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Artist: Garrick Ohlsson, Alisa Weilerstein, Frank Peter Zimmermann, Czech Philharmonic & Jiří Bělohlávek
- t2 _& ]% P9 C: g w) pTitle: Dvořák: Complete Symphonies & Concertos' ^' b( U4 u' Q6 L* r5 L' u, S
Year Of Release: 2014 k4 U5 N- @$ O% y
Label: Decca Music Group3 ]( s7 u! F4 g k1 f
Genre: Classical
: \+ h T5 ]$ c8 V$ |8 M5 J8 qQuality: FLAC (tracks, booklet) [96kHz/24bit]
! m& p; s- A5 J1 i8 K7 KTotal Time: 08:04:45
/ _3 Z5 Q; D9 i/ U+ F* ?Total Size: 8.62 GB3 l9 u2 `: J. B9 q+ T/ G
8 l3 \# Q" ?7 V4 M3 ~Hi-Res无损音乐专辑简介:
# [/ }1 [+ j5 O" g8 [Even though Antonin Dvorak remains among the most popular of Romantic composers, compilations of his complete symphonies are somewhat scarce, especially when compared to those of other great symphonists of the 19th century. That's one reason why Jiri Belohlavek's 2014 set with the Czech Philharmonic Orchestra should get classical fans' attention, but a more valid reason to acquire this collection is the exceptionally high quality of the performances, which Decca recorded in a series of subscription concerts between 2010 and 2014. A deciding factor should be the strong feeling this conductor and orchestra have for Dvorak's music, not only because of a shared Bohemian tradition and the composer's legacy (Dvorak conducted the Czech Philharmonic's first concert in 1896), but also because few other orchestras communicate the rhythms and colors of the music as vibrantly and with as much excitement. As rare as sets of the complete symphonic cycle are, those that include Dvorak's concertos are rarer still. The recordings Belohlavek and the CPO made of the Cello Concerto in B minor with Alisa Weilerstein, the Violin Concerto in A minor with Frank Peter Zimmerman, and the Piano Concerto in G minor with Garrick Ohlsson are essential listening, and their inclusion with the symphonies gives the package much greater value. Decca's high-definition sound delivers clean details and close-up presence, so even though these recordings are live, they sound as fine as a studio recording. Highly recommended. - Blair Sanderson9 ?4 l; ^/ y( B. Q
, P$ s9 s! B/ h% M$ H A8 ?Hi-Res无损音乐专辑曲目:
' s( a* u) }$ n: WSymphony No.1 in C minor, Op.3 - "The Bells of Zlonice"' z6 _7 d( ?; |% _
01. 1. Maestoso - Allegro [11:28]$ Z( t: ?1 w' h
02. 2. Adagio di molto [11:44]
, x/ g/ |$ U+ Z# g! F' m+ s03. 3. Allegretto [9:16]
$ f& P/ q5 o. W% h d04. 4. Finale (Allegro animato) [12:25]- P9 l- o$ j$ X' x+ \3 G; m
. y/ ^- u0 T* ~Cello Concerto in B minor, Op.104
$ s, \! U6 K$ Z. K7 v3 U05. 1. Allegro [14:42]
- k8 u* Z" i3 D+ T; ]06. 2. Adagio ma non troppo [11:23]& F. c/ Z4 L# _% G( o
07. 3. Finale (Allegro moderato) [12:38]$ z ~! |* M3 ?6 b
# b% s) m; d, V4 L3 YSymphony No.2 in B flat, Op.4
) F5 ^6 H1 d8 Y* g+ a- X08. 1. Allegro con moto [12:43]
7 i1 l$ O0 u, F' j j09. 2. Poco adagio [15:33]
) V2 Q! _9 p$ N10. 3. Scherzo (Allegro con brio) [12:09]0 {# V# J- G" p+ c' a, T
11. 4. Finale (Allegro con fuoco) [11:21]0 ]. J7 O: o! u- U; Y# |3 y/ e: D
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Violin Concerto in A minor, Op.53
, Q' @0 x, A1 C6 g! t3 C12. 1. Allegro ma non troppo - Quasi moderato [09:28]
4 F- f7 E: q: L13. 2. Adagio, ma non troppo [10:18]
/ l0 u) J' _% R( }8 V5 }0 F14. 3. Finale (Allegro giocoso, ma non troppo) [09:46]
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Symphony No.3 in E flat, Op.101 Y6 ]& k" L1 Z: W; K M
15. 1. Allegro moderato [11:01]
# f, Y( p" T& C. K9 D( x' @16. 2. Adagio molto, tempo di marcia [15:31]
& a) ~8 \; L5 g- O17. 3. Finale (Allegro vivace) [08:31]
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, U3 D5 f! ]' j$ [Piano Concerto in G minor, Op.33
5 X, I6 _6 H% Y& @, X18. 1. Allegro agitato [19:12]5 t& t- L6 g% r8 c: x2 o& W
19. 2. Andante sostenuto [08:59]% ~( `3 p* Z6 `( \% X
20. 3. Allegro con fuoco [11:40]
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Symphony No.4 in D minor, Op.13
6 m6 ]6 \" D5 q' s1 }21. 1. Allegro [12:34]6 y7 j2 ^) j7 f/ r2 C6 Z1 g
22. 2. Andante sostenuto e molto cantabile [11:40]2 \8 D" r/ k8 a, s/ A* k
23. 3. Scherzo (Allegro feroce) [06:41]* A% r6 q# I: I8 V/ ]4 _2 O
24. 4. Finale (Allegro con brio) [09:33]. |& j: z. V! u
6 c2 t1 a: |( W! ZSymphony No.5 in F, Op.76& d5 s2 D6 v1 `6 h
25. 1. Allegro, ma non troppo [13:56]5 I, ~$ i' w4 j. J# a: ?+ n+ P, K
26. 2. Andante con moto [07:25]: G% v- b! z' o. b5 S+ \' I9 v; ?
27. 3. Scherzo. Allegro scherzando [08:36]
) g6 |: d7 T* b; l! F: q/ q28. 4. Allegro molto [13:25]; i0 q) V# a! y5 D' m
' I5 r- Q6 d' v& A* z* s; PSymphony No.6 in D, Op.60
4 Q+ d4 V( ?$ D( d! J) k l29. 1. Allegro non tanto [13:16]; U8 a- c) I1 N0 Z' t* [
30. 2. Adagio [10:51]
2 _4 f( P. k+ c* s8 R4 c0 m! X: o31. 3. Scherzo (Furiant: Presto) [08:01]6 h# N+ C9 p: F& U: b+ d% Q
32. 4. Finale (Allegro con spirito) [10:31]
( `7 O. m, }/ w0 R$ z$ u- S2 ~2 U: O+ e/ }% E6 Z8 Y/ R
Symphony No.7 in D minor, Op.70
! h9 K8 C9 h% A: s9 X( q33. 1. Allegro maestoso [11:20]
+ `& s% n8 S- ~& f34. 2. Poco adagio [09:51]+ Q5 B5 d, ^" d9 s
35. 3. Scherzo (Vivace) [07:26]. v4 A* ?1 j6 a3 X' s
36. 4. Finale (Allegro) [09:22]$ ~# ]& i" L3 e- A
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Symphony No.8 in G, Op.88( o& c9 L4 p- n* w4 [+ I
37. 1. Allegro con brio [10:02]7 G7 ]) O# y7 S& {* p. n
38. 2. Adagio [10:43]# X& b- q! c0 H5 c* r
39. 3. Allegretto grazioso - Molto vivace [06:18]9 u7 _& U/ r, D0 V+ R' \" R
40. 4. Allegro ma non troppo [10:36]
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; K' ^$ h( f& {) ISymphony No.9 in E minor, Op.95 - "From the New World"
) X* ?& }5 `, G7 q+ T) Z" C r' |41. 1. Adagio - Allegro molto [09:55]; Y6 m/ @, x" i. f. `. r9 t; z3 x
42. 2. Largo [12:45]
3 o3 H1 a2 [) u8 y) @! l- O43. 3. Scherzo (Molto vivace) [08:17]
! B; b+ A; b9 ~44. 4. Allegro con fuoco [11:53]
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+ B$ U* V+ J" ^+ y* h+ |! NPerformers:4 Z; T& ]8 G: M+ {
% Q) S5 A% X2 w* FAlisa Weilerstein (cello)
0 ?0 C3 z0 a8 \Frank Peter Zimmermann (violin)
% M1 ~- B; I, x' q' [Garrick Ohlsson (piano)' M; z1 d0 W2 B$ X% V1 {7 g
* B G; j, f7 j! k, ]" DCzech Philharmonic Orchestra
4 R1 n2 p* j% g u1 O7 bJiri Belohlavek4 p/ m8 K; C9 s4 C
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