XI-XII) Op. 13 and 5 posthumous variations: IV. Etüde III-Vivace
1 t. D. [' S( { i/ `05 - Symphonic Studies (I-VII, XI-XII) Op. 13 and 5 posthumous variations: V. Etüde IV (Variation III)4 z, s; ?! p, T R
06 - Symphonic Studies (I-VII, XI-XII) Op. 13 and 5 posthumous variations: VI. Etüde V (Variation IV) F' k+ p; U; J7 z1 {! k) \$ }, s+ ]1 n
07 - Symphonic Studies (I-VII, XI-XII) Op. 13 and 5 posthumous variations: VII. Variation post. I
7 w) F: k4 Z' r4 z' [( O- ?2 _08 - Symphonic Studies (I-VII, XI-XII) Op. 13 and 5 posthumous variations: VIII. Variation post. II
t9 z+ U( U( q1 L09 - Symphonic Studies (I-VII, XI-XII) Op. 13 and 5 posthumous variations: IX. Variation post. III
- v/ Z, I* j! |* c10 - Symphonic Studies (I-VII, XI-XII) Op. 13 and 5 posthumous variations: X. Variation post. IV
, b3 r# ]" L; \9 H( a9 J11 - Symphonic Studies (I-VII, XI-XII) Op. 13 and 5 posthumous variations: XI. Variation post. V! I# l: d& _7 n7 {0 ` R$ \
12 - Symphonic Studies (I-VII, XI-XII) Op. 13 and 5 posthumous variations: XII. Etüde VI (Variation V). Agitato
6 x7 K0 _. K/ r l( t/ w6 X% i8 t13 - Symphonic Studies (I-VII, XI-XII) Op. 13 and 5 posthumous variations: XIII. Etüde VII (Variation VI). Allegro molto
! e" H3 o% B e9 I# A. X( M14 - Symphonic Studies (I-VII, XI-XII) Op. 13 and 5 posthumous variations: XIV. Etüde XI (Variation IX). Andante con espressione4 h, r6 C& Y3 h9 [# ^7 Q
15 - Symphonic Studies (I-VII, XI-XII) Op. 13 and 5 posthumous variations: XV. Etüde XII (Finale). Allegro brillante
$ W7 Q5 C( N! x3 k6 R/ v5 ^9 x, J16 - Fantasy in C Major, Op. 17: I. Durchaus fantastich und leidenschaftlich vorzutragen-Im Legenden-Ton9 K7 B4 F b% G) [% w; i8 Y0 G! g
17 - Fantasy in C Major, Op. 17: II. Mäßig. Durchaus energisch-Etwas langsamer-Viel bewegter# v; Y& @* {3 s7 h# e. V
18 - Fantasy in C Major, Op. 17: III. Langsam betragen. Durchweg leise zu halten-Etwas bewegter6 Y* T* A+ _7 ]4 k6 `/ u
19 - Faschingsschwank Aus Wien, Op. 26: I. Allegro5 S1 Z0 T8 M/ l h, M+ Y
20 - Carnaval de Vienne, Op. 26: II. Romanze2 Z9 }, m6 }; W* y6 b
21 - Faschingsschwank Aus Wien, Op. 26: III. Scherzino
! N* O$ ~9 f* \) t' o. N22 - Carnaval de Vienne, Op. 26: IV. Intermezzo Vivace
+ a: M3 r+ C/ c1 J [23 - Faschingsschwank Aus Wien, Op. 26: V. Finale5 D9 C! B6 ^ m1 R0 w0 ]/ g6 {' H0 f4 c
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