Claudio Arrau - The Complete RCA Victor And Columbia Album Collection [Hi-Res 24bit 44.1khz FLAC]

Artist: Claudio Arrau
- S* K( p! R0 S  V$ j' b$ |Title: The Complete RCA Victor And Columbia Album Collection
! l; N) @: ?0 B8 D% xYear Of Release: 2016
) C5 S9 C; i0 c( \/ ELabel: Sony Classical
Genre: Classical
Quality: flac 24bits - 44.1kHz +booklet
# `5 r* n( G2 H- Y7 k+ r2 L0 M0 zTotal Time: 10:03:23
7 [' g2 c4 h: @+ N& r. WTotal Size: 5.49 gb
7 ]* }+ H4 E0 y6 \
Hi-Res无损音乐专辑简介：

Hi-Res无损音乐专辑曲目：
5 E- r9 T: R7 uDISC 1
Wolfgang Amadeus Mozart
+ t) W8 I4 n3 x4 E3 ePiano Sonata No. 5 in G Major, K. 283 (K. 189h)
4 e* y. f! a( [' o( LI. Allegro
/ G" W  H& e2 F$ C" Z: O4 t5 r4 gII. Andante - Attaca
7 z! \$ t9 y: P2 ?# eIII. Presto
Piano Sonata No. 18 in D Major, K. 576
  ?7 C) J) l- V+ ]( DI. Allegro
II. Adagio
III. Allegretto
Wolfgang Amadeus Mozart
2 {7 W- x% y9 ^$ B3 hFantasia in C Minor, K. 475
" B5 @4 H$ {3 Z) MI. Adagio
II. Allegro - Andantino
III. Più allegro - Tempo I
Johann Sebastian Bach: Invention No. 8 in F Major, BWV 779
Johann Sebastian Bach: Sinfonia No. 6 in E Major, BWV 792
6 m' {2 P5 J  O: i/ |- X# {' GJohann Sebastian Bach: Sinfonia No. 15 in B Minor, BWV 801
Johann Sebastian Bach: Invention No. 2 in C Minor, BWV 773
9 f. I7 T: F9 b5 D/ l& ]Johann Sebastian Bach: Sinfonia No. 2 in C Minor, BWV 788
8 o# ]$ W/ i' A: w$ I" M. V, H0 eJohann Sebastian Bach: Invention No. 6 in E Major, BWV 777
Johann Sebastian Bach
Chromatic Fantasy and Fugue in D Minor, BWV 903
I. Fantasia - Recitativo
" c+ `% e1 y( Q: RII. Fugue

DISC 2
1 U: M) J. q' fCarl Maria von Weber
( y1 M+ |! l+ y% }: y7 mPiano Sonata No. 1 in C Major, J. 138
5 F- I+ r6 ~9 Y( k; a6 bI. Allegro
% ~: [8 e9 M! {+ B6 f1 sII. Adagio
3 S2 i0 h, D' {& d4 e# UIII. Minuetto - Allegro
IV. Rondo Presto "Perpetuum Mobile"
. ]& X, ~3 ]1 n. X8 A) i5 LLudwig van Beethoven
  p* C3 M7 n' g  K/ u. M1 r( L6 Variations on an Original Theme in F Major, Op. 34
* I, W& Y" C1 H* b9 d1 ~9 x8 m  HTheme - Adagio
Variation I
Variation II
Variation III
Variation IV
Variation V
Variation VI and Coda
Variations and Fugue in E-Flat Major, Op. 35 "Eroica Variations"
6 k6 K4 M! N, X  u4 k. Z' r1 }$ _9 ^Introduzione col basso del tema - Allegretto vivace - Tema
. Q* U0 z4 I, K- P/ EVariation I
6 [( b3 [) \7 ^( }, ZVariation II
0 r/ n1 @8 m0 r: _Variation III
Variation IV
5 r( I8 n* S  D$ i6 H2 r& wVariation V
Variation VI
Variation VII
7 o6 N9 S% ?' k9 tVariation VIII
8 s" G# a+ T2 eVariation IX
8 w4 c( c' F2 T* ~/ O1 z; XVariation X
Variation XI
; v5 [' n, a) t- kVariation XII
4 A4 I0 }3 t; e+ `1 I( AVariation XIII
3 Q2 G9 d, X% kVariation XIV
3 v; V& f' g( ^+ h1 ]7 g, g$ eVariation XV
! c" d6 O3 N! HFinale - Alla fuga - Con brio
& C+ m5 n. A9 i; F: M
DISC 3
) f4 O0 t# R3 @# h4 ~- ~1 JRobert Schumann
, q+ l+ [' d. r8 `# A: VPiano Concerto in A Minor, Op. 54
I. Allegro affettuoso
II. Intermezzo - Andantino grazioso
III. Allegro vivace
/ m# l- l) o1 S# n
DISC 4
Richard Strauss
Burleske for Piano and Orchestra in D Minor, TrV 145
Konzertstück for Piano and Orchestra in F Minor, Op. 79, J. 282
# h% r2 V6 ^/ C2 X( c( ]( V$ nI. Larghetto affettuoso
II. Allegro passionato
, _, [4 z, {7 x  @III. Adagio - Tempo di marcia

$ W( Q) h# |' }9 S5 @) i0 bDISC 5
Isaac Albeniz
Iberia Book I
* Y9 Q% |6 K- A3 NI. Evocación
" P. u- r9 w) ?  |5 }II. El puerto
: A5 X! \$ }5 O8 _III. El corpus Christi en Sevilla
Iberia Book II
+ _- l' ^0 ?7 z4 DI. Rondeña
II. Almería
# N4 W5 @! r$ s. h8 QIII. Triana

4 o# n0 ^& V1 ~. o3 i6 l0 hDISC 6
  z% S0 b7 m2 Z8 c' K/ Q4 M" }Claude Debussy
" W$ ?% v0 g8 E% l2 D7 d: Z7 \7 NPour le piano, L. 95
  N, @( }/ ]- P* JI. Prélude - Assez animé et très rythmé
II. Sarabande - Avec une élégance grave et lente
III. Toccata - Vif
; ~+ X  v$ \" ]" n, }Estampes, L. 100
I. Pagodes - Moderement anime
5 D* O, `. l+ R( W. xII. La soiree dans Grenade - Mouvement de Habanera
III. Jardins sous la pluie - Net et vif
( P2 f) C: h6 z4 \. SImages Book I, L. 110
I. Reflets dans l'eau
II. Hommage à Rameau
III. Mouvement
Images Book II, L. 111
I. Cloches à travers les feuilles
8 Q  }2 x4 i# wII. Et la lune descend sur le temple qui fut
9 P1 n" D" W; @$ R( A4 YIII. Poissons d'or

DISC 7
2 n# d9 W/ W' v/ x8 xLudwig van Beethoven
- N  S6 \; G) E" t" D# cPiano Concerto No. 3 in C Minor, Op. 37
I. Allegro con brio
II. Largo
III. Rondo - Allegro
7 l1 y0 o# y! |. oPiano Sonata No. 21 in C Major, Op. 53 "Waldstein"
( J4 {$ C* V4 w* w8 |; L4 V! L8 BI. Allegro con brio
; h* m, i) R7 Q/ _5 xII. Introduzione - Adagio molto
& d0 _# W" c! sIII. Rondo - Allegretto moderato
3 N. ^+ T- f; ~9 }! q
- ^$ w( \+ d, z$ {3 \DISC 8
Frédéric Chopin
" B8 i' W! R) R8 D24 Préludes, Op. 28
Prélude No. 1 in C Major
* J4 f1 c8 O% c5 GPrélude No. 2 in A Minor
& c( p# B& Y/ S1 l( J/ {" sPrélude No. 3 in G Major
Prélude No. 4 in E Minor
: Q! T2 s' i! @1 J& @0 x# V2 C+ JPrélude No. 5 in D Major
Prélude No. 6 in B Minor
Prélude No. 7 in A Major
Prélude No. 8 in F-Sharp Minor
Prélude No. 9 in E Major
' D. R% u3 E* Z1 HPrélude No. 10 in C-Sharp Minor
" Q( e4 O6 {. i1 ^" z9 N# k' \4 M, kPrélude No. 11 in B Major
  c' ~  I  K1 V; Z8 rPrélude No. 12 in G-Sharp Minor
Prélude No. 13 in F-Sharp Major
Prélude No. 15 in D-Flat Major
Prélude No. 14 in E-Flat Minor
Prélude No. 16 in B-Flat Minor
% A2 |) A. B5 l: O, bPrélude No. 17 in A-Flat Major
- X& c- y8 J: H7 RPrélude No. 18 in F Minor
6 [9 E/ i6 V; ~5 `* jPrélude No. 19 in E-Flat Major
' v' Z* P8 q& ^8 i4 l  i. O% [- qPrélude No. 20 in C Minor
Prélude No. 21 in B-Flat Major
Prélude No. 22 in G Minor
Prélude No. 23 in F Major
Prélude No. 24 in D Minor

& x( u. S; _. S! @- `2 }DISC 9
Franz Liszt
Piano Concerto No. 1 in E-Flat Major, S. 124
I. Allegro maestoso
6 l% x, q- [/ `5 D0 ]II. Quasi Adagio
III. Allegretto vivace - Allegro animato
IV. Allegro marziale animato
Fantasy on Hungarian Themes, S. 123
Andante mesto
Allegro eroico - Piú animato
Molto adagio - Quasi fantasia - Allegretto alla zingarese - Molto animato
Vivace assai - Prestissimo
& s$ ^9 l0 E' h4 Q  o
, a: u6 l7 R  j5 aDISC 10
7 @- S& ]) Q, a  pRobert Schumann
Kreisleriana, Op. 16
I. Äußerst bewegt
: ^7 J# B/ t% P$ e# J. ^; o* rII. Sehr innig und nicht zu rasch
III. Sehr aufgeregt
IV. Sehr langsam
1 O& p) ^! u5 }6 A. Y+ [V. Sehr lebhaft
* ]( P! w& [* FVI. Sehr langsam
VII. Sehr rasch
VIII. Schnell und spielend
Arabeske, Op. 18
* w) e2 s6 v+ @. {7 z
8 t) b% e! x/ n3 m, \DISC 11
Frédéric Chopin: Andante spianato et grande polonaise brillante in E-Flat Major, Op. 22
Frédéric Chopin: Waltz No. 1 in E-Flat Major, Op. 18 "Grande valse brillante"
Ludwig van Beethoven: Bagatelle in A Minor, WoO 59 "Für Elise"
Franz Schubert: Allegretto in C Minor, D. 915
Maurice Ravel
Gaspard de la nuit, M. 55
. _$ t1 U( v, y! LI. Ondine
II. Le gibet
0 U7 k' l4 o: @4 U$ IFranz Liszt
Hungarian Rhapsodies, S. 244
! e% O4 |% _9 |% C2 g& INo. 8 in F-Sharp Minor - Capriccio
( l7 ?* _2 @7 `$ Y2 yNo. 9 in E-Flat Major - The Carnival of Pest
* @# A' m# u0 G1 F( W; Q: oNo. 10 in E Major
! x( R  X7 [# Q: ANo. 11 in A Minor
No. 13 in A Minor
! h  Z! d9 z0 e0 ^5 H8 c0 g  k
# {$ O4 e# Y* @" d9 M0 C0 lDISC 12
6 T$ u( M* P0 d0 |7 O5 U# X, iJohann Sebastian Bach
! p( F0 m2 C' C# }' g5 _Goldberg Variations, BWV 988
Aria
/ l1 `$ s& d  y6 g* a! k. i! O5 A9 gVariation I
* |# G2 h, I5 ~, u; H3 U: M4 k$ SVariation II
Variation III - Canon at the Unison
Variation IV
" r' O  |3 l! C0 F# p% ?Variation V
/ ~2 I* W8 @. w# s6 R  K7 w5 ]Variation VI - Canon at the Second
Variation VII
3 V1 q* c' X/ L) `5 K" MVariation VIII
, {" y; Z, E# }5 `4 `' e# mVariation IX - Canon at the Third
, J8 r7 Z/ v4 F9 ~# J7 kVariation X
8 `5 G. T  m! \7 E8 G6 \Variation XI
) z% T: A) X/ i0 A6 v' N$ k7 p# ^Variation XII - Canon at the Fourth
0 ~8 N* B# K. h5 s# i8 R2 T% NVariation XIII
5 u: `0 E+ Q, s: z/ L- k' MVariation XIV
: y. e8 v# w) `7 N% b4 sVariation XV - Canon at the Fifth
/ W* O: ]7 k% v9 q$ v" F  ^( x  d! l4 hVariation XVI - Overture
& d4 n) O' @! h# k; w0 JVariation XVII
Variation XVIII - Canon at the Sixth
Variation XIX
. _4 O4 ^) r. l8 i3 b  UVariation XX
' y  O& V, L" y$ CVariation XXI - Canon at the Seventh
Variation XXII
Variation XXIII
Variation XXIV: Canon at the Octave
! `. F6 W+ j% |' Q# }+ ~1 z: UVariation XXV
Variation XXVI
Variation XXVII - Canon at the Ninth
7 J* r$ L3 l% C% lVariation XXVIII
! y2 N- B2 |- s0 ]7 ZVariation XXIX
Variation XXX - Quodlibet
Aria
2 F$ U: ]8 x; d$ O( {; J

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