; _) q, m- N: y- l
Artist: Isabelle Faust, Kristian Bezuidenhout
. P! b8 C* v% t( kTitle: J.S. Bach: Sonatas for Violin and Harpsichord
* M4 V! V. m9 U4 G- Q1 a) i( E- H7 AYear Of Release: 2018
. W. w' J9 l |* ~, P6 n qLabel: harmonia mundi
& M8 @. z0 @& X, E* l: q/ B+ U1 XGenre: Classical
4 }5 }8 Q8 O8 ^0 m0 b- @Quality: flac 24bits - 96.0kHz +booklet' X N& L8 z# J- w7 p
Total Time: 01:27:34. Y8 N7 } r- J/ ~5 M
Total Size: 1856 mb
$ l/ Y0 Z+ A# d- E4 N+ {# U0 P# `: A+ k H% g$ T A
Hi-Res无损音乐专辑简介:
% y ?* D" B- f$ n/ S"Isabelle Faust has never cultivated the whale-boned red-carpet glamour that many female soloists feel obliged to pursue. On stage and off, the German violinist's manner is relaxed, her style understated. She sports a gamine, Jeanne d'Arc crop and, save for the tell-tale violinist's love-bite just below her jaw, you might guess her to be an architect or an academic. In a way, she is both, for an appreciation of musical structure and an interest in historical research are integral to her work.; R3 \; S& [0 a6 {9 p+ F! Y( [
) G, \) n+ C" v5 M
The stillness of focus and purity of sound that has distinguished her playing can be heard in a repertoire stretching from Beethoven and Schubert through to Hartmann and Ligeti, on modern and period strings. Where other violinists dazzle, Faust is a thinker. On the subject of her own individual sound, she is hesitant: "Of course, I'm trying to be me in whatever repertoire I'm playing, and I do think that my work is different from that of other violinists – but actually I'm never really trying to keep to this idea of an individual sound. It's always my goal to get a different interpretation and also a different kind of voice particular to the voice of the composer." Anna Picard - The Guardian
' S* f1 ~# D! N
" k( i# z/ ? I" D7 pHi-Res无损音乐专辑曲目:# P/ _! s% R, S+ x- Z
CD1
/ C. t1 \" O4 h* C2 l01. Sonata No. 1 in B Minor, BWV 1014: I. Adagio
$ r) c6 q) i* \2 r$ I02. Sonata No. 1 in B Minor, BWV 1014: II. Allegro( D# |* z9 @5 i' t# O
03. Sonata No. 1 in B Minor, BWV 1014: III. Andante+ U2 z7 h" U* T# T
04. Sonata No. 1 in B Minor, BWV 1014: IV. Allegro3 K; X) ]- p7 b# w7 c i
05. Sonata No. 2 in A Major, BWV 1015: I. Largo
2 ^& e- F5 H3 \8 w& E06. Sonata No. 2 in A Major, BWV 1015: II. Allegro* g! b- b3 `; y& k8 D& V' [
07. Sonata No. 2 in A Major, BWV 1015: III. Andante un poco
. W* t6 X, h! | o08. Sonata No. 2 in A Major, BWV 1015: IV. Presto$ \4 t4 J* t- b
09. Sonata No. 3 in E Major, BWV 1016: I. Adagio
9 } C% T2 _! M( @10. Sonata No. 3 in E Major, BWV 1016: II. Allegro
8 Z- Z& ]( j# N$ e6 w5 n; [11. Sonata No. 3 in E Major, BWV 1016: III. Adagio ma non tanto+ r8 Q6 A$ ]5 o" W* X
12. Sonata No. 3 in E Major, BWV 1016: IV. Allegro
( Q9 x4 K5 b* E
2 P. ?9 Q' g' {# N* h+ ]CD2
% u1 h$ O& K3 `/ F' ^) p: f) y01. Sonata No. 4 in C Minor, BWV 1017: I. Largo
3 A& U8 T) J4 R) c9 {/ M1 X02. Sonata No. 4 in C Minor, BWV 1017: II. Allegro
! Y* C, @' b- C% {+ ^: ^8 o! R03. Sonata No. 4 in C Minor, BWV 1017: III. Adagio
4 O" F& A$ j0 {3 P( Y: N, B5 I- f04. Sonata No. 4 in C Minor, BWV 1017: IV. Allegro/ b; Q% M$ k/ U0 m8 u$ D0 b1 D0 V- i9 C( o
05. Sonata No. 5 in F Minor, BWV 1018: I. Largo% @7 I( S3 f5 ~" c$ P" N
06. Sonata No. 5 in F Minor, BWV 1018: II. Allegro
( y7 R0 l- |( @2 E8 C4 x07. Sonata No. 5 in F Minor, BWV 1018: III. Adagio4 t2 F" N0 {3 r
08. Sonata No. 5 in F Minor, BWV 1018: IV. Vivace9 n: z2 q+ L' L0 E+ D) {( P
09. Sonata No. 6 in G Major, BWV 1019: I. Allegro
. J i0 c9 y# l/ A, H: D) \. H7 U10. Sonata No. 6 in G Major, BWV 1019: II. Largo% O) u. u% _" G+ c r) V4 @5 y
11. Sonata No. 6 in G Major, BWV 1019: III. Allegro
: u3 R, _& y) S1 W7 H' w+ T12. Sonata No. 6 in G Major, BWV 1019: IV. Adagio. R9 t% H0 R7 _9 `/ ~; \
13. Sonata No. 6 in G Major, BWV 1019: V. Allegro1 ^* }+ X4 e K* @# h
. y+ K" |) y& w6 u" r: @
& B6 ]1 G. y% \2 g" K- {( n( M% s9 W* j7 i' m' {. g
|