% o" m, l# c5 u# I3 K, j专辑名称:Various Artists - Stay in Tune with PentaTone- V, y* `' ]: _+ v7 l& T
音乐格式:DSD64 DSF; u% {; _& G+ W% I* u- Q: I
音乐流派:CLASSICAL古典; m9 a! x) q0 K Z0 G4 L9 w1 d- Z
发行年代:2005; D! V4 T7 W3 [0 o7 x6 w/ u
音乐分辨率:1bit/2.82Mhz
9 j8 l: C, i0 C& r1 u, @( n2 r- }; ~声道:2.0 & 5.1
* ^, I# e6 O0 R( {% R# U+ _1 H唱片公司:PentaTone
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$ B0 u( A; A: Z4 L8 b8 q专辑曲目:
6 |) c& b8 i7 m. n6 s+ ]01. Alexander Glazunov-Violin Concerto in A minor Op. 82 - Moderato - 04:31
% C" v. B" G9 pPerformer: Julia Fischer - RNO / Kreizberg, Composer: Alexander Glazunov (1865-1936)7 H# w/ @* o, {, b
02. Johannes Brahms-Symphony No. 2 in D, Op.73 - Allegretto grazioso (Quasi Andantino) - Presto ma non assai - 05:121 ]! Z2 ~- w7 S
Performer: NRSO / Vonk, Composer: Johannes Brahms (1833-1897)( K Z0 D0 g' B6 }& q4 l
03. Sergei Taneyev-At the Reading of a Psalm (Po prochtenii psalma) Cantata No. 2 Op. 36 (1912-1915) Double Chorus (Andante sostenuto) - 04:579 W# d# _: i$ z$ B9 \
Performer: RNO / Pletnev, Composer: Sergei Ivanovich Taneyev (1856-1915)3 U, U. e/ c8 [6 ]: l" n# W
04. Arcangelo Corelli-Concerto da chiesa in D, op. 6 no 4 - Allegro - 03:17
1 J9 D; Y3 t: S1 BPerformer: NDA / Murphy, Composer: Arcangelo Corelli (1653 - 1713)# G2 D; G% U& d$ b/ ]
05. Carl Loewe-Piano Concerto No. 2 in A - Espaniola (Andante grazioso) - 07:47" D0 V6 Q2 b: T( o( D
Performer: Mari Kodama - RNO / Nagano, Composer: Carl Loewe (1796-1869). `7 z% Q* Z3 ]5 _7 p* D$ z( d
06. Joseph Haydn-Symphony No. 44 in E minor "Trauersymphonie" / "Mourning" (Hoboken 1:44) - Allegro con brio - 06:35' G+ k! ]% b! J& v+ |% o6 h: e( ~
Performer: CKO / Boni, Composer: Joseph Haydn (1732-1809)8 I! V% o% n- m6 v
07. Ludwig van Beethoven-Piano Sonata No.14 in C sharp minor, Op.27 No.2 “Moonlight" - Adagio sostenuto - 05:48
- k4 o8 @8 o# u/ xPerformer: Mari Kodama, Composer: Ludwig van Beethoven (1770-1827)& q- s P& o* t4 B0 {5 a
08. Johann Stamitz-Sinfonia a Quattro in F (c. 1750) - Tempo di Minuetto - 04:131 x/ u7 ?' K' p4 _6 N* G
Performer: NDA / Murphy, Composer: Johann Stamitz (1717 - 1757)2 k3 ~& |# l( V0 V S1 Z
09. Wolfgang Amadeus Mozart-Adagio for Violin and Orchestra in E, KV 261 - 07:571 d; S) L- ?; _) I
Performer: Julia Fischer - NKO / Kreizberg, Composer: Wolfgang Amadeus Mozart (1756-1791): h8 }0 g) c) m; r% U
10. Gabriel Faure-Requiem Op.48 - In paradisum - 03:01
, E- `: [6 {# g* ]$ J( zPerformer: Netherlands Chamber Choir / LSO / Spanjaard, Composer: Gabriel Faure (1845-1924)
# o, N f" \% ~4 {11. Gabriel Faure-Pelleas et Melisande : Suite Op. 80, Sicilienne - Allegretto molto moderato - 03:348 R- d) S$ \" \+ s9 x, Y, f
Performer: NedPhO / Kreizberg, Composer Gabriel Faure (1845-1924)
5 f9 w" a! U; X7 L) K& H' ^12. Gottfried August Homilius-Choralvorspiel "Hilf, Herr Jesu, lass gelingen" - 02:36
2 d& q: w8 {* f1 d* M) @& J3 hPerformer: Bram Beekman, Composer: Gottfried August Homilius (1714 - 1785)
8 g' p: W( K! y% f13. Wolfgang Amadeus Mozart-Clarinet Concert in A, KV622 - Rondo (Allegro) - 08:32
8 |: c$ ]& a' O, tPerformer: Andrew Marriner / Asmif / Sir Neville Marriner, Composer: Wolfgang Amadeus Mozart (1756-1791)4 N3 x/ @. b6 u8 k
14. Richard Wagner-Lohengrin - Prelude 3rd Act - 03:32 l, s) T4 }4 u. p
Performer: NedPhO / Kreizberg, Composer: Richard Wagner (1813-1883)
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Tracks 15-48 in multichannel format only0 \. q( Q9 Q7 T7 P" `; q8 c" f
15. Dawn on the banks of Loch Lomond* e$ }) g! A( S3 R! |
16. A steam train journey) V2 @$ }! x8 S p) b
17. The Edinburgh Military Tattoo
. ^& C0 D# O4 y: p7 ?: |8 t9 n18. Pink noise left front
1 l% T/ x4 a2 J0 M0 @19. Pink noise right front* Q6 i4 C6 F6 _: u# u z; G
20. Pink noise center
5 a$ z3 R0 f4 z- }. Z6 p21. Pink noise left rear
0 O2 K! p: K8 D5 q1 i7 O6 t! P22. Pink noise right rear
) z0 l" G5 c: E2 w6 q+ i23. Pink noise subwoofer
" _- ~ B! H | l5 N0 ^9 Z24. Phase left right4 \3 R( J. L- ?! h+ j- I
25. Phase left center3 U( {; A2 c" c& I, @6 k/ X2 ^
26. Phase center right
0 C& }% k/ T7 j- h8 K" g4 g* a7 k- S27. Phase left front left rear
) ^) K. |7 b4 Q! @% V0 \ I* k8 x5 y28. Phase right front right rear
1 h3 _1 }8 F% g4 T. |4 w1 _( d29. Phase left rear right rear b; }; s0 z }
30. Phantom left center; `4 z+ v# P1 }# z. M& a
31. Phantom right center" Q% ?. C( x0 H' Z0 W& |
32. Phantom left front left rear8 ]1 O; F6 Z9 i# k% Q h2 Z
33. Phantom right front right rear6 v9 q" U: B4 i' d) V
34. Phantom left rear right rear: Y) _) E. d T' y, X2 z4 {
35. Panorama (twice)
* y. Y+ V- b, m! {) c* X( [- e$ l36. 60 / 60,2 Hz7 J. `5 `0 Z% V9 f
37. 70 / 70,2 Hz
. u- N- `. I7 G/ p# r, s' K p0 R% H38. 80 / 80,2 Hz0 p" M/ D2 j+ r2 R' n- `- H
39. 90 / 90,2 Hz& J9 n4 w( o% L3 _
40. 100 / 100,2 Hz
: d# h; f; B3 m }+ e# B, q41. 110 / 110,2 Hz
5 F7 {, F5 Y3 d. N$ c42. 120 / 120,2 Hz
/ k% {: d% r7 T43. Pink noise left front
2 V; g0 G9 H( T z) P/ b44. Pink noise right front/ P1 E4 X' V! s
45. Pink noise center1 R+ e3 a6 F3 u; m5 H% {6 o8 x
46. Pink noise left rear5 B; R7 f7 S7 o# u( ~) h7 R
47. Pink noise right rear
) x4 d8 ?( Y( u% ~# ~48. Pink noise subwoofer5 s' d3 v6 X9 {
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