[古典音乐] Various Artists - DECCA SOUND The Piano Edition “迪卡之声”钢琴专辑 55CD [FLAC[

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2 \3 k: _  h( k9 }2 mDECCA SOUND The Piano Edition 55CD) T- P4 W& j6 R1 O" t9 g- D) u# L0 F
Decca Sound - The Piano Edition7 F6 j, B2 q5 {. A* P3 O  d! ~
“迪卡之声”钢琴专辑55CD& Q3 x+ S/ u7 B
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迪卡公司将于10月20日发行“迪卡之声”系列套装新一集:钢琴专辑。从选材上看,有不少罕见的版本,内容与以往发行的“大包子”重复不多。
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这套装包含:% `8 w- x2 y4 Y( ^
•DECCA的首张FFRR协奏曲录音:艾琳•乔伊斯演奏的柴可夫斯基第二钢琴协奏曲(这张从未发行过的失传已久的78转唱片测试录音,来自最近才被发现的马里兰州国际钢琴大赛档案)
4 o: Z, C: k3 Y( d•包括诸多钢琴名家唯一的DECCA录音曲目,有阿格里奇、鲁宾斯坦、李帕第、米凯兰吉利、伯恩斯坦和哈斯基尔。
" O5 n8 w7 u* `$ p•部分用作曲家自己的钢琴弹奏的录音——Thibaudet弹奏肖邦的钢琴;席夫和马尔科姆弹奏莫扎特的古钢琴。! @6 x1 L* Y) M; W: W8 }. @4 v/ K
•获奖录音包括拉罗查演奏的拉威尔协奏曲(格莱美大奖);Mustonen演奏的塔科维奇24首前奏曲(爱迪生和留声机大奖)
& \: Q6 O0 v9 Y4 O•以前未发行的记录包括——乔伊斯演奏的柴可夫斯基第二钢琴协奏曲;阿格里奇演奏舒曼(阿格里奇的首张DECCA录音,柴利指挥)9 B7 A2 w& V, B. p: z- A

6 x6 q  G* d. D* @8 K 这套专辑收录了1940-2010年代,近八十年间DECCA唱片公司与世界各地钢琴家合作的录音精华,以及多张得奖专辑与首度发行的录音,展现了DECCA产品的丰富性与内容的珍贵,绝对称得上是近一世纪以来录音史上最重要的钢琴音乐瑰宝。
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  专辑共55张CD,收录的作品共有六大国家派别:德国、法国、俄罗斯、西班牙、英国与美洲;从巴哈与史卡拉第,以至20世纪的当代作品,包含了独奏钢琴作品、协奏曲甚至爵士乐。主要曲目则有贝多芬钢琴协奏曲全集、布拉姆斯钢琴协奏曲、拉威尔钢琴协奏曲、萧邦钢琴协奏曲、莫札特钢琴协奏曲和许多动听的钢琴小品,以及双钢琴与四手联弹曲等。除了已故大师的经典诠释,更有青年世代的精彩演奏,其中还收录许多未曾发表过的录音。精美的解说册由Cyrus Meher-Homji撰写有关演奏家与录音过程之记事,Mike Gray则剖析录音技术的变革。所有专辑均保留原始封面设计。! i$ f& Y1 g1 ^

  J3 N' g  t" `& G0 k. }4 }% G  1945年DECCA发表全新的「全频段录音」(Full Frequency Range Recording)技术,本辑便收录了第一份以此技术录制,由艾琳.乔伊丝(Eileen Joyce)演奏的柴可夫斯基第2号钢琴协奏曲。这份录音从未发行过78转黑胶唱片,而母带也是直到最近才在马里兰(Maryland)的国际钢琴档案室中被发现。另外还有首度以CD格式发行的阿格丽希演奏舒曼钢琴协奏(夏伊指挥),此录音也是阿格丽希在DECCA的首张专辑。鲁宾斯坦在DECCA的唯一录音--布拉姆斯第1号钢琴协奏曲也收录在其中。其它珍贵录音还包括李帕第、米开兰杰里、伯恩斯坦与哈丝姬儿等人的演奏,可谓众星云集。
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  专辑囊括多张获得国际奖项肯定的录音,如:拉萝佳演奏的拉威尔钢琴协奏曲获颁葛莱美奖,以及荣获爱迪生奖与留声机杂志大奖双重肯定的慕斯托年演奏萧士塔高维契24首前奏曲。此外多张以往仅在部份地区与国家出版的录音,也在此首度成为国际发行,包括罗杰演奏巴托克第1-3号钢琴协奏曲、凯萨琳.隆(Kathleen Long)演奏莫札特第24号钢琴协奏曲、顾尔达与DECCA合作的第一张专辑、亚顿与塔米尔双钢琴安可曲、坎普早年于DECCA的录音以及巴克豪斯1954年在卡内基音乐厅的演奏会录音等等珍贵记录。
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这套专辑将近一个世纪的钢琴演奏曲目、风格、技巧以及录音技术做了总结性的整理,也为声名鼎沸的「笛卡之声」录音做出完美说明,是一套兼具演奏艺术与录音水准的专辑。内容不仅充满了演奏家的天纵才情,并有着DECCA录音工程师为保留最美好琴音,孜孜不倦所投入的工作热忱。限量低价发行,只要喜爱钢琴音乐,无论是行家或一般爱乐者,这都是一套绝对值得珍藏的录音经典。
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Track List' d+ H! |( _- a. W" h
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CD1 Schumann: Piano Concerto (Chailly)
/ ~, s3 G. U# Y! g$ eMartha Argerich First CD release (previously digital only)% v, h- i0 F  Y' @- W8 R6 U
+ Liszt: Piano Concertos Nos. 1 & 2 (Argenta)* k. p0 x" I  b2 L0 b7 Y; e" @
Julius Katchen# Y% |3 I  r( D4 C: r, x
舒曼:钢琴协奏曲(阿格里奇)- 李斯特:两首钢琴协奏曲(卡琴)
9 @# ?; ~2 ?% `& ?2 e9 l% eCD 1: Schumann: Piano Concerto in A Minor; Liszt: Piano Concertos Nos. 1 & 2
. Y0 N* h) ^3 E- `2 [3 aRobert Schumann (1810 - 1856)) I/ ^  B* m  O
Piano Concerto in A Minor, Op.543 r. ?* w' g" Q0 T
1. 1. Allegro affettuoso 14:50
; h9 g$ V. v8 K1 V. R5 N2. 2. Intermezzo (Andantino grazioso) 5:47
8 C9 T" u1 {$ A% Z3. 3. Allegro vivace 10:141 }# Z$ q- E' I; T6 W9 O; `
Martha Argerich, Gewandhausorchester Leipzig, Riccardo Chailly( E0 A( V6 I3 O4 h4 b# v+ E2 o
Franz Liszt (1811 - 1886)
' M1 n( s- R2 N1 aPiano Concerto No.1 in E Flat Major, S.124+ l0 i/ S$ T3 ~  q
4. 1. Allegro maestoso - Tempo giusto 5:219 ^2 z- P% i# r- m/ _& \  Q! z1 h# |
5. 2a. Quasi adagio 5:10
, k2 t* w) \" U* O: }6. 3. Allegretto vivace 4:12
# D% a# g6 c0 w1 i# k6 q1 S7. 4. Allegro marziale animato 3:59
2 q: i$ F- q* v& S; gPiano Concerto No.2 in A, S.125
/ L! U/ n% y! {# s8. 1. Adagio sostenuto assai - Allegro agitato assai 7:00
0 e- r, x0 k3 `, C$ T9. 2. Allegro moderato 5:02
, e% U  Z( R9 [0 _' O10. 3. Allegro deciso - Marziale un poco meno allegro 6:02$ g8 x$ e) v' @( }
11. 4. Allegro animato 1:423 {5 X& N0 W' e, M
Julius Katchen, London Philharmonic Orchestra, Ataúlfo Argenta
8 v9 u8 ]4 H3 Q, ~! Z3 f7 b3 v- }Total Playing Time 1:09:19* J! z/ o3 P  T$ m- k" y* W

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CD2 Brahms: Piano Concerto No.2 (Haitink) • Prokofiev: Piano Concerto No.3 (Previn)
$ J0 O, m7 t" d- @5 c6 tVladimir Ashkenazy
, Q& t; C1 C8 R9 D7 O勃拉姆斯:第二钢琴协奏曲 - 普罗科菲耶夫:第三钢琴协奏曲(阿什肯纳吉)
+ N1 x  H9 O3 S4 K6 J% CCD 2: Brahms: Piano Concerto No.2 in B Flat; Prokofiev: Piano Concerto No.3 in C
0 U# @$ g7 x& gJohannes Brahms (1833 - 1897)" Q, z1 Y4 }; i' ~4 U
Piano Concerto No.2 in B Flat Major, Op.83* I) H. A1 @$ J3 X, k( B* r
1. 1. Allegro non troppo 18:41
: j4 `0 d9 l( O4 }$ A2. 2. Allegro appassionato 9:28/ N7 {5 c, t" h# p
Vladimir Ashkenazy, Wiener Philharmoniker, Bernard Haitink
2 A0 e8 X6 K$ o2 }+ f% {3. 3. Andante - Più adagio 13:09
- E+ T' K7 D4 M; O% I8 H. OVladimir Ashkenazy, Robert Scheiwein, Wiener Philharmoniker, Bernard Haitink. Y8 z* G! N/ Z8 {- m
4. 4. Allegretto grazioso - Un poco più presto 9:30
5 ^9 c+ F8 s( F1 ]  Y  u7 hVladimir Ashkenazy, Wiener Philharmoniker, Bernard Haitink+ T7 B/ I5 g( ]" B1 _$ c
Sergei Prokofiev (1891 - 1953)
. W+ g) I: s; o7 `: H& n" ^Piano Concerto No.3 in C Major, Op.262 v- ~4 U6 p* A
5. 1. Andante - Allegro 9:440 F# G6 e# K* v5 @
6. 2. Tema con variazione 9:11
- Q9 a) m5 G' B7. 3. Allegro ma non troppo 9:385 N, {' I2 M3 ^$ [. {6 Z- g
Vladimir Ashkenazy, London Symphony Orchestra, André Previn
0 m8 {2 U( A) s* F0 L7 YTotal Playing Time 1:19:21
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CD3 Chopin: Études Op. 10 & 25; Trois nouvelles études
2 F8 I3 [# M3 zVladimir Ashkenazy) v( _% u& a8 {4 j; k3 ~7 q- u9 \: b
肖邦:练习曲全集(阿什肯纳吉)
. T" o) v2 U7 jCD 3: Chopin: Etudes, Op.10 & 25; Trois Nouvelles Etudes2 |) s3 I& o: U
Frédéric Chopin (1810 - 1849)
( K- a9 i5 v* ]) r. _5 \12 Etudes, Op.10; e$ k! _9 D/ o- j8 k% c3 m- ]9 ?" P( k
1. No.1 In C Major 2:01+ l2 \% j& `( x! p) L0 Y
2. No.2 In A Minor 1:20; i, C+ M) k6 Q) q* T
3. No.3 In E Major 4:20- P8 N4 }# u$ U/ J7 r
4. No.4 in C Sharp Minor 2:04
% M/ {8 O' I" H! z' H' t+ z5. No.5 In G-Flat Major 1:40
" ~5 e. K+ V, R; E& @6. No.6 In E-Flat Minor 4:03
& D" W2 v3 b' G/ |$ S/ n8 `7. No.7 In C Major 1:28, V  C" N5 ?) F: T; G
8. No.8 in F Major 2:20
: ?: m# X) n; C' t. s9. No.9 In F Minor 2:20
& z2 G# C3 f! _+ Z- h- |10. No.10 In A-Flat Major 2:15
" r6 y! A6 J1 i: Y6 S* U* x11. No.11 In E-Flat Major 2:26$ @0 q& Y% \3 b6 m$ C* c
12. No.12 In C Minor 2:449 O: }- u; H  @1 Y0 S3 J5 _
12 Etudes, Op.25- n$ ~8 x" Y$ P  `3 ?
13. No.1 In A-Flat Major - "Harp Study" 2:56, |9 p8 K% \. b  X8 W
14. No.2 in F Minor 1:51
0 x8 q) U- l( p, R$ P) V/ M15. No.3 In F Major 1:52
0 w6 V, {8 }: G8 n" W16. No.4 In A Minor 1:35
/ r" N3 o  t: |17. No.5 In E Minor 3:37
( r# ]; q# O/ l- E# d18. No.6 In G-Sharp Minor 2:07
7 m! J5 o/ n  P: C3 `  R4 C19. No.7 In C-Sharp Minor 5:43: T- C! I% r8 [
20. No.8 In D-Flat Major 1:09- T7 J, j* I) Y1 s. Q
21. No.9 In G-Flat Major - "Butterfly Wings" 0:57) x" v# S$ \& `! U  H+ A
22. No.10 In B Minor 4:45
  _6 N* w0 T5 T23. No.11 In A Minor "Winter Wind" 3:470 ^# E; {1 x* c5 j6 J
24. No.12 In C Minor 2:51
; w& I4 W4 j* p6 p* m: ?. a% F25. Etude in F minor, Op.posth. " Méthode des méthodes " 2:14
( P7 R: G/ ?' r% ~' l4 A$ k26. Etude in A flat, Op.posth. " Méthode des méthodes " 1:45! J1 R1 ^7 \( h, T
27. Etude in D flat, Op.posth. " Méthode des méthodes " 1:43$ X% C& z1 Z% [" K4 S, u
Vladimir Ashkenazy1 @  A" e( X* R" R& |9 N6 t
Total Playing Time 1:07:53/ }. j! p/ Y. y; a# d5 i6 L  @1 |4 ]

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CD4 Rachmaninov: Suites Nos. 1 & 2 for two pianos; Symphonic Dances for two pianos  u+ Y% G" v+ e4 b0 _- l" v+ e
Vladimir Ashkenazy; André Previn
5 `: M1 y8 |5 E& F$ J1 r* _6 u拉赫玛尼诺夫:双钢琴组曲,交响练习曲(双钢琴版)(阿什肯纳吉,普列文)" u- N* X& D; m" ]. e! C
CD 4: Rachmaninov: Suites Nos.1 & 2 for 2 Pianos; Symphonic Dances6 W* o' l( r! ?( f
Sergey Vasil'yevich Rachmaninov (1873 - 1943)9 J8 a* D5 T' f5 x$ S/ \
Suite No.1 for 2 Pianos, Op.5
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$ q6 h4 b" f3 k' ?( y; t( ?6 W2. 2. A night for love 6:20% A+ r9 d" s1 g; W) H, L
3. 3. Tears 6:13: b+ Q5 r( d6 X5 v6 x
4. 4. Russian Easter 2:26; G3 c# \* y2 |/ ]$ c$ F7 B) Q
Suite No.2 for 2 Pianos, Op.17& }; C; X% `& Y  Y
5. 1. Introduction (Alla marcia) 4:15- U$ V3 _$ S1 y6 d" b6 R6 V
6. 2. Waltz (Presto) 5:50# _8 h2 Z2 D. O# d* F
7. 3. Romance (Andantino) 6:53
/ b) ~9 G) `% `. D8. 4. Tarantella (Presto) 5:45
! M7 T* X5 c9 O3 d/ YSymphonic Dances, Op.45+ a" z. o1 a4 R) q; z6 g
Two pianos
# _9 U  e8 x# \4 J& ^( {, P% c9. 1. Non allegro 11:28
6 ]) F; S9 B) ^2 o0 M4 G: R10. 2. Andante con moto (Tempo di Valse) 9:193 {5 @9 N4 f5 W
11. 3. Lento assai - allegro vivace 13:249 x2 s3 m" g( P1 P7 F- w6 X8 Y
Vladimir Ashkenazy, André Previn8 o, I3 C: r* L
Total Playing Time 1:19:32
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CD5-6 Carnegie Hall Recital (30 March 1954) + Haydn: Sonatas 48, 52, 34, Fantasia Hob.XVII:4
6 [0 b& v# ]* k. I; v: f" L) fWilhelm Backhaus
: L, l0 f; I0 VFirst international release of Carnegie Hall Recital) ~# |' X  V8 f) i* D
巴克豪斯1954年卡内基独奏会
8 d: A! b) `) l, vCD 5: Wilhelm Backhaus - Carnegie Hall Recital, 1954- o# J5 r' ~+ h/ F+ p( m+ i1 {
Ludwig van Beethoven (1770 - 1827)/ X+ q3 \8 O- m! O: n: v
Piano Sonata No.8 In C Minor, Op. 13 -"Pathétique"
3 @0 G- @& i7 P: c0 `7 G1. 1. Grave - Allegro di molto e con brio 6:16
0 r9 P2 G; {0 ~8 t9 F4 T2. 2. Adagio cantabile 4:51
' l* @; K9 S& R1 J3. 3. Rondo (Allegro) 4:24$ ]$ z: S% `5 i! A0 ~+ b+ S
Piano Sonata No. 17 In D Minor, Op. 31, No. 2 -"The Tempest"
7 w2 S; i; Q" c) k- ?4. 1. Largo - Allegro 8:10
* \! `, }! Z- I; H5. 2. Adagio 6:155 B' l$ g" r, f% }% X+ u. w
6. 3. Allegretto 6:15
8 N+ a" s* ~5 b- o! P# @Piano Sonata No. 26 In E Flat Major, Op. 81a -"Les adieux"# I1 H* j  ?8 s
7. 1. Das Lebewohl (Adagio - Allegro) 6:43( p$ u% P+ n# S( I2 ]1 F
8. 2. Abwesenheit (Andante espressivo) 3:07
! e6 P5 d; b# O& O9. 3. Das Wiedersehen (Vivacissimamente) 6:11
* f3 b5 M, r# }; X( _Wilhelm Backhaus* E* N2 S, A! |7 p0 O$ o- P
Total Playing Time 52:12
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9 Q3 ]! o2 e9 u) i' JCD 6: Wilhelm Backhaus - Carnegie Hall Recital, 19543 l+ E0 C. H% f* P% s2 g: l3 h
Ludwig van Beethoven (1770 - 1827); U4 K( v  d$ w: x
Piano Sonata No. 25 In G Major, Op. 79( b, a% \9 K, J9 i+ m
1. 1. Presto alla tedesca 4:11
; |5 o- O0 _' [0 `9 f; i2. 2. Andante 2:55
+ {( v) {' y  q/ }* P( b3. 3. Vivace 1:45
" i6 T: c5 @7 c( n( P- E* YPiano Sonata No. 32 In C Minor, Op. 111  G: }9 ^' k( S' k5 h% `: T
4. 1. Maestoso - Allegro con brio ed appassionato 8:112 l$ W6 A0 F, g7 d
5. 2. Arietta (Adagio molto semplice e cantabile) 13:27* m: ^% I" R. Q* M2 R2 e) H& D7 B
Franz Schubert (1797 - 1828)
3 C! Q, J) V2 B  X4 Impromptus Op.142, D.9351 b5 X8 [6 g' R" l! R& r
6. No.2 in A Flat Major: Allegretto 4:19
& ?  l2 [1 J* m2 W7 B2 z% Z5 R0 qRobert Schumann (1810 - 1856)
+ ^0 S# A" r6 }4 \3 Z8 g- M; Y8 Fantasiestücke, Op.12
" e& x0 E$ d' e) j7. 3. Warum? 3:00
6 U6 l/ f  {5 n8 r) hFranz Liszt (1811 - 1886)
9 b% ]3 k- ~7 X3 k& g: S: A6 y0 p" bSoirées de Vienne: 9 Valses-Caprices after Schubert
/ M. }2 h) t5 I* A+ Z9 p) _8. No.6 in A minor 6:404 f$ |- l( \0 ~, x" Z9 I$ f/ ~0 r
Johannes Brahms (1833 - 1897)
8 h: [  L9 a" B4 E4 Piano Pieces, Op.1194 C" ~# ^$ q! B4 p
9. 3. Intermezzo in C 1:33# o2 W& H+ \3 }1 O" B1 j% g
Franz Joseph Haydn (1732 - 1809)( O7 h2 s( |' B1 J/ O
Piano Sonata in C Major, Hob.XVI: 48/ k- a" l5 \; {8 g) [! t
10. 1. Andante con espressione 5:05! T% X/ Y4 {8 K5 }  j' o+ ~
11. 2. Rondo (Presto) 3:12) s- J/ M6 G( P  O8 R
Piano Sonata in E Flat Major, Hob.XVI:.524 ~' I1 `  Z% B+ o6 e
12. 1. Allegro 5:467 l) G# r# {, Y$ O, |8 s/ e
13. 2. Adagio 4:51# D1 \& ~1 b5 P3 r, e+ ~# U/ C3 y
14. 3. Finale (Presto) 4:153 W1 ^& v. q2 |1 N) Q  t" q
Piano Sonata in E minor, H.XVI No.34- E& @  ~) A& m9 j
15. 1. Presto 2:37
( m2 I* B( I$ k: {2 t16. 2. Adagio 3:01
' G. A% ~* V0 R, N( |+ I; q17. 3. Vivace molto, innocentemente 3:21
! D. O+ z7 t% f6 d7 [4 Y) t7 k7 I4 S18. Fantasia in C, H.XVII No.4 5:175 g0 h& {5 O, L, _
Wilhelm Backhaus
6 S9 F6 j6 B- nTotal Playing Time 1:23:26
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CD7 Chopin/Godowsky: Études & Waltzes+ e& J7 L2 E9 `, s7 a4 \
Jorge Bolet
$ @% X+ [( ]9 D" e* L) Y戈多夫斯基改编肖邦练习曲、圆舞曲(博列特)' W& x- O" X6 Z9 O5 T- f
CD 7: Chopin: Etudes; Waltzes
+ w" ^0 I+ }" k( ]Frédéric Chopin (1810 - 1849); c6 R9 D* N  ~3 P# ?7 P
12 Etudes, Op.10$ v8 B) f" F+ p4 v5 k" C
Arr. Godowsky5 k) J: {" s9 A6 [  o/ Y4 Y
1. Etude Op.10 No.1 2:31
. z: F+ o/ Z( A1 {$ f2. Etude Op.10 No.3 6:023 J9 ]4 z! H; P. J" I
3. Etude Op.10 No.5 2:09
) l5 g$ ]5 e& W0 W0 f4. Etude Op.10 No.5 2:12
  e+ s3 X6 k6 p3 q5 i5. Etude Op.10 No.6 for the left hand 4:11- D; D5 K2 G! Y- y& G7 [& U
6. Etude Op.10 No.7 4:19
* e. o1 m- }$ h0 v' w8 f& C12 Etudes, Op.25
. M( u6 r2 G" h& r7. Etude Op.25 No.1 (Arr. Godowsky) 3:30
7 C! X: ?! V- c9 X9 W/ i, D8. Etude in F Minor, Op.posth. " Méthode des méthodes " 2:58
1 H! F' ~  R( N9. Waltz No.6 in D flat, Op.64 No.1 -"Minute" (Arr. Godowsky) 2:34
. N5 o% E; C) n  TWaltz No.8 in A flat, Op.64 No.3$ b* K" \* f* v# A' A3 L7 B
10. Arr. Godowsky 3:30. j6 V; G" V" a9 ?) v: I0 g: N
11. Waltz No.9 in A flat, Op.69 No.1 -"Farewell" (Arr. Godowsky) 5:53
) I; }! \1 z" Z0 r  u7 uWaltz No.12 in F minor/A flat, Op.70 No.2
' u  \1 O8 Q% o: u$ c; j7 W12. Arr. Godowsky 3:54
0 {2 H+ m3 ?+ D, ~3 [Waltz No.13 in D flat, Op.70 No.3
  a, L0 Y. u9 O+ @! c13. Arr. Godowsky 3:38
3 q$ W1 O! d4 w- M7 u8 |14. Waltz No.1 in E flat, Op.18 -"Grande valse brillante" (Arr. Godowsky) 4:298 T, M& a$ n' v- H. j4 `
Jorge Bolet
% Y( W! @% o, g5 f" C/ K2 M% qTotal Playing Time 51:50: \6 K+ L% _/ ^4 l7 K

8 P' f& x5 F, r! ]1 U
8 y& ?9 i+ g' u6 BCD8 Schubert/Liszt: Song Transcriptions7 e) ?5 K) `' j0 I
Jorge Bolet
. w1 I$ c" d; P  `; i$ v$ H0 R1 W李斯特改编舒伯特的艺术歌曲(博列特)1 M+ t0 ~# `- X2 p, A" C! E
CD 8: Liszt: Schubert Song Transcriptions
& d6 i" T  @4 M1 c4 mFranz Liszt (1811 - 1886)
4 b. F# b6 b- J1. Die Forelle, S. 564 piano transcription after Schubert 3:57
1 _* ]' F: `+ s; g2 u/ V3 J2. Der Müller und der Bach (after Schubert) 6:05
% @6 o9 B# w* c. o4 w8 z2 c  I4 g& o3. Wohin?, S565/5 (after Schubert) 2:58
) C, Q( G2 ?2 r. W- F1 g( g4. Lebe Wohl!, S563/1 (after Schubert) 4:40) q. R8 Q2 m9 y" {9 N6 n1 {
5. Das Wandern, S565/1 (after Schubert) 1:52
. p" G. _  o: X! x, P6. Der Lindenbaum, S561, No.7 (after Schubert) 5:099 c+ N# o3 P) A9 @0 [7 T" w
7. Ständchen ("Horch, horch! die Lerch"), S.558 No.9 piano transcription after Schubert 3:260 Y3 g4 ~) Y5 N/ D
8. Auf dem Wasser zu singen, S. 558 No.2 piano transcription after Schubert 5:09
; R* V' ]7 q" |; M9 h9. Die Post, S561/4 (after Schubert) 2:55
$ Z8 c$ R" n' U" A% \9 R! {: r10. Aufenthalt, S.560 (after Schubert, D.957) 3:40
6 L, o; U/ O" F11. Lob der Tränen, S557 (after Schubert) 5:37
- k8 P( S2 H0 O" w$ R12. Erlkönig, S.558 (after Schubert, D.328) 5:09
5 M2 V& W( \( B6 n4 XJorge Bolet3 ^: ]1 F& D3 v1 W  a9 w
Total Playing Time 50:37
; X% n2 k! h1 z
  b- o' \6 b+ h
& Q5 Z+ W1 u" s+ k" g' FCD9 Rachmaninov: Piano Concerto No. 3 (Temirkanov) • Rubinstein: Piano Concerto No.4 (Ashkenazy)
# f5 f( h) T' N( SShura Cherkassky
- b# S: V5 B3 Y拉赫玛尼诺夫:第三钢琴协奏曲 - 鲁宾斯坦:第四钢琴协奏曲(切尔卡斯基)  L7 Q. _5 J. O7 {0 B; {; [. _' O
CD 9: Rachmaninov: Piano Concerto No.3 in D Minor; Rubinstein: Piano Concerto No.4
! O- ]- h  d' [& k% P$ OSergey Vasil'yevich Rachmaninov (1873 - 1943)
" Z# y: u' @2 V! I  x" p2 bPiano Concerto No.3 In D Minor, Op.30
" o1 X8 L8 i" L  Q! K1. 1. Allegro ma non tanto 17:17
7 q& v" Y' W: x: ~! A- z2. 2. Intermezzo (Adagio) 11:28
3 O& r* e/ g" \0 @4 b  p- U3. 3. Finale (Alla breve) 16:223 X+ x0 g% C* h) x( j0 B3 i
Shura Cherkassky, Royal Philharmonic Orchestra, Yuri Temirkanov
( R3 k- r  k  k8 p2 b  \Anton Grigorievich Rubinstein (1829 - 1894)
  l& d: L6 H8 p9 kPiano Concerto No.4 in D, Op.70
5 s  {! f, I* T4. 1. Moderato assai 13:52
, i# i) z& v8 F5. 2. Andante 11:37% V% {: g' Y  [* b1 ?! D; y2 e0 ^
6. 3. Allegro 11:08" |* p4 H4 G6 b# s$ ^6 H% Z
Shura Cherkassky, Royal Philharmonic Orchestra, Vladimir Ashkenazy
4 T) w$ d+ F: ^5 |, {: hTotal Playing Time 1:21:440 _! e. v8 \: R1 S

. s8 H1 p+ ~9 ~$ R& Y
" s9 [; G( \7 x  ?CD10 Kaleidoscope (1-13, 1974) • Rachmaninov: Five Pieces& g& \- Y; ~3 Z. W5 n0 L1 L3 |
Shura Cherkassky( D# s; `1 O4 |: m$ q
Cherkassky’s first and last Decca recordings
. y! l/ @$ ]- X# |* l* ^1 U8 D切尔卡斯基演奏钢琴小品集
& a2 V  P2 p; n6 \$ ?/ sCD 10: Kaleidoscope
8 F! ^0 R: V' d/ ]Johann Strauss II (1825 - 1899). J% p) G! q. _9 Z% ?
1. Wein, Weib und Gesang, Op.333 (arr. by Leopold Godowsky) 9:08& S. M- O+ |( i3 }: D
Camille Saint-Saëns (1835 - 1921)& r8 V/ c3 V" g7 j$ o3 J
Le carnaval des animaux, R. 125
- P. e8 ]. M' [8 M1 ]Paraphrase by Godowsky
* w$ k2 z9 |" r) [4 C1 Q7 i; e2. XIII The Swan 3:02
  b0 I# D; g+ W; H  U* y9 U3 ~Jean-Philippe Rameau (1683 - 1764)0 {! i* c  q. e  K
3. Tambourin 2:53
8 e- e( f: ^0 S2 G/ n! L) QLeopold Godowsky (1870 - 1938)* ^, |3 u3 k) ], l9 b( ]3 U
4. Waltz-Poem IV for Left Hand alone 2:24
9 X3 s- ^9 S# y/ }Franz Schubert (1797 - 1828)
  y" F% U8 p0 ~6 Moments musicaux, Op.94, D.7800 F0 S$ M" D( x2 b
Arr. Leopold Godowsky; v. N7 d4 r$ S$ j; D4 F& U4 H
5. No.3 in F minor (Allegro moderato) 1:51
+ |: g6 x  \, |" x. PIsaac Albéniz (1860 - 1909)2 ]* t% a/ R5 N/ M' y$ H9 ~
6. Tango, Op.165, No.2 3:14' O7 j/ m3 g& X$ R
Leopold Godowsky (1870 - 1938)
5 s/ a5 \* a8 c% S! _Triakontameron - 30 Moods & Scenes in Triple Measure6 f- l+ z$ r" n" y& C: e
7. 11. Alt-Wien 2:20
9 d9 H/ }* R7 UJosef Casimir Hofmann (1876 - 1957)
6 K  i7 V; {1 {, _8. Kaleidoscope, Op.40, No.4 4:28; @+ ]3 e3 R* p! S5 f1 ]# n
Anton Grigorievich Rubinstein (1829 - 1894)
* R# V( X% W. |5 j7 _5 t9. Melody in F, Op.3, No.1 4:16! O" K! a3 w& u% M( ?
Peter Ilyich Tchaikovsky (1840 - 1893)4 k6 T, {" w- i' c. l* ?4 N* I" O
6 Pieces, Op.19, TH.1337 _# _! O- z- c% n. a5 t9 ?0 r! j
10. 4. Nocturne 3:45
& K4 X+ K# @/ u: c5 T! kAlexander Glazunov (1865 - 1936)* {8 T; m1 b0 R6 O6 ]0 U: K, a
3 Miniatures for Piano, Op.422 q& ], _7 c: B
11. 3. Waltz in D Major 3:16
4 c8 j/ K: }5 `2 ^9 `- X% P0 PCécile Chaminade (1857 - 1944)
! L0 y( O' s" n" x* }12. Autrefois, Op.87 4:198 M" ~. f4 e" Y
Maurice Moritz Moszkowski (1854 - 1925)* [# Q6 Z7 Q6 L; f( [" ?1 ^' Q) m; f
13. Capriccio espagnole, Op.37 5:45
. J3 Z( s& ~7 S$ I; [Sergey Vasil'yevich Rachmaninov (1873 - 1943)
) A5 t1 L* S! q10 Preludes, Op.23
4 f7 a+ l" o, ]14. No.5 in G Minor - Alla marcia 4:15
4 ?& ]6 t* H) DMorceaux de Salon, Op.10
* c) C3 E! H5 J% M15. 3. Barcarolle 4:14
" r0 X, ?9 v: N- i4 |: H5 Morceaux de fantaisie, Op.3
( c7 t% Q/ P5 ]; J1 P! R16. No.3 Melodie in E 4:47
1 Z+ r  u9 p6 b5 O, L13 Préludes, Op.32# Q1 [1 J6 L0 l* E6 r
17. No.12 in G Sharp Minor - Allegro 2:47
2 [! g( u0 I* \0 q3 [4 W: E5 Morceaux de fantaisie, Op.3- f6 i3 i$ r& r; {
18. No.2 Prelude In C Sharp Minor 4:21
: _- |1 a# ~" F; v7 r* X6 {Shura Cherkassky
# `$ I% V; N# M+ o$ j1 I3 }2 yTotal Playing Time 1:11:05
, e$ t& Y: x  T9 a0 Y9 ]& X7 v& y
* S5 |- J! n- M  u  N, F0 b
) L6 i3 o5 u5 E% S5 O! P- H; xCD11 Beethoven: Eroica Variations • Schubert: Moments musicaux • Britten: Introduction and Rondo alla burlesca; Mazurka elegiaca*
6 h( B/ W5 o8 s0 ^8 ^/ YClifford Curzon; Benjamin Britten*0 R0 b# ^: w% }5 `+ E; X
贝多芬:英雄变奏曲,舒伯特:音乐瞬间(柯曾)' k3 ^+ X3 l$ L
CD 11: Beethoven: Eroica Variations; Schubert: Moments Musicaux3 I' I8 g0 o# u/ }1 k& z0 R5 u
Ludwig van Beethoven (1770 - 1827)
( F" J$ D- L* h% ], Z/ w15 Piano Variations And Fugue In E Flat, Op.35 -"Eroica Variations"
  P' E6 n# F# ]% e3 v* K1. 1. Introduzione col Basso del Tema: Allegretto vivace 3:33$ D% l! x: q4 @4 W
2. 3. Variation 1 0:38
8 Q2 z. p1 }7 N' c" ]- Z. _% I3. 4. Variation 2 0:56
% l- `: f% y, t* e4. 5. Variation 3 0:411 ?* v0 U( B* q/ o' q. D
5. 6. Variation 4 0:38
' U. W$ V/ J% q. t( d- o8 U6. 7. Variation 5 0:48
4 t" C  K( U5 `& |1 [" `7. 8. Variation 6 0:38. c* f0 t* r( U9 a
8. 9. Variation 7 Canone all'Ottava 0:41
# Z& Z" S+ y" E# w9. 10. Variation 8 0:542 c1 m( F& f7 q9 S9 m! {' x
10. 11. Variation 9 0:40
, \* e  [+ q! e6 z- `( O5 G2 e% Y11. 12. Variation 10 0:42
$ H8 B8 m; U/ W" r12. 13. Variation 11 0:47
0 I0 T* s; V+ T, h13. 14. Variation 12 0:38
( i# z: {; Z3 d+ _- p1 Z# Z" d: d14. 15. Variation 13 0:40( i! C3 R3 X  s
15. 16. Variation 14 Minore 1:16$ \# o' Q' @! g, a3 y7 \* b7 e
16. 17. Variation 15 Maggiore. Largo 5:29: m) v/ X9 R( j( }+ ~* R
17. 18. Finale. Alla Fuga. Allegro con brio 4:36- M. G" t' z$ f
Franz Schubert (1797 - 1828)
( b  @2 B5 {, X6 Moments musicaux, Op.94, D.780
2 M: R8 o; ]* H0 u+ e18. No.1 in C Major (Moderato) 5:084 J+ ~) Y1 l) j. t* ?
19. No.2 in A Flat Major (Andantino) 6:37' y& A8 q3 C3 @6 b8 D# S5 ^4 P' i
20. No.3 in F Minor (Allegro moderato) 1:53( G) N4 L" [# ^
21. No.4 in C Sharp Minor (Moderato) 4:17
' c; }' e! e0 {2 ~/ i; ]& d22. No.5 in F Minor (Allegro vivace) 2:10
6 v6 W& ]& b" \. k( L8 ~23. No.6 in A Flat Major (Allegretto) 7:39+ ^4 x+ K( S0 x+ Y  B# [
Clifford Curzon3 Q# b' ]% ^  r# L: E5 `* o& U* L
Benjamin Britten (1913 - 1976). e6 j) t9 T! \, [4 i$ y/ o0 j5 n
24. Introduction and Rondo alla burlesca, Op.23, No.1 8:56
' B( U" y" f  v9 V1 a25. Mazurka elegiaca, Op.23, No.2 7:35# u9 k8 |+ ]2 V$ f- ]+ }
Clifford Curzon, Benjamin Britten
5 }* P; Z: ^& oTotal Playing Time 1:08:308 o/ F' p7 X; I9 i8 g# s6 q' ~4 `

0 ~8 m6 h: D. E/ }7 K: E) W7 i+ `+ B2 D( d+ @
CD12 Mozart: Piano Concertos Nos. 20 & 27 (Britten)
* ?3 N' B7 \+ z$ [Clifford Curzon. R  {% `& [% ?, f& U. }' y
莫扎特:第20、27钢琴协奏曲(柯曾)4 P  R( l) P$ {: }* I. [
CD 12: Mozart: Piano Concerto No.20 in D Minor, K.466 & No.27 in B Flat, K.595
; Y: D5 F- e' H7 v" u6 j+ vWolfgang Amadeus Mozart (1756 - 1791)
' D) I. q/ i" i5 C2 ^Piano Concerto No. 20 in D Minor, K.466
6 K. d0 P+ ^% C1. 1. Allegro 15:06. m9 n! y8 M/ h% ~; q
2. 2. Romance 10:02
$ F& F- q8 g1 L4 D" T3. 3. Rondo (Allegro assai) 7:52
1 E' }7 \7 N- T* T2 Y  g/ @/ WPiano Concerto No.27 in B Flat Major, K.595& f8 ]3 X' j  D8 W7 Q
4. 1. Allegro 14:20
0 @, S. k7 M2 `- g! {. U5. 2. Larghetto 8:57
9 T5 z* B$ z# e/ f; Z  Q6. 3. Allegro 8:46
* b7 }- i- @' Z9 g/ C% uClifford Curzon, English Chamber Orchestra, Benjamin Britten
% |& X$ q' ^! l; K3 j7 i. |" P+ H8 LTotal Playing Time 1:05:03# [. M$ }: A9 c  ]1 {; E

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5 \( ]0 C( n- t) ^% N# ~% x$ ACD13 Mozart: Piano Concertos Nos. 23 & 24 (Kertész)$ M) ^  M+ W: R' I. W
Clifford Curzon0 {" [- Y, o' ?; q4 F/ S, B7 z. c! c
莫扎特:第23、24钢琴协奏曲(柯曾)
5 C3 i4 U1 F) B' w0 ?3 [7 @CD 13: Mozart: Piano Concerto No.23 in A, K.488 & No.24 in C Minor, K.491
8 L# q2 P; f6 A1 QWolfgang Amadeus Mozart (1756 - 1791)( v. |# j$ C) v7 _% L0 c
Piano Concerto No. 23 In A Major, K.4881 j) c" r. q! C* ?
1. 1. Allegro 11:18
" [/ K/ I5 o: T2 g' P2. 2. Adagio 7:02
4 ^/ c  D$ M, h3. 3. Allegro assai 8:14
$ Y4 b) N8 q5 d1 T) E# C, T' rPiano Concerto No.24 in C Minor, K.491
  i7 t: e/ J+ A" l4. 1. Allegro 13:09. ]4 [4 u6 Q& ]5 w' r9 C
5. 2. Larghetto 7:41
5 y1 I- e; v# U3 x2 [! [+ _6. 3. Allegretto 8:52
7 y+ p5 p! t' Z+ R: P4 bClifford Curzon, London Symphony Orchestra, István Kertész
: V2 {# n0 ~; M* k6 [& x8 bTotal Playing Time 56:16
9 c5 ?6 f! U$ Q+ S, X2 @- p4 n& J2 b  I

, Q" _. U7 e. h+ t+ ], l: DCD14 Gottschalk: Piano Music. e% G0 ]; j+ i$ _5 @6 x
Ivan Davis
/ O. l: P( I7 `7 j0 u8 G9 M$ {Bonus: Carnival of the Animals (Rogé/Ortiz)) A. S5 a2 U4 A  G  \1 ?
戈特夏尔克:钢琴作品 (Ivan Davis)
' {) N/ g2 ]# i- S" ~7 u2 TCD 14: Gottschalk: Piano Works; Saint-Saëns: Carnival Of The Animals: L( ^* a: T4 C- C2 I6 p/ f% d2 Y
Louis Moreau Gottschalk (1829 - 1869). @! v. R, \; W% I; x
1. Souvenirs d'Andalousie 'Caprice de concert sur la caña, le fandango, et le jeleo de Jerez', Op 22 3:53& \3 A) q; }3 a0 j& Z4 `
2. Le Mancenillier, Sérénade 6:35
0 g( O0 A, b; R; ]7 }& X3. Manchega, Etude de Concert 3:49
: F) a0 A8 i: `1 v4. Souvenir de Porto Rico, Marche des Gibaros 5:52
$ Q  K( r7 H: D$ S+ |/ c4 P5. O ma Charmante, Épargnez-moi! 3:01
+ e3 O& ]& h' ?2 |$ b* n6. Suis-moi, Caprice 3:20
3 c8 D/ X7 T0 d& l1 D' ?% l7. The Banjo - Grotesque Fantasie, American Sketch 3:53
, ^* n9 M0 T+ `! U4 v8. Pasquinade - Caprice 3:446 B2 E/ P3 h9 Q0 E
9. Grand Scherzo 4:52
0 Y$ A* p* k& P% c- e; d10. Le Bananier, Chanson Nègre 3:044 F( x% {9 S9 e, }/ y* j6 x7 c
11. The Dying Poet 7:14
" Q2 T, d$ d/ K( {' h12. Tournament Galop 2:499 Y; l5 b7 R, L, X! h4 V
Ivan Davis+ z6 p2 v' N% b$ t( B2 b0 C
Camille Saint-Saëns (1835 - 1921)
" o- \8 d  I; f/ \+ C# h4 O% hLe carnaval des animaux, R. 125
' D  U& L' f9 N: _: j) M; g0 A8 k13. Introduction et Marche royale du Lion 2:19* i( X7 g' X' J' m1 O& E
14. Poules et Coqs 0:574 i- H. `& t$ Y- o7 k. b
15. Hémiones (Animaux véloces) 0:31
" I3 ?  C  _, {& u7 m  a16. Tortues 2:17) r" s% q& B  h2 K0 T- b1 ]
Pascal Rogé, Cristina Ortiz, London Sinfonietta, Charles Dutoit! u7 O& G% R/ X9 G& X1 L( H, w
17. L'Eléphant 1:30- U; r' E% ~; ?( l3 F3 P( t  k
Robin McGee, Pascal Rogé, Cristina Ortiz, London Sinfonietta, Charles Dutoit
$ @9 Q' c) Q0 c6 z' x18. Kangourous 0:577 \3 |! U* V: J& r  K2 s
19. Aquarium 2:31& A& ~2 _. ^7 v- Q
Pascal Rogé, Cristina Ortiz, London Sinfonietta, Charles Dutoit
' w( q( g' K3 \6 X% e7 H! k20. Personnages à longues oreilles 0:44
7 Q; d( C; f- g+ m# }London Sinfonietta, Charles Dutoit" X* x" ]# {$ i) m: `; v( k$ e
21. Le coucou au fond des bois 2:33
! j# @# Q! ]5 ^1 a8 G# q( zAntony Pay, Pascal Rogé, Cristina Ortiz, London Sinfonietta, Charles Dutoit
7 q+ j  x* K4 F" M22. Volières 1:12
* J) ?. f& [8 y, U0 k8 B0 P23. Pianistes 1:20
, ]/ H9 y2 ^1 n( w  V8 {24. Fossiles 1:191 R* H. X# _1 y" N
Pascal Rogé, Cristina Ortiz, London Sinfonietta, Charles Dutoit
) y- ]& v+ u: D, T25. Le Cygne 2:47
8 _, _8 d3 I& A3 HChristopher van Kampen, Pascal Rogé, Cristina Ortiz, London Sinfonietta, Charles Dutoit
' k0 ?; v4 G! A6 [- T& V26. Finale 1:58$ h2 G" z$ S. U  G, {; ~
Pascal Rogé, Cristina Ortiz, London Sinfonietta, Charles Dutoit
" A( m3 q9 O' d7 V( LTotal Playing Time 1:15:01: r9 _, X( B- T2 o
: r2 V4 z2 _2 {! }6 U6 C
% j; B7 N* |0 R( ~2 v
CD15 Two Piano Encores + Poulenc: Sonata for four hands; Milhaud: Scaramouche; Lutoslawski: Paganini Variations8 Y& P9 a: Q7 J" y3 A( V
Bracha Eden; Alexander Tamir
1 ]' P3 B: `3 ~# r+ W- j/ {. jFirst CD release% w* w3 E% n# y9 V. T- c' p
双钢琴曲集 (Bracha Eden,Alexander Tamir 布拉查 艾登&亚历山大 塔米尔)
4 l! z* M, q+ o7 S4 sCD 15: Two-Piano Encores* t7 R% E3 {: `1 V  K& P) Z$ G
Sergey Vasil'yevich Rachmaninov (1873 - 1943)
& z. F- _) }5 }  H' {% BSuite No.1 for 2 Pianos, Op.56 i' a7 X5 X5 ?& B
1. 1. Barcarolle 7:54
  g3 S9 U& {" |: WAram Il'yich Khachaturian (1903 - 1978)- X! U& q5 G1 \0 O; K- U% D) t
Three Pieces for Piano Duet
, F; T- v  K& c7 [2. 3. Fantastic Waltz 3:385 }' g& l! z6 z
Jaromír Weinberger (1896 - 1967)
8 h! W$ Y: n4 F0 O' z. NSchwanda the Bagpiper
2 o. \6 U) @0 V& N! y! }+ l' K* QArr. Weinberger for two pianos  V# u& O$ v5 Y
3. Polka and Fugue 7:40' |5 F3 A* K, z2 y9 D
Francis Poulenc (1899 - 1963)
' ~# l+ ]8 Y$ r  E# W, r4. L'embarquement pour Cythère, valse-musette for 2 Pianos 2:44# O  d* j0 [" T  p$ q
Anton Stepanovich Arensky (1861 - 1906)
/ }3 o; i8 |2 L/ `) ]Suite for Two Pianos; f6 b5 s# B: u: F' n( b
5. Waltz 4:45! ?  q. e, w" J* c- S
Franz Schubert (1797 - 1828)' T% @) C. Z- G+ {, W2 K
6. Rondo for Piano Duet in D, D.608 6:42
0 h" g+ O3 l3 XJohannes Brahms (1833 - 1897)
9 R9 e3 F- R6 s& I% `) }16 Waltzes, Op.395 Y, l: N7 F6 \; s
7. 9. in D minor 1:02  t9 B2 Q7 U' K0 j- l9 X+ F: L4 C
8. 10. in G 0:26
5 }$ l) _, S7 C5 p& q$ J" r4 t9. 11. in B minor 1:10
: ^& [/ c( u. c10. 15. in A flat 1:45' P8 i6 W( W8 D% o
11. 16. in C sharp minor 0:53
4 u. W: Y( l: E7 qRobert Schumann (1810 - 1856)/ Q+ t. ^. S# b/ k5 d1 m
6 Studien in kanonischer Form, Op.56
' A' x7 \; L' i8 q( A- Y4 Q' TArr. 2 Pianos
( ?2 y" {( V& ^$ `: ?0 w12. 2. Mit innigem Ausdruck 2:57
' H3 P) q5 \# w. o. y/ q6 c13. 3. Andantino 1:49
" ^) T! E/ T+ n2 h; D2 i14. 4. Innig 2:51
+ k% H6 f3 I& e8 f4 r' K+ i- EFrancis Poulenc (1899 - 1963)% m& W1 F3 Z% R
Sonata for Piano 4 Hands, FP 80 Y  }% b* s! R5 \1 d! s& c( U' g
15. 1. Prélude (Modéré) 2:03. p# p$ A! I% I! q0 X
16. 2. Rustique (Naïf et lent) 1:48; t" X5 L, m2 V- t
17. 3. Final (Très vite) 2:03
/ ]' m6 k8 U4 ^+ N2 hDarius Milhaud (1892 - 1974)
1 ~$ S; G0 _! F% k3 l4 vScaramouche, Suite for 2 Pianos
9 s7 \) N+ ]/ t) W" ~Original Version, Op.165b
& C# d8 ?8 N4 w# g3 E$ Z18. 1. Vif 2:52
4 i! J) r/ w) C/ k/ B- A19. 2. Modéré 3:31
. m2 X( }) p2 Y5 ?% |, ]20. 3. Brazileira (Mouvement de samba) 2:14; f* A* o: n9 E5 G
Witold Lutoslawski (1913 - 1994)
# r5 g) ]9 w/ M  f+ z/ z21. Variations on a theme by Paganini 5:17% B8 V1 k7 d* l4 ~" Z
Bracha Eden, Alexander Tamir
+ D! p" @$ O  X$ kTotal Playing Time 1:06:04
) d3 V1 L1 Y) j9 I' {
7 g8 ]' n+ }, Q( |3 ]; J, C2 @( h3 f% p5 j; m/ c
CD16 The American Virtuoso
( G- f- _0 K$ m5 A3 |Includes Grainger’s arrangements of Fauré and Gershwin7 S& H- x$ T3 W5 n. w
Alan Feinberg
( f0 ^& D, F0 q) A% W. z1 Q! y美国超技钢琴作品集(Alan Feinberg 阿兰 费因伯格): D( C3 w+ s. w, Z5 l6 t: u
CD 16: The American Virtuoso
7 G, U" L$ @- Y- CEdward Alexander MacDowell (1860 - 1908)
2 E# i. x5 U* n% F. d1. Concert Etude, Op.36 3:512 }. c3 I* E& H3 o
Gabriel Fauré (1845 - 1924)
. V, k: m$ \/ CAprès un rêve  {3 l' ^  I1 w) d; B% a8 A( r8 j
2. arr. Percy Grainger 3:18
, v. X1 X# T/ X) A1 RLouis Moreau Gottschalk (1829 - 1869); P) f3 l- K' m4 v$ J) ]; g5 ~0 z
3. Manchega, Etude de Concert 3:23/ R& q( B  }5 ?* ], w& i$ W
Amy Marcy Beach (1867 - 1944)4 C0 c3 ^7 @* ]( i; G
4. Scottish Legend, Op.54, No.1 3:14
+ \; L  Q+ u3 h: ^3 K5. Tyrolean Valse-Fantaisie, Op.116 8:270 Q. j" {, J' }6 L; y' B
6. Fireflies 2:34; \/ D" ]0 v/ Z2 {
Louis Moreau Gottschalk (1829 - 1869)4 Q: j% E: [8 V5 C/ s
7. Union (Paraphrase de Concert) 7:53
% m+ B; t; w+ U  D$ h0 g) T, i* y7 f0 cAmy Marcy Beach (1867 - 1944)
' R' N- e$ }5 X; m" {8. A Hermit Thrush at Eve, Op.92, No.2 5:21
; b$ k& x  n  Z, E- n5 `6 l( aEdward Alexander MacDowell (1860 - 1908)2 e6 p" H) p' R$ L$ n
9. Hexentanz, Op.17, No.2 2:34. {! n* f! r' F# _" F- `# I& k, m
Gabriel Fauré (1845 - 1924)9 G1 {& `' K$ e9 F2 C0 V
Nell, Op.18, No.1
; ~2 ~" w+ ?* N! o10. arr. Percy Grainger 2:103 k2 u2 U" J: j
John Dowland (1562 - 1626). g: M! H6 @$ f3 H3 `' ]- ~
Now, O now, I needs must part
0 o+ ]3 [8 v9 g: \11. arr. Percy Grainger 3:526 d' d# k1 E8 N% ^" P* R: B
Teresa Carreno (1853 - 1917)
, M5 c7 n- {8 o# q& u( X12. Corbeille des fleurs, Op.9 5:06' D- ]$ F/ Z! N; \- S1 W
Louis Moreau Gottschalk (1829 - 1869)
3 R+ L$ v0 Q8 Y13. Home Sweet Home 6:15: m1 r" |  h( z& F8 K
14. Souvenir de Porto Rico, Marche des Gibaros 6:00
! X! x* R8 _6 PTraditional
" k5 X1 e+ e$ e4 ~3 p15. Londonderry Air 3:05, e, D) {" O% V' P! c/ `) U4 ]
George Gershwin (1898 - 1937)
3 T; p+ Y" G7 d" }" J2 z/ B& g0 Q# oLady, Be Good
  y( ]' P+ \5 j6 hArr. Percy Grainger
4 B; x9 W* j% V. F16. The Man I Love 3:50
# m# ~5 l) P6 H# CClap Your Hands
7 g) V. W5 ^, K9 ?+ Q17. trans. Artis Wodehouse 2:47+ @8 o6 O. \9 n" g
Alan Feinberg
; Z9 U+ e" X# f2 `Total Playing Time 1:13:40
+ q+ W' H4 c7 o7 @8 _, v8 i1 }2 @& V+ }% [1 u( S9 k# G6 y

  L) @* E3 x4 s% e& J! jCD17 Brasiliero
; J+ r2 Q" A9 n0 W- ^7 ^9 Q" J- p# g- @Nelson Freire
& v7 ^' E' C1 r' Q% v1 Y# v巴西风(弗莱雷); E  i: v+ G% k: m4 p. Y) s
CD 17: Brasiliero
5 C5 T, B/ L2 F/ n* LHeitor Villa-Lobos (1887 - 1959)' c+ w# J9 f6 x& S+ x" P3 L
Carnaval das çriancas$ D% ]# W/ v# v; y. O' |
Children's Carnaval
5 q: N( c, D2 K- m0 r1. 1. O ginête do pierrozinho 1:06
6 D# N- s" O8 F1 w9 l# l2. 2. O chicote do diabinho 1:33
& s$ _: E8 }7 K( O2 X# o) G3. 3. A manha da pierrete 1:57/ H* I" E/ n  c1 x8 F) N! C
4. 4. Os guizos do dominozinho 1:08
& x/ ^4 b: N) z3 y2 l# I- J/ v5. 5. As peripécias do trapeirozinho 1:16& }+ k; y& P; C3 @. x
6. 6. As traquinices do mascarado mignon 1:26
  a4 P$ ]3 B; h7 u7 L% v9 o& y7. 7. A gaita de um precoce fantasiado 2:50, g7 X* q6 C- Y: ?& s8 E
8. Chôros No.5, W207 4:25( ?: }( Z1 x; ^* ^: i: O8 n
9. A Maré Encheu (Guia Prático) 1:28
) p# `6 N; R8 \; p10. Valsa da dor 4:125 ^7 g1 m9 {# K
11. Saudades das Selvas Brasilieras No.2 2:541 i0 w( v, Q$ x" C" Y* D
12. Pobre cega 1:32
, V6 D* O0 u% qCirandas
4 _7 ~. c; Z% Z4 r13. 14. A Canoa Virou 2:39. K. |4 A6 T/ N' w+ k* D2 W" y6 n
14. A Lenda do Caboclo 3:30
4 O% c4 ?, Y% P! e1 [/ s' ]. dMozart Carmargo Guarnieri (1907 - 1993)
" N0 I+ g9 Z) k6 G+ c4 ?15. Dansa Negra 3:32
) `9 a! r2 {& z% ^9 [2 Z; |16. Ponteio No.24 1:41; p0 `7 {9 _/ S: W5 S( X
17. Toccata 2:40( D, a4 f0 p; E/ E, ^* V
Henrique Oswald (1852 - 1931)- e* r* L  |/ k
18. Valse Lente 3:04
$ ~5 M% o, _" P) ?3 U# x. O, ]/ iAlexandre Levy (1864 - 1892)
: G% b% ?4 L1 I! [9 B7 Y1 r19. Tango Brasileiro 2:02: @8 W) f& `& `6 g8 U
Barrozo Netto (1881 - 1941)
8 n3 }* z" _/ d20. Minha Terra 1:45
2 ]& `( D# f0 R$ \# Y! N3 }  w4 a$ f% BOscar Lorenzo Fernândez (1897 - 1948): F/ U. l/ H6 J7 V, M
Tres Estudos em forma de Sonatina2 l7 W2 a2 B3 J! }8 J/ U6 d
21. 1. Allegro con brio 3:27
/ C2 m# n& ?5 t$ |# `# \5 |6 rTres Estudos em forma de Sonatina
4 J* _% B+ B- f% `/ Y! z4 E6 M22. 2. Moderato 3:13
% R, k: x: F5 ^# C1 dTres Estudos em forma de Sonatina7 X: ]" I7 Z, ]$ n* b
23. 3. Allegro scherzoso 2:088 D" W# u0 t* K" v6 `4 D1 H& A! [
Heitor Villa-Lobos (1887 - 1959)  S4 }2 z4 D, e# v) v
Prole do bebe, Book 2 - Os Bichinhos (1921)
" _) u* E; c7 {$ b% y0 s24. 2. O Gatinho de Papelao 3:42
) Z+ Z7 h5 z7 G3 i, jClaudio Santoro (1919 - 1989)+ Y' a. W1 K& X; D
25. Paulistana No.1 1:262 H2 Y4 G( G/ n
26. Toccata 2:58
3 V8 S; B  b# _  j2 U5 t" K5 THeitor Villa-Lobos (1887 - 1959)+ G# @+ y! s1 _/ C1 a
27. New York Skyline, W407 3:03( R( J" {$ V+ V0 _! }' D
Francisco Mignone (1897 - 1986)
4 z$ A, @' s- @5 [7 q! l0 _! e: \5 y28. Valse Elegante 2:19
8 F% n4 Z' {: ]: t1 V" h" ]Quatro Pecas Brasileiras
/ c& m, Z9 k1 f$ h; J8 w29. 1. Maroca 1:44
! W4 P( ]* @/ R8 }7 g/ h30. Congada 2:59* `' U/ o9 J: j3 v
Nelson Freire( Q  }1 Y1 p% e& `" k
Total Playing Time 1:13:39
0 w& m. O* ~- P! _$ J' n; V3 J, |8 M1 a* z  T  C

" x  K, a8 c  x5 |8 O7 \7 F& `2 d0 wCD18 Chopin, Liszt, Ravel- n+ W3 k- x( z* T& G7 B% t2 D
+ Liszt: Gnomenreigen; Bach/Kempff: Siciliano from Flute Sonata No.27 u1 A% c+ z: `
Benjamin Grosvenor  v6 F& [8 \; U: L! X
Grosvenor’s debut disc plus the first CD release of Liszt: Gnomenreigen and Bach/Kempff: Siciliano
% I& Z- ?- W) ~( b1 o肖邦、李斯特、拉威尔钢琴作品 (Grosvenor 格罗斯文诺尔)1 x, I8 M0 k  ]# J" |. |. h
CD 18: Chopin: Four Scherzi; Ravel: Gaspard de la nuit
5 ?7 h& @1 R# G) |& b$ {- rFrédéric Chopin (1810 - 1849)2 _% U7 E  o# Y9 M8 c& V; V
1. Scherzo No.1 In B Minor Opus 20 8:14
0 N" R" d5 {- ]" n- t4 t2. Nocturne No.5 in F sharp, Op.15 No.2 3:06: C% O/ W: m& j3 \1 y6 F+ F4 Y
3. Scherzo No.4 In E Opus 54 9:56: [2 o. P9 A9 L* q) X  r! R$ n
4. Nocturne No.19 in E minor, Op.72 No.1 3:59* r8 ]2 x+ _' f3 }9 U
5. Scherzo No.3 in C sharp minor, Op.39 6:36  I# i8 D- y  Q. H
6. Nocturne In C Sharp Minor, Op. Posth. 3:43# M/ G1 t7 y& @
7. Scherzo No.2 In B Flat Minor Opus 31 9:11. l1 W7 M1 a9 q" q/ I0 _- u
6 Chants polonais de Frédéric Chopin, S.480
; U8 p; n! M  e, m8. 5. My Joys 3:205 h/ y! N1 k  h, l. B6 C+ k
9. 1. The Maiden's Wish 3:35! }/ \5 a1 n. H+ _7 h5 Z
Franz Liszt (1811 - 1886)
  N6 M% x+ c% W9 A10. En reve, nocturne, S.207 2:20
2 }2 A; e9 {& _( qMaurice Ravel (1875 - 1937)+ ^9 F3 u+ L& M
Gaspard de la nuit, M.55
3 i: a+ f7 F$ |7 M) h11. 1. Ondine 6:31  d, x' g. U) @0 |' j& e3 m
12. 2. Le Gibet 5:30
  _8 J  a$ ?, }/ n; ~% c/ V13. 3. Scarbo 8:383 `7 [0 B) \" B
Franz Liszt (1811 - 1886)
9 v$ G' S' a8 Q2 x; e2 x9 n2 Etudes de Concert, S.145+ {5 ]8 i9 h: s# N6 m) C6 B4 K5 a
14. No.2 Gnomenreigen 2:44
+ B& O' C7 O3 U8 {0 u% Z7 aJohann Sebastian Bach (1685 - 1750)
2 @) _. y/ h! RSonata For Flute & Harpsichord, BWV 10312 Q4 ^3 }3 ?& @
15. 2. Siciliano (Arr. Wilhelm Kempff) 3:36' U/ A8 u: c/ I2 [  t' ^0 ?
Benjamin Grosvenor, I* g0 y. r3 k
Total Playing Time 1:20:59% A$ M+ ?# v* A
1 t/ x5 ^2 `, S/ |5 u

; G# E: R- b2 B4 fCD19 Beethoven: Piano Concertos 1 & 2 (Stein)- c- n' K' ?6 B* J7 _% p
Friedrich Gulda
: z% [8 \9 m/ |8 P3 U; D0 w贝多芬:第1、2钢琴协奏曲(古尔达)9 q# M2 Q% F3 b- f5 f8 q# U1 m
CD 19: Beethoven: Piano Concertos Nos. 1 & 2
4 t( I3 @. }, M0 a4 {Ludwig van Beethoven (1770 - 1827)
9 w3 t4 z$ W4 ^7 \Piano Concerto No.1 in C Major, Op.15
" }/ F5 z4 v! s; ?/ d, E1. 1. Allegro con brio 18:00
8 u2 h* ?3 z* ^2 p2. 2. Largo 11:19' h8 L* a4 j' t* i) O1 b
3. 3. Rondo (Allegro scherzando) 9:02
) [6 }) e9 h* \8 t& ]8 X& j. n( I+ ZPiano Concerto No.2 in B Flat Major, Op.190 ?) w; o& C! W% G9 [
4. 1. Allegro con brio 13:48
' ^7 o8 e4 C% N# S5. 2. Adagio 8:203 g) `) G% M9 K) n
6. 3. Rondo (Molto allegro) 6:51* \/ {& ~2 u/ P. w2 A
Friedrich Gulda, Wiener Philharmoniker, Horst Stein
3 u' U: \+ m) i- ^4 @Total Playing Time 1:07:20
8 R" W. h& M: f! ^( f9 k! Y9 R) n) Z$ k/ ]' o2 F$ q
- A) y" {/ X3 }& H5 n
CD20 The Early Recordings! `; |& q$ ^2 q5 h
Friedrich Gulda7 X* v8 d" ~. s- `) {) o+ K
First international CD release  i: P( q4 y7 V7 C# c2 k9 v0 E
古尔达早期录音集% W6 C( d3 _1 S$ L
CD 20: Gulda - The Early Recordings
! |7 x* S* R& [7 x7 fJohann Sebastian Bach (1685 - 1750)
3 ?  q. X; h) b8 t3 K/ dThe Well-Tempered Clavier: Book 1, BWV 846-869$ C9 Y6 j6 g. {( L( b, F. C0 N& z
1. Prelude & Fugue in G Major, BWV 860 3:18! h. f3 V) Y2 t8 s: e' Z- [5 Q
Partita No.1 In B-Flat Major, BWV 825
; Y! b% y$ a2 [: L2. 5. Menuet I 3:35* E$ j+ a& z% q
3. Fugue In C Minor, BWV 911 7:26
9 E( E, Y  m0 L/ S0 l  E. xLudwig van Beethoven (1770 - 1827)
/ Y  m+ V' O. |$ S" y7 b0 ?; O11 Bagatelles, Op.1197 [# K2 t8 X$ m& ^9 w; c  u
4. 11. Andante, ma non troppo 1:53
+ ~( w$ ^3 e" \9 w2 R5. 6 Ecossaises, WoO 83 2:01! T+ t7 E$ q& o2 k6 k2 d  ^# I
Frédéric Chopin (1810 - 1849)
" }6 m* M- Y' k+ {1 i6. Berceuse In D Flat, Op.57 4:19; m8 S' H& I/ l5 m" X% z5 I! S$ Y
12 Etudes, Op.251 Z/ m" h( h* p+ J
7. No.1 In A-Flat Major - "Harp Study" 2:06
8 n( Q4 r3 }6 O: w8. No.2 in F Minor 1:24+ S0 g" q1 k% M9 D
9. Ballade No.3 In A-Flat Major, Op.47 6:36
; ]: X8 n- S+ b, l/ |- p% DSergei Prokofiev (1891 - 1953)" g/ D: f1 U' D" ^$ d
Piano Sonata No.7 in B flat, Op.83
8 m  q  R. Q/ N10. 1. Allegro inquieto - Andantino - Allegro inquieto - Andantino - Allegro inquieto 8:02
% G$ ]9 j0 P' }- ]$ m  _11. 2. Andante caloroso - Poco più animato - Più largamente - un poco agitato - Tempo I 6:16
5 F' d# X! t5 U2 ~, f3 p12. 3. Precipitato 3:03
& Q9 h2 J! i* Q1 s- u' d; D2 `Claude Debussy (1862 - 1918)( G2 F6 f( _* D9 c
13. L'Isle Joyeuse, L. 106 5:13
$ G8 q' h1 L0 WImages - Book 1, L. 110
& S- S$ G8 T$ d0 R4 `% [4 {- s14. 1. Reflets dans l'eau 5:01
2 [8 `( F, k7 gWolfgang Amadeus Mozart (1756 - 1791)  j$ R, v" }7 b% n: t& V
Piano Sonata No.18 In D, K.576
" r% J' o7 y" g15. 1. Allegro 4:54
% ]0 w( e9 _4 [" @; `$ h) `" c16. 2. Adagio 4:50
9 N% `5 n- f, O17. 3. Allegretto 3:54( G, d% ^0 d! l  X; k
Friedrich Gulda
* a8 ^& p' v2 z+ A7 `Total Playing Time 1:13:51
$ q+ n& ]+ r" b3 M! o7 w; F2 O$ X# M# ^9 C9 M
1 [, q# M& X. A6 |) h
CD21 Tchaikovsky: Piano Concerto No. 1; Grieg: Piano Concerto (Maag)' A/ x8 I$ K; `
+ Lutoslawski: Paganini Variations (piano & orchestra version, Ashkenazy conducting)/ M  ?1 x. {- _) u) X
Peter Jablonski5 d1 Q/ F* l1 B; r% f% B& U0 @
柴可夫斯基:第一钢琴协奏曲 - 格里格:钢琴协奏曲(Jablonski 雅布伦斯基)
' Q; o) a4 l1 r9 K; {& R$ pCD 21: Tchaikovsky: Piano Concerto No.1 in B Flat Minor; Grieg: Piano Concerto in A Minor
  p7 t) {: L- r4 i0 qPeter Ilyich Tchaikovsky (1840 - 1893)- j3 c2 H9 t( }7 E  h4 z0 S( l
1. 1. Allegro non troppo e molto maestoso - Allegro con spirito 21:35
8 v. W% o' L+ F6 K% v' k/ ~Pyotr Ilyich Tchaikovsky (1840 - 1893); X7 i! w: Z4 f; k2 |8 e
Piano Concerto No.1 In B Flat Minor, Op.23, TH.55( q/ b5 @3 C% Q
2. 2. Andantino semplice - Prestissimo - Tempo I 7:36
5 d. F; o/ H  Y/ M4 z+ ~3. 3. Allegro con fuoco 6:59" ^4 ~! G$ B8 g) q6 P; q
Edvard Grieg (1843 - 1907)
  l! q/ w# V7 f' yPiano Concerto In A Minor, Op.163 `9 E" l) P4 j7 }  u
4. 1. Allegro molto moderato 13:54
/ D% e' _. m9 e/ e" F5. 2. Adagio 7:00
4 J# _6 M: q/ z) u6. 3. Allegro moderato molto e marcato - Quasi presto - Andante maestoso 10:37
9 X- ?) z- ?+ W& ~5 DPeter Jablonski, Philharmonia Orchestra, Peter Maag1 I8 ^+ }" B* d7 \1 K" f
Witold Lutoslawski (1913 - 1994)
, X# Z( Z) c' g. Z5 A) I, _7. Paganini Variations, for Piano & Orchestra 8:44+ E) H8 `* S* S) D# D0 W
Peter Jablonski, Royal Philharmonic Orchestra, Vladimir Ashkenazy& V( ?- c! o& _( ^) t& ^
Total Playing Time 1:16:25( O! H7 V: A( e7 ~

9 f/ x) W2 ?% C" }) k0 G4 `
# y( o: c6 }/ K* {9 gCD22 Debussy: Préludes, Books I & II+ F6 _9 I$ v" U. D
Jean-Rodolphe Kars
; [" ?% K. G0 O" zPresented for the first time on one CD
$ N& x4 _1 T8 ^德彪西:前奏曲全集(Jean-Rodolphe Kars 卡尔斯)
* a! u4 A7 `* @- |( hCD 22: Debussy: Preludes Books 1 & 21 U# H; F7 V4 K) ~( m' g: N/ b& \% d
Claude Debussy (1862 - 1918)
2 |: W3 b- e# }7 C7 aPréludes / Book 1, L. 117
' z8 o9 M6 F- M1. 1. Danseuses de Delphes 3:56
9 w0 w$ e& Q) j; K, a2. 2. Voiles 3:50
; C/ t- Y: ?. }' h3. 3. Le vent dans la plaine 2:130 \! h! }1 F; I+ S. I3 a
4. 4. Les sons et les parfums tournent dans l'air du soir 3:25
- T, A+ T! v0 @' C: Y" e% }5. 5. Les collines d'Anacapri 3:08
7 d' q/ C! W% s) H% |6 T6. 6. Des pas sur la neige 4:52/ [% C2 C! F9 \: K- z0 _
7. 7. Ce qu'a vu le vent d'ouest 3:11
& q* F7 A7 ]% q* _$ b+ @8. 8. La fille aux cheveux de lin 2:30" ~7 C! q4 N6 M- }
9. 9. La sérénade interrompue 2:47
6 g- ~6 Q# A( l8 j4 ]( {# ?7 J$ d10. 10. La cathédrale engloutie 8:065 W4 o* v8 E: k
11. 11. La danse de Puck 2:11: ]3 u7 n) [* v9 ]
12. 12. Minstrels 2:214 Y, \+ r( U9 h. C; O  J+ X* n  p) C
Préludes - Book 2, L.123
* }; h" w8 l( x# p* C8 K  t13. 1. Brouillards 4:43+ T/ ]0 ]; i  W+ |  u# n
14. 2. Feuilles mortes 3:57
4 k4 `3 {- p! ?15. 3. La puerta del vino 3:251 S( _: o0 z) f1 i/ S) \4 X" v/ m
16. 4. Les fées sont d'exquises danseuses 2:40
2 `: A1 o3 b* `0 r" r  h17. 5. Bruyères 2:352 ^/ A; T* U: ^9 ^; f. i! l
18. 6. General Lavine - eccentric 2:274 T0 I. Z  ~! c7 g! {, W' P
19. 7. La terrasse des audiences du clair de lune 5:55
7 D2 @* T; w3 L20. 8. Ondine 3:21. T- W4 l! n) h3 w3 v- t0 ^: [" U
21. 9. Hommage à S. Pickwick, Esq., P.P.M.P.C. 2:492 A* ?5 p9 M; T% M* u5 i
22. 10. Canope 3:125 ]& C. m. Y1 N: F# g5 [4 K
23. 11. Les tierces alternées 2:276 S+ D5 J/ ~$ d$ o2 H+ w% p' H
24. 12. Feux d'artifice 4:106 e" a9 Q- T& e& g" x+ ^
Jean-Rodolphe Kars
) k5 Q+ E) M# g( T" ~Total Playing Time 1:24:11
% O+ [* v# j3 x! n+ H3 I0 a8 d3 o* @( O3 A2 o

" ?5 C( g8 N% uCD23 Brahms: Hungarian Dances (Vol.1: solo, Vol.2 piano duet with Jean-Pierre Marty)
; X: H$ F1 C  C- x) f+ ~Paganini Variations (1965 recording)
9 p, P1 `9 Z" b; m  W" V* j3 gJulius Katchen
# [5 q: W4 [2 L2 a3 i9 r* d: I1 O, K勃拉姆斯:匈牙利舞曲,帕格尼尼变奏曲(卡琴)" X8 m: _+ S* ?7 H
CD 23: Brahms: Hungarian Dances; Variations on a Theme by Paganini- n. J6 n3 I& r& V
Johannes Brahms (1833 - 1897)
* w! v) R8 U8 M4 ~- D; d& X1. Hungarian Dance No.1 in G Minor, WoO 1 No.1 2:54" H  U+ K+ y  W- F. T  B
2. Hungarian Dance No.2 in D Minor, WoO 1, No.2 3:06
8 m3 H: o0 k- y3. Hungarian Dance No.3 in F Major, WoO 1 2:19& r  a1 G6 Q8 {* q
4. Hungarian Dance No.4 in F Sharp Minor, WoO 1, No.4 4:146 T6 ?8 I6 ]- a- Y  @
5. Hungarian Dance No.5 in G Minor, WoO 1 No.5 2:103 u1 R9 h6 V# U1 o
6. Hungarian Dance No.6 in D Flat Major, WoO 1 3:08* v+ a' z; o. o
7. Hungarian Dance No.7 in A Major, WoO 1, No.7 1:27
9 o, C7 C4 c6 _+ M( J& N! [. o8. Hungarian Dance No.8 in A Minor, WoO 1, No.8 2:345 r" ~8 A+ b4 _" c
9. Hungarian Dance No.9 in E Minor, WoO 1, No.9 1:43
' o6 O4 P: b# N4 k; U8 A) Z% Q9 V10. Hungarian Dance No.10 in F Major, WoO 1, No.10 1:56+ `) D) ~; G& ?+ t! ^
Julius Katchen
; O/ t/ ^$ T3 u4 y- {, y9 l11. Hungarian Dance No.11 in D Minor, WoO 1, No.11 2:12
2 e* a  Z* }" p2 R9 q12. Hungarian Dance No.12 in D Minor, WoO 1, No.12 2:024 y- n" @+ s6 H) g
13. Hungarian Dance No.13 in D Major, WoO 1, No.13 1:18
3 B/ H  m9 n! n14. Hungarian Dance No.14 in D Minor, WoO 1, No.14 1:27
7 R2 e) J& D  x& v- }15. Hungarian Dance No.15 in B Flat Major, WoO 1, No.15 2:34
: M1 c. a9 w5 Q. |6 a16. Hungarian Dance No.16 in F Minor / Major, WoO 1, No.16 2:03
& ~7 R% m0 R% R% a' _17. Hungarian Dance No.17 in F Sharp Minor, WoO 1, No.17 2:52
8 z6 M( v  ]! u! w! c6 I18. Hungarian Dance No.18 in D Major, WoO 1, No.18 1:14
9 y" v, j# V/ V) F19. Hungarian Dance No.19 in B Minor, WoO 1, No.19 1:49
4 J0 J. g$ z. [2 E6 w! @20. Hungarian Dance No.20 in E Minor, WoO 1, No.20 2:01& `# N: W4 W' {9 {" ^
21. Hungarian Dance No.21 in E Minor, WoO 1, No.21 1:19# D4 d& Q& N! u8 [( u+ T, T! i
Julius Katchen, Jean-Pierre Marty9 [+ t: _1 v3 r- q
Variations On A Theme By Paganini, Op.35
) P9 i! {. E8 E2 {7 c( d/ N22. Book 1 11:24& [: V" ~  ^; ?) d1 h/ o: X
23. Book 2 8:56
6 w4 S. t0 Y1 I' v' z+ XJulius Katchen9 x% z* \5 A! T( s0 c0 Q
Total Playing Time 1:06:42
- f7 \$ x  i+ E8 [- t1 l7 H
$ h" x8 j! R+ J& k# l0 N% t8 G" c9 I4 L1 w- [
CD24 Dohnányi: Nursery Variations; Rachmaninov: Paganini Rhapsody (Boult) + Rachmaninov: Piano Concerto No. 2 (Solti)" v$ u2 g5 m) o$ i4 t0 k) I: m
Julius Katchen
3 s  I6 L. L, t/ N拉赫玛尼诺夫:第二钢琴协奏曲,帕格尼尼主题狂想曲 - 多纳尼:儿歌变奏曲(卡琴)
+ ?2 ?  I  [: ICD 24: Dohnanyi: Nursery Variations; Rachmaninov: Paganini Variations; Piano Concerto No.2 in C Minor
' G  ]& _+ ]5 J( }  H* kSergey Vasil'yevich Rachmaninov (1873 - 1943)
- G: p. m, P# `- G6 Q5 R* s' hRhapsody On A Theme Of Paganini, Op.43$ O1 r: X0 P( O/ v9 ]
1. Introduction & Variation 1 0:30+ u) w! P: |' y2 G5 q
2. Theme 0:193 ~. b3 @* P7 a( T
3. Variation 2 0:18
/ |) L- A* B  W3 V4. Variation 3 0:25# d! a' K- h  N( L) @! [& o
5. Variation 4 0:26
* F% m3 W- E3 I# J6. Variation 5 0:27+ y& l8 l: b0 Q% p" Y# }
7. Variation 6 0:52
4 k8 E: t9 Y2 O8 c9 \+ n- H! B6 |, `8. Variation 7 1:02* z" |& e  F( `; d
9. Variation 8 0:322 H6 w- o( H6 l3 S. ?, p* y
10. Variation 9 0:31
0 N, m$ s( F2 |/ o' H2 H$ B; L11. Variation 10 0:52
$ q+ X( d  ~8 |0 A& a# \% I12. Variation 11 1:244 v7 m$ m* E# C. }: s& c. s+ L) m
13. Variation 12 1:24. m- }4 b7 F2 z1 r" s( G
14. Variation 13 0:29
3 `, M7 T% }+ _% A& ^15. Variation 14 0:43
; c$ v4 i+ C) R- g4 T- y- Z) A16. Variation 15 1:01
2 \( f4 \2 U0 j  I. d17. Variation 16 1:256 X9 `' f+ b" h' U0 K
18. Variation 17 1:57
! Q* z# U, x* X' ^& V19. Variation 18 2:37
" T4 [' }1 Q: R7 ^7 T& G& C* D5 M20. Variation 19 0:29
+ p, t7 }0 K) V4 {) ^' A21. Variation 20 0:348 A& a, i' D( e  |1 Y2 o! P
22. Variation 21 0:23
$ l' E1 Z1 K$ r7 Z' L2 v. ^23. Variation 22 1:39
( V( }5 ~9 M  G+ ^7 s, `( }/ @24. Variation 23 0:43/ v  F' U, H  k$ a( }$ u1 {
25. Variation 24 1:10, `$ r2 B9 w/ x) f) H
Ernst von Dohnányi (1877 - 1960)0 r! U& f' j  F( ^1 Y
Variations on a Nursery Song, Op.25% R) `6 d8 P2 z
26. Introduzione (Maestoso) 3:45* H" j; e8 J7 J$ s) O
27. Tema (Allegro) 0:549 ]" o  ~" w/ f
28. Var.1: Poco più mosso 0:34
; \% o- m! i% l3 e- o$ p2 [29. Var.2: Risoluto 0:30" a. A1 q% u# s6 ]$ v, W
30. Var.3 1:31
. M% C  J& \- Y7 _31. Var.4: Molto meno mosso (Allegretto moderato) 1:09
: ^9 s7 @- J+ @- p# M32. Var.5: Più mosso 0:58
  z1 ?* ~* ^; C' C' w! r33. Var.6: Ancora più mosso (Allegro) 0:40! L$ q. }9 V0 c: k
34. Var.7: Walzer (Tempo giusto) 2:05
0 `, c5 h& `- D4 `35. Var.8: Alla marcia (Allegro moderato) 1:31
5 }$ ^" T$ Q5 ^* N5 ~: `: x36. Var.9: Presto - Andante rubato 1:499 X. X2 A  `" ?! G9 v
37. Var.10: Passacaglia (Adagio non troppo) 3:27
- a# O3 y( J( Z( b' v1 E' x1 b% K38. Var.11: Choral (Maestoso) 1:27
% r$ i- u& p% _39. Finale Fugato (Allegro vivace - Tempo del tema -Molto allegro) 2:57$ l8 [! V, v, `  Y2 S. S0 z
Julius Katchen, London Philharmonic Orchestra, Adrian Boult
  `6 h% d; u' X# ESergey Vasil'yevich Rachmaninov (1873 - 1943)- {9 o- ]+ w# L! W! h4 F: `
Piano Concerto No.2 In C Minor, Op.181 ]. t' A3 h$ \% ^. J: }6 J
40. 1. Moderato 9:441 E5 [9 R* ~( ]1 R( y
41. 2. Adagio sostenuto 11:58
4 q4 l0 \. P) X: l( ?42. 3. Allegro scherzando 11:07
& K' ^: e2 N: A/ V6 C  sJulius Katchen, London Symphony Orchestra, Georg Solti! F1 A, j3 ]; M
Total Playing Time 1:18:18
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& d/ C7 A( [2 [3 v8 o9 T# }8 }  y, mCD25 Mendelssohn: Piano Concertos 1&2 (Collins); Capriccio; Rondo (Martinon)
4 x2 t( j  s, c" y6 oPeter Katin
" w6 u( Y0 p$ e! M+ n' ^5 D) y门德尔松:两首钢琴协奏曲,随想曲,回旋曲 (彼得.卡廷)8 q6 D! K9 b- Z" f
CD 25: Mendelssohn: Piano Concertos Nos. 1 & 2; Capriccio Brilliant & Rondo Brillant
2 h3 B' o0 p/ `& V2 H% TFelix Mendelssohn (1809 - 1847)- g: M8 T  j9 ]' z2 U4 n3 T4 n, X
Piano Concerto No.1 In G Minor, Op.25, MWV O7
' c* P# q9 Y* R: P. a1. 1. Molto allegro con fuoco 7:46
2 M& S" Z& P2 J4 {5 _$ q2. 2. Andante 6:13/ |8 A. M% E6 z& o! I4 z6 ?
3. 3. Presto 6:543 `9 `, R; A& P* N* Z% ]. K" @& d
Piano Concerto No.2 in D Minor, Op.40, MWV O11
8 ^3 s9 U1 R0 }4 V) {4 X3 C4. 1. Allegro appassionato 10:22" H5 ^! ^3 y. h/ j% u; I4 q; T
5. 2. Adagio. Molto sostenuto 7:248 i& `0 F7 s" @" g3 |" \! n: t
6. 3. Finale. Presto scherzando 6:306 H# \- c" j% e; S1 A: M) y
Peter Katin, London Symphony Orchestra, Anthony Collins' A# a4 F, x2 g* f1 Z
7. Capriccio Brillant in B minor, Op.22 10:35
7 b  n+ s+ X$ ~  G* `3 q2 V, B8. Rondo brillant, Op.29 9:516 u: `% P0 O- y8 J  @1 x
Peter Katin, London Philharmonic Orchestra, Jean Martinon7 k' Y2 u7 y9 I' {& ?
Total Playing Time 1:05:35
4 e% Y- g& w; g6 Q9 E
5 ^: L; W% i, C9 @9 Y( @, u2 B0 q
CD26 Bach Recital + Couperin, Rameau, Beethoven Handel0 x5 L  L8 q8 w. s# W
Wilhelm Kempff9 ?! B2 ^* `/ _" }% e3 Z( j
First international CD release
7 N- u7 w( z! q- n" O肯普夫演奏巴赫
% l/ A- X! {% I% S( mCD 26: Kempff plays Bach
! |( H8 v7 M0 Z3 R/ gJohann Sebastian Bach (1685 - 1750)$ D1 n0 Q! E5 _& g
1. Chromatic Fantasia And Fugue In D Minor, BWV 903 12:44" J% P' B7 _  c' l7 L
2. Nun komm, der Heiden Heiland, BWV 659 (Arr. Piano) 6:02
7 A  ^! f! ^! z2 m! Z7 F  ZHerz und Mund und Tat und Leben, Cantata BWV 147% `" |( c! \# V! a, M
3. Jesus bleibet meine Freude (Arr. For Piano By Wilhelm Kempff) 3:46$ L8 W6 H! h5 H1 ~) ^
Herzlich tut mich verlangen, BWV 727! U: Z, c5 A& k% E6 e; @7 F
4. Arr. Wilhelm Kempff 2:45
1 j+ ]2 o7 ]% w5. "In dulci jubilo", BWV 729 (Arr. Wilhelm Kempff) 2:01
! F0 s$ a+ U0 s5 l: INun freut euch, liebe Christen g'mein, BWV 734, w+ A& k2 ?2 v$ {
6. Arr. Piano 1:45" ?- _( h- O3 t3 L3 s( C
Sonata For Flute & Harpsichord, BWV 1031+ A* ~+ a7 f; N* S8 a' X
7. 2. Siciliano (Arr. Wilhelm Kempff) 4:18: ^& E) a" T  h) P+ f( ~! r; @
Wachet auf, ruft uns die Stimme Cantata, BWV 140+ S( A: W% B, T3 P9 P6 d
Arr. Piano
, j. i. B$ X" G3 E8. Wachet auf! ruft uns die Stimme 5:05
1 O. d. M& E9 t# AGeorge Frideric Handel (1685 - 1759)* c9 g+ K9 \. q
Harpsichord Suite No. 5 In E, HWV 430 - "The Harmonious Blacksmith"
1 c2 w  l3 b+ S  u9. 4. Air con variazioni ("The Harmonious Blacksmith") 5:28
* Z6 T% ^# C* D5 X/ z, T9 I4 BHarpsichord Suite No.1 in B flat major (Set II), HWV4344 ?  @) z6 ~9 {' Z' i
arr. Kempff7 X. ~  x: \0 G5 i  G+ ~
10. Minuet 3:259 a' S* @" s5 J/ ~; X/ [( A
François Couperin (1668 - 1733)
1 P+ v" r, W" S; x3 KPièces de clavecin - Troisième livre, `  N( [* a. C, [9 Y  }2 r
14e ordre
  I) Z2 d( `2 O, D# \8 g6 R4 }11. Le carillon de Cithére 4:543 P0 s4 D  R* [* j% [
Jean-Philippe Rameau (1683 - 1764)3 n; S1 `: a, Q- C% p0 F, c3 V
Premier livre de pièces de clavecin, RCT 1
0 n+ H$ k; c: o% B" Yarr. Kempff
- |4 a5 i3 `  [Suite in E minor (1724, rev 1731)+ n6 U" B- U! O6 W" n: u- }4 o
12. Le Rappel des oiseaux 3:267 @- G6 ^2 f9 R4 ^$ `
Ludwig van Beethoven (1770 - 1827)
; D# t6 P& D# B9 K5 T; s6 P13. Bagatelle in C minor WoO 52 4:22
, q% S( {+ o; H: @- k5 V14. Bagatelle In A Minor, WoO 59 -"Für Elise" 3:31( M( U5 M! ~/ M3 z
Wilhelm Kempff
) Z/ P* |7 t2 t. KTotal Playing Time 1:03:32
% ~# y) q! Y# b* o0 A9 p$ F$ t/ j* d# v' \' D7 p0 p- ^

/ l2 `, c6 @( P, p5 g; CCD27 Schubert: Sonata D.845; Sonata D.960' \+ S* c8 o, e# d
Wilhelm Kempff
* m# H" t. W9 b3 T9 Q3 lFirst international CD release& w! }$ V8 x# D9 J% j" g0 `
舒伯特:钢琴奏鸣曲D.845、D.960(肯普夫)6 P% Q! T4 Y8 C* x
CD 27: Schubert: Piano Sonata No.16, D.845; Piano Sonata No.21, D.9603 @/ p2 S' k& ]9 C! N
Franz Schubert (1797 - 1828); l& x+ _0 X% s4 E. W, @
Piano Sonata No.16 In A Minor, D.845
. n( |5 Z3 Y% ^( v' [2 S1. 1. Moderato 11:03
* Y" Y" M: f7 Z2. 2. Andante, poco mosso 11:33
2 g1 E* E8 Z" R$ a6 q0 Z! \+ A3. 3. Scherzo (Allegro vivace) - Trio (Un poco più lento) 7:038 u0 E! g9 I- t3 Z1 E$ ^2 m
4. 4. Rondo (Allegro vivace) 5:10/ _* D$ N! Q/ D/ B7 j" f, }; G& ?
Piano Sonata No.21 In B Flat Major, D.9609 i! r/ V2 B4 f$ |3 y5 d7 ~( U" d( J7 d
5. 1. Molto moderato 15:00
  K- ?; M5 N2 `6. 2. Andante sostenuto 8:481 [2 s2 \4 H5 N1 g4 d" U& ]6 }
7. 3. Scherzo (Allegro vivace con delicatezza) 4:22! h  z/ M+ {. B0 `" C
8. 4. Allegro ma non troppo 7:49
4 w/ ^) y7 ~; v! z2 s: \5 \Wilhelm Kempff
1 ~' e8 }0 a8 E5 \1 MTotal Playing Time 1:10:48
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1 x5 m7 e- p# m: {4 O6 ^: Z
- e* T* |- f8 G. \2 ~( J' g! w: rCD28 Albéniz: Ibéria (analogue recording)7 y+ i7 ~8 I& I$ E. f; v
Alicia de Larrocha
9 O: M( s( D2 w( g2 S$ {$ F. BPresented for the first time on one CD
5 F  b2 z. W2 l# O, m0 k/ j8 R/ D8 q% x阿尔贝尼兹:伊贝利亚(拉罗查)+ A) m3 k" `# [0 v8 B; v  X$ }
CD 28: Albéniz: Iberia
/ X( b/ U4 J1 X5 p7 _Isaac Albéniz (1860 - 1909)
4 P4 c4 e4 X+ o+ YIberia, B.47
/ k* @$ c7 t, qBook 1
  d, B4 {9 ?' s7 f0 i1. 1. Evocación 5:470 m8 U2 Y9 I; D
2. 2. El Puerto 4:03* V/ b4 Z4 W; v
3. 3. El Corpus en Sevilla 8:37( e3 C* T0 U1 a5 {/ C4 o5 R
Book 2
: x9 B3 J! I. Z! x5 `. [% H4. 4. Rondeña 7:19
5 M9 L" T5 n& V# z' I5. 5. Almeria 9:54$ ^; W3 {& t" {6 ^! v
6. 6. Triana 5:00# U+ y) }, w6 m( Q5 u  |0 H
Book 31 G0 h" Z2 e$ B" c1 x% P* C  Z
7. 7. El Albaicín 7:388 D# R+ A* d$ ?8 B' I0 y
8. 8. El Polo 6:50
9 S* z: D) }+ A9. 9. Lavapiés 6:30* Z- u1 h4 p( O3 d& p. f
Book 4
# l( ^4 r- ?  s. u1 z7 f10. 10. Málaga 4:51! Z; ^; [7 A, g! O, l4 t
11. 11. Jérez 9:52
1 G9 n: V% G. D- F5 [12. 12. Eritaña 5:19( d3 Z; k3 h! z  R
Alicia de Larrocha4 Z& j0 d2 S( O4 z$ N
Total Playing Time 1:21:40" D" p. k6 \% b8 X
2 E! ^, }! |/ G7 _: p5 Q, `

+ m6 u5 v  q6 z. Y" tCD29 Liszt: Sonata in B minor • Schumann: Fantasie, Op. 17 • Falla: Nights in the gardens of Spain (Commisiona)$ `5 N, o+ Q" [/ T) Y; c1 v. n6 a) D. g
Alicia de Larrocha2 G: W  e- \8 B+ h6 s
李斯特:钢琴奏鸣曲,舒曼:幻想曲 - 法雅:西班牙花园之夜(拉罗查)
! w9 W' y2 ]0 Y- z$ @CD 29: Liszt: Sonata in B Minor; Schumann: Fantasie, Op.17; Falla: Nights In The Gardens Of Spain' @* N1 e! h/ h2 E2 K+ e
Franz Liszt (1811 - 1886)& ~5 L/ p7 A9 d6 {, G& V) g
Piano Sonata In B Minor, S.178
$ T0 I7 h' @. Z- d2 H4 U9 }1. Lento assai - Allegro energico - Grandioso - Recitativo 12:131 L: B5 r$ ~! H. }' T) _2 h8 J1 C. Y
2. Andante sostenuto - 7:00: d. U+ J+ r& j& a
3. Allegro energico - Andante sostenuto - Lento assai 10:52
& S' N0 d2 d( C4 I! s6 [2 F8 A3 `* bRobert Schumann (1810 - 1856)
5 L# K- A( z( p- l) w) xFantasie In C, Op.17
  {* X- _* t, `' o5 \4. 1. Durchaus fantastisch und leidenschaftlich vorzutragen - Im Legendenton - Erstes Tempo 13:35* S! ^0 E0 r; d# u! d
5. 2. Mäßig. Durchaus energisch - Etwas langsamer - Viel bewegter 8:13. @& i, p6 I( b
6. 3. Langsam getragen. Durchweg leise zu halten - Etwas bewegter 10:07/ S) U5 m4 H* O- f2 X; j( [
Alicia de Larrocha
: n# S5 [, U' M0 W5 X7 U1 U: _Manuel de Falla (1876 - 1946)$ i) E" ]0 L$ \' l# E, s( K
Noches en los jardines de España- I1 R, C% l- y, N7 f$ v' B' x
7. 1. En el generalife 10:21' X7 B- K  }' y# D
8. 2. Danza lejana 5:20: P0 t* s- n6 V* x2 Z: Y$ Y: {
9. 3. En los jardines de la Sierra de Cordoba 8:54
! c( O# G5 [- h4 [* {Alicia de Larrocha, L'Orchestre de la Suisse Romande, Sergiu Comissiona! t4 e# M& T5 D7 k9 w) p
Total Playing Time 1:26:35
' m2 W! ^/ T: F, W7 {0 c/ E9 Y8 C. T) V

: V6 p0 l% d1 z1 L( fCD30 Ravel: Piano Concertos (Foster) • Fauré: Fantasie, Op.111 (Frühbeck de Burgos) + Franck: Variations symphoniques (Frühbeck de Burgos)5 y1 t, d8 r, w0 H! C8 [2 j$ d1 N; R
Alicia de Larrocha
; Y- d: o, {! S拉威尔:钢琴协奏曲,福莱:幻想曲 - 弗朗克:交响变奏曲(拉罗查): k6 s! D# H: h( P5 c1 m
CD 30: Ravel: Piano Concertos; Fauré: Fantasie; Franck: Variations Symphoniques
2 H; p3 {6 t4 [4 e5 eMaurice Ravel (1875 - 1937): s9 r4 \. r& ^, Y' ~! x
Piano Concerto In G Major, M. 831 y3 h2 f+ ]% q* c! c! i7 I$ _& d
1. 1. Allegramente 8:34/ h& K9 _1 ]' I$ D1 _% |& N. j
2. 2. Adagio assai 10:07. W% ]1 `6 N/ z: L9 F% I+ W% [8 l
3. 3. Presto 4:088 K/ [/ D4 |; A" f2 }& F, _
4. Piano Concerto For The Left Hand In D, M. 82 18:45
& s9 ?0 Y4 i+ @0 o1 SAlicia de Larrocha, London Philharmonic Orchestra, Lawrence Foster
+ |" A! C) b# K- n. yGabriel Fauré (1845 - 1924)
; c' G" b: A4 V9 C1 \2 `9 J5. Fantaisie for piano & orchestra, Op.111 14:35
! U2 ~& E! S4 Y' xCésar Franck (1822 - 1890)
, e2 t: O6 K! \4 l6 Y6. Variations symphoniques 16:55" X6 ]9 h2 `" @, ^  ?2 T4 \* ]
Alicia de Larrocha, London Philharmonic Orchestra, Rafael Frühbeck de Burgos
0 e: r3 Z0 m5 i7 }$ vTotal Playing Time 1:13:04
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$ R' N/ x9 r) [3 }. Q  ]* Q$ X' w/ J9 u( c
CD31 Mozart: Piano Concertos Nos. 9 & 12 and No.11 (Hogwood)1 l8 L# F% Z8 b  k
Robert Levin (fortepiano)
0 Z4 V% i) U5 p6 Y5 @9 f+ p莫扎特:第9、12钢琴协奏曲(Robert Levin 罗伯特 列文)+ R% m( j/ d( U9 e+ j% E' h
CD 31: Mozart: Piano Concertos Nos. 9, 12 & 117 K  T) k) |* C, k, u% z, k
Wolfgang Amadeus Mozart (1756 - 1791)3 G6 h% R  i0 D. q
Piano Concerto No. 9 in E Flat Major, K.271 - "Jeunehomme"
% N4 {: M" |; a) I- l1. 1. Allegro 10:25( k% s" R( L! {. ~1 f) ^
2. 2. Andantino 10:04
9 k* F* }- q) a# L3. 3. Rondeau (Presto) 10:07) e# s$ [8 i. r0 J3 @6 v
Piano Concerto No. 12 In A Major, K.414
+ P9 A/ t; v' @, ~1 a4. 1. Allegro 10:05
+ ^! |+ F7 r5 X, J; a' T  F* }4 t4 N" H5. 2. Andante 8:06
/ c9 k8 T1 K6 e6. 3. Rondeau (Allegretto) 6:39' x+ S  v# l( r1 n7 Q9 S3 {
Piano Concerto No. 11 in F major, K.413
4 T: q6 k7 O/ b9 P! d7. 1. Allegro 9:32
5 O6 r* N) z; m4 ~8. 2. Larghetto 6:55
  X' A  w$ \" m2 w) F9. 3. Tempo di menuetto 5:28* t$ S- L) G# X4 ~  K# x- ~
Robert Levin, The Academy of Ancient Music, Christopher Hogwood
, M; d  b, S% s; U' LTotal Playing Time 1:17:21
% N7 c: X/ ^$ i; x% }" ]+ U' X
% P1 I7 n$ E3 n5 }- u' @1 xCD32 Schumann: Piano Concerto (Ansermet)- C& y  K4 Z% U8 Y& A2 F) @, E2 h3 V& W
Dinu Lipatti  Lipatti's only Decca recording.9 ?* A9 `- k5 k
+ Tchaikovsky: Piano Concerto No. 2 (Fitelberg) Eileen Joyce
# b9 G5 _, K- V- ]First-ever release of Joyce/Tchaikovsky (one of the first FFRR recordings)
/ k' q8 d' \) W$ l/ M" H; |+ u- _舒曼:钢琴协奏曲(李帕蒂)- 柴可夫斯基:第二钢琴协奏曲(Eileen Joyce)
5 ?1 o5 r6 X% I* D5 d& |CD 32: Schumann: Piano Concerto in A Minor; Tchaikovsky: Piano Concerto No.25 [0 Q! w. V7 r  C, Q! g
Robert Schumann (1810 - 1856)* `1 X$ H1 S! k. N: @6 F/ D
Piano Concerto in A Minor, Op.54& u( d$ T8 G, [! m$ S
1. 1. Allegro affettuoso 15:33
8 i+ k, T+ }1 g/ ~& R7 c+ \2. 2. Intermezzo (Andantino grazioso) 4:52
$ u  v$ r/ r3 }7 F3. 3. Allegro vivace 10:15
8 P3 Q+ F- C. k. ]Dinu Lipatti, L'Orchestre de la Suisse Romande, Ernest Ansermet( \& V: C& K& j6 c
Pyotr Ilyich Tchaikovsky (1840 - 1893)
) K$ n+ j! R$ T) v' g$ GPiano Concerto No.2 in G Major, Op.44, TH.60
' a  l4 A* Z3 x. d4 o) c- a4. 1. Allegro brillante 16:165 k/ m+ s. W5 T4 j7 t0 q, h$ o
5. 2. Andante non troppo 7:515 P0 p. O: ]0 m/ A" S7 U( ~
6. 3. Allegro con fuoco 7:21
% Q) `" O! c) b# Y! ]6 wEileen Joyce, London Philharmonic Orchestra, Grzegorz Fitelberg
' }9 F4 |+ y" sTotal Playing Time 1:02:08
' _8 h3 S# Z: ~- u0 s( [( t& c$ H7 `7 `5 G0 t
CD33 Liszt: Piano Works8 \/ ]1 N0 I/ d: C
Valentina Lisitsa: g# W$ V- f. ]; l+ t9 u
李斯特:钢琴作品集(Lisitsa)
! w4 W) b8 k/ O/ ?$ h5 L. LCD 33: Liszt: Piano Works& c2 P4 [6 ?6 {, V. S# w% V
Franz Liszt (1811 - 1886), Franz Schubert (1797 - 1828): E+ I# Q& c8 A- t: M
1. Ave Maria 5:32, O$ i9 {3 b5 j" _$ v0 w8 [
Franz Liszt (1811 - 1886)
! r+ s9 I0 F' Y# M& D# K- v- ]2. Ballade No.2 in B minor, S.171 16:00) M- Q$ }' n( l; O5 K2 ]9 L
Franz Liszt (1811 - 1886), Giuseppe Verdi (1813 - 1901)
7 D6 O; J2 x6 ?; A( `3. Aida: Danza sacre e Duetto finale: Concert Paraphrase, S.436 11:39% S  |! L* x& _1 u7 j: D
Franz Liszt (1811 - 1886)
4 d( W4 J; x' j* U: A# ]9 @4. Rondo Fantastique sur Un Thème Espagnol, El Contrabandista S.252 11:14
( u: `3 \2 A5 N2 _Franz Liszt (1811 - 1886), Franz Schubert (1797 - 1828)& w3 X% }5 I8 v
5. Gute Nacht, S.561 (after Schubert) 5:14
) F# O, E0 ]/ K5 z6 C- N6. Des Mädchens Klage, S563, No.2 (after Schubert D191) 4:249 ^' [% r  `. n* @; {& ]
Franz Liszt (1811 - 1886)9 R8 g8 D, U! s1 c
7. Erlkönig, S.558 No.4 (after Schubert D. 328) 4:366 A8 q7 E1 C/ [) |
Franz Liszt (1811 - 1886), Franz Schubert (1797 - 1828)6 x. h0 P- I  m0 o, M7 B
8. Der Muller Und Der Bach S565 No.2 6:08. b7 q1 `% f' W
Franz Liszt (1811 - 1886)
0 |( u9 j4 W3 f- r6 D" u9. Hungarian Rhapsody No.12 In C-Sharp Minor, S.244 11:10( A* y; p, J  i& q% R4 `
Valentina Lisitsa! u# E: r9 Z3 Q5 p+ G6 @. f
Total Playing Time 1:15:57
5 V# i; I# P( m- h, V2 j/ u0 ~. {8 G0 U! B: H6 W3 B
CD34 Mozart: Piano Concerto No. 24 (Van Beinum)
/ W0 }/ ~# Q2 c! o+ [' J% P$ n+ tKathleen Long  First international CD release* L  h1 G+ h+ K" D2 L2 `
+ Beethoven: Piano Concerto No. 4 (Zecchi) • Schumann: Waldszenen Clara Haskil
) j) s! a* B* P  X: i( ~& tHaskil's only recordings for Decca
' l1 a; v- Y4 c3 Q  z6 M6 J4 h  s莫扎特:第24钢琴协奏曲(Kathleen Long)- 贝多芬:第四钢琴协奏曲,舒曼:森林情景(哈丝姬儿)( O0 I, L( T! ?3 v
CD 34: Mozart: Piano Concerto No.24; Beethoven: Piano Concerto No.4; Schumann: Waldszenen
& {7 M2 R8 t0 h+ J, m% G( sWolfgang Amadeus Mozart (1756 - 1791)
- X1 I9 H; U0 `, V% ZPiano Concerto No.24 in C Minor, K.491
0 O  e5 [/ s3 r6 ~( ~9 F, |7 V: I1. 1. Allegro 13:40% q- h& T  [' y
2. 2. Larghetto 7:15$ j& q- |, G, V" ]
3. 3. Allegretto 9:10) B# R  {3 a) e5 a9 v
Kathleen Long, Royal Concertgebouw Orchestra, Eduard van Beinum
; E- Z9 h' x# V2 ]0 r4 N5 ]1 sLudwig van Beethoven (1770 - 1827)* n' ?& X  M/ O% o! r) B
Piano Concerto No.4 in G Major, Op.58
1 D# ~6 i  `( `; M$ o4. 1. Allegro moderato 17:51
" |" P- i3 R+ c6 S- l. _- M5. 2. Andante con moto 5:03
; r" I6 `3 u6 B6. 3. Rondo (Vivace) 9:57
2 O8 @7 z" q; B: ~2 {1 S8 eClara Haskil, London Philharmonic Orchestra, Carlo Zecchi
) ?( ^2 Q6 E3 n- {Robert Schumann (1810 - 1856)
6 h. ?* V, C+ mWaldszenen, Op.82, j: _# G0 X1 T& [& F9 W- O
7. 1. Eintritt 1:448 H3 e$ [1 O# H6 Y
8. 2. Jäger auf der Lauer 1:14
8 `# \  l* X- V. {( _1 l9. 3. Einsame Blumen 2:07
: ?2 ^8 }/ t  V) s! k10. 4. Verrufene Stelle 2:26
1 j% T. B8 {+ Q+ s& s9 C2 o5 N$ U11. 5. Freundliche Landschaft 0:59
: \1 k; @. G- l' d12. 6. Herberge 1:45
9 `) ?1 N9 `7 J' I% J, H) K; T13. 7. Vogel als Prophet 3:043 Y+ W$ v1 h* J& L) g+ m
14. 8. Jagdlied 2:19
; b& Q! X" c* t2 ?0 L15. 9. Abschied 3:14. \) Y- Y, e/ ^  E
Clara Haskil" Z  {! [* S- ^, {8 ~
Total Playing Time 1:21:487 g# U! ~6 g. u: h

; @( y8 C$ A5 d! Z  R- t4 y- |; XCD35 Beethoven: Piano Concerto No. 3 (Foster) • Piano Concerto No. 5 (Mehta)+ Q% n& J" \" C: H8 B
Radu Lupu
. o8 ?0 |0 o2 b, @- [Piano Concerto No. 3 - Lupu's first concerto recording for Decca (Nov. 1970)
1 y( d+ e4 [# O. @$ ]6 p( V5 V贝多芬:第三、第五钢琴协奏曲(鲁普)
/ N  d, k8 P3 T" PCD 35: Beethoven: Piano Concerto No.5 in E Flat - "Emperor" & No.3 in C Minor: _! ]$ Y7 s9 r, m" B: p
Ludwig van Beethoven (1770 - 1827): B! G; V6 X# j0 h4 w
Piano Concerto No.5 in E Flat Major Op.73 -"Emperor"
) Z2 M7 a3 m( S, E# \9 V1. 1. Allegro 20:30* |% m5 }% `5 b/ {* u& A# m# e
2. 2. Adagio un poco mosso 7:25- h, q% D: l/ w' ?4 M
3. 3. Rondo (Allegro) 10:30" d& \. ?' K4 b, J* I, K9 U) q
Radu Lupu, Israel Philharmonic Orchestra, Zubin Mehta& a3 P4 A2 w! Z" f% o; Q) A  y
Piano Concerto No.3 In C Minor, Op.37
5 y; f, j% }9 _" _4. 1. Allegro con brio 16:53
( S+ u9 r% k' e  W3 ?$ n8 L5. 2. Largo 10:18* J+ Q  B! y+ X. `
6. 3. Rondo (Allegro) 8:50
5 b, `1 @! W' @: X3 `/ a/ {+ BRadu Lupu, London Symphony Orchestra, Lawrence Foster
1 K2 T% b! U7 nTotal Playing Time 1:14:267 k5 g0 l0 M% _3 F, d5 l4 Y7 L

' H& ?0 t+ @6 L: ~0 F7 lCD36 Beethoven: Piano Sonatas - Moonlight, Pathétique, Waldstein • 32 Variations in C minor$ m9 g- [* }, x' C
贝多芬:月光、悲怆、黎明奏鸣曲(鲁普)! r7 u& D# {/ c. F/ u
CD 36: Beethoven: Piano Sonatas Nos. 14, 8 & 21; 32 Variations in C Minor  d- Y: W9 ]6 V  R( J
Ludwig van Beethoven (1770 - 1827)
" g& `' ^  |* A/ CPiano Sonata No. 14 In C Sharp Minor, Op. 27, No. 2 -"Moonlight") ]# {9 j7 }& ^/ S6 V
1. 1. Adagio sostenuto 7:09% Q  v- Q( j9 ^+ ^
2. 2. Allegretto 2:329 K0 `0 L- r( Q3 m+ @, k* c, A6 `/ H
3. 3. Presto agitato 7:42) \- F7 s5 k5 [4 w
Piano Sonata No.8 In C Minor, Op. 13 -"Pathétique"9 a# n8 G! \# Q) C5 b7 w6 ?& D
4. 1. Grave - Allegro di molto e con brio 10:09% y; _5 S4 w1 O. w
5. 2. Adagio cantabile 7:02
% t, b3 _; w% h( W5 S3 ]1 r6. 3. Rondo (Allegro) 5:00
1 G! X9 c+ T3 i% HPiano Sonata No. 21 In C Major, Op. 53 -"Waldstein"
" f$ Y* ?/ H" Q( u7. 1. Allegro con brio 10:55
' K7 Y# D( A/ N( \. u- ]8. 2. Introduzione (Adagio molto) 4:36
$ Q5 A0 n8 E, Q7 m6 Q0 [7 }( A9. 3. Rondo (Allegretto moderato - Prestissimo) 10:35
* \# x! ~: N1 L% Y& B2 ?4 C10. 32 Piano Variations In C Minor On An Original Theme, WoO 80 11:12
) F! h5 \) }: \6 CRadu Lupu
  {5 |; n- z8 }) ATotal Playing Time 1:16:52
) P8 s) w6 K! g6 r1 @1 G9 Y5 L
) ?. t$ ]9 V9 H& U( Z% x) f: ^CD37 Brahms: Piano works • Theme and Variations from Sextet
. {$ p# V- u% K2 [; N, ARadu Lupu) U$ E" S* H+ f+ }6 \! U
勃拉姆斯:钢琴独奏作品集(鲁普)
& U2 M1 A. ~3 `% {CD 37: Brahms: Piano Works - Op.117, 118, 119$ k/ K/ Y$ O& L
Johannes Brahms (1833 - 1897)
# k2 o; I( G& X# Z+ }6 Piano Pieces, Op.118  g% k' c3 W2 @% _  v) t
1. 1. Intermezzo in A minor 1:48' i4 h4 U( O2 O2 z" [+ I1 i
2. 2. Intermezzo in A 5:56
$ H" w  O! M  D  D" ?# V" I3. 3. Ballade in G minor 3:056 n  S$ b2 j: c( U  ^# L5 f/ y
4. 4. Intermezzo in F minor 2:39& g/ f7 p* f4 L+ j" d
5. 5. Romance in F 3:49: |+ Y" n+ A& J
6. 6. Intermezzo in E flat minor 5:309 i# c$ E+ U8 U$ G
4 Piano Pieces, Op.119& m7 e9 w; U/ _  o! o
7. 1. Intermezzo in B minor 3:12
1 D1 Z) Y/ Z: b& B/ I8. 2. Intermezzo in E minor 5:17
1 f' T% ~: o+ X* P! i$ C: }$ o9. 3. Intermezzo in C 1:39: f6 q/ K$ e" M/ H3 h) v5 h
10. 4. Rhapsody in E flat 5:00
/ w9 F/ T2 j# y8 }" E11. Rhapsody in G minor, Op.79, No.2 5:44
8 l% l' _" J. b) C* U& T12. Rhapsody in B Minor, Op.79, No.1 10:03& ]6 ]$ U+ [6 j8 Z" X$ P* n3 x! A
Intermezzi, Op.117  o7 B$ Z; Q0 I' {1 \7 g  `, |
13. 1. in E Flat Major 5:44
$ w& ~- ~. s4 s' `1 _3 I- U- I14. 2. In B Flat Minor 4:564 l. D6 A9 [3 Q- U
15. 3. in C Sharp Minor 6:12
, H* ^+ e7 u3 x3 i2 x16. Theme & Variations (Arr. of 2nd Movement of the String Sextet Op.18) 11:09( s' W/ g3 X" v
Radu Lupu( ]4 I, X/ x3 O, j2 i% v/ K; W
Total Playing Time 1:21:43- |$ u1 u- Z) H: y( A3 ^- [$ G
0 Z0 O! ~8 n* K2 U/ D& [
CD38 Khachaturian: Piano Concerto (Fistoulari) + Saint-Saëns: Piano Concerto No. 2 (Martinon)
2 k8 A5 D' C# {Moura Lympany
+ y" J% `# `4 Q哈恰图良:钢琴协奏曲 - 圣桑:第二钢琴协奏曲(琳潘妮)+ n/ r! Q- U$ r+ I  T
CD 38: Khachaturian: Piano Concerto; Saint-Saëns: Piano Concerto No.2
# X" y4 ~& N& yAram Il'yich Khachaturian (1903 - 1978)
) j0 |  E6 S9 M# |0 P' l9 qPiano Concerto in D flat (1936)5 h  |) S/ W' l3 M" E4 a  `
1. 1. Allegro ma non troppo e maestoso 14:217 O5 e' n0 c1 A/ W' m* ~7 c
2. 2. Andante con anima 10:49$ d# C: W# L, q6 D  }
3. 3. Allegro brillante 7:52
5 J! o/ t; V7 R, d( |+ BMoura Lympany, London Philharmonic Orchestra, Anatole Fistoulari) j! `% E* u& Y% |+ u" F2 M
Camille Saint-Saëns (1835 - 1921)4 o& s7 }8 n# ^! |9 C
Piano Concerto No.2 In G Minor, Op.22, R.190
. `* O% h, _6 e& u: `4. 1. Andante sostenuto 10:25  r+ [1 \0 j) Y2 H, a9 z
5. 2. Allegro scherzando 5:33
, l/ \# ~6 y( B# E6. 3. Presto 6:36
$ T5 I# c3 U. G8 eMoura Lympany, London Philharmonic Orchestra, Jean Martinon: d' B8 U; s. G% q; ^/ l0 b# J
Total Playing Time 55:36+ z' U7 n* I3 H$ x/ l! e) d

- I* n/ W; k* h. M- E: F: X8 n( X7 ICD39 Beethoven: Sonata Op. 111, Galuppi, Scarlatti
" ^( b5 P2 N7 wArturo Benedetti Michelangeli  Michelangeli's only recording for Decca6 V' o" M% P. u. F9 |$ k) `
+ Mozart Piano Concerto No. 15 Leonard Bernstein
! S/ ?8 R; Y- EBernstein's only recording as pianist for Decca+ l! H3 F. j6 y
贝多芬:第32钢琴奏鸣曲,斯卡拉蒂、Galuppi作品(米开朗杰里)- 莫扎特:第15钢琴协奏曲(伯恩斯坦钢琴兼指挥)
1 T, |" U+ m. f6 k1 YCD 39: Beethoven: Piano Sonata No.32 in C Minor, Op.111; Galuppi: Sonata No.5 in C
% L1 i) t3 k$ U5 n% ^Ludwig van Beethoven (1770 - 1827)4 ^) T+ h, w, L! h8 l: G1 I
Piano Sonata No. 32 In C Minor, Op. 111" l  k2 }8 M$ J: T# Y) }4 a" @
1. 1. Maestoso - Allegro con brio ed appassionato 9:22
9 [/ L  P1 ]. V4 v) t0 U9 ]+ e2. 2. Arietta (Adagio molto semplice e cantabile) 17:14  j2 z/ i! y! v
Baldassare Galuppi (1706 - 1785)
3 D$ Y' J; n' i& H5 ?, i- kSonata No.5 in C- s, J, ~# l3 L% e% A0 R: ?
3. 1. Andante 7:49
' @6 {6 \: _7 D1 F; b+ `; {4. 2. Allegro 4:00# q" K2 D; Z6 e- s+ V) u
5. 3. Allegro assai 2:34% G& g" S5 G0 `2 r" M- k
Domenico Scarlatti (1685 - 1757)
4 ?* Y* s. ~; r* A8 r8 {- E& G6. Sonata in C minor, K.11 2:499 c  s' k& {, ?0 k) r" u1 N
7. Sonata in C major, K.159 2:22
+ ^$ M" }2 @% ^$ f" L& y8. Sonata in A, K.322 3:20
/ p9 m3 g5 E; r3 c) W' H3 PArturo Benedetti Michelangeli0 ], P3 L& n5 w$ \  ]" y
Wolfgang Amadeus Mozart (1756 - 1791)6 l9 ]: \" A. E- Z" ~
Piano Concerto No.15 in B Flat Major, K.450+ K3 O8 ^) Z3 a3 W& T0 L! A
9. 1. Allegro 11:17
0 Q' H. `4 v9 f9 B10. 2. (Andante) 7:32+ t! w! u" h1 B  |$ A
11. 3. Allegro 8:19  u. ~( l4 B* Q0 i) P% Z1 {; W
Leonard Bernstein, Wiener Philharmoniker9 l6 B; @+ [2 t( q) E
Total Playing Time 1:16:38
- B. c7 }/ R; Y! ~0 F2 b
+ P4 W. i, j" ACD40 Beethoven: Violin Concerto, arr. Piano; Bach: Keyboard Concerto BWV 1054 (Saraste); B" z) {* f0 b
Shostakovich: 24 Preludes, Op. 34
- P& w3 U- k& Z9 l$ OOlli Mustonen
+ `' ~9 O7 P& j# t5 F5 p贝多芬:根据小提琴协奏曲改编的钢琴协奏曲 - 肖斯塔科维奇:24首前奏曲(Mustonen)
; p& }6 U  g: HCD 40: Beethoven: Violin Concerto (Arr. Piano); Shostakovich: 24 Preludes, Op.34
& h2 q) Y* b6 g/ y) r4 x% l' f$ wLudwig van Beethoven (1770 - 1827)0 f3 n9 |, T- b5 `* U- ^! I0 s
Violin Concerto In D, Op.61
9 Y* w6 K0 v5 s9 p! R! E- xTranscribed Beethoven for piano and orchestra
9 c  Y# U  @1 H, d7 e1. 1. Allegro non troppo 21:58
5 A. |' N- G: u2. 2. Larghetto - 8:10
6 e' ~$ I4 q1 m, `! }2 |& j3. 3. Rondo ( allegro) 9:12: s1 b9 m/ ?8 g9 |( c) [7 E
Olli Mustonen, Deutsche Kammerphilharmonie, Jukka-Pekka Saraste8 w/ y8 Y0 W4 y4 `7 H
Johann Sebastian Bach (1685 - 1750)) E8 _, `! A1 G" f
Concerto for Harpsichord, Strings and Continuo No. 3 in D major, BWV 1054
2 d- a" P) d* |6 \* J" ]+ i4. 1. -- 7:00; I2 T  `2 g; s" {7 n% _: _  E
5. 2. Adagio e piano sempre 5:19
% D5 a+ Y2 w# Q6. 3. Allegro 2:31- J6 }' j1 I  I# a( b. E
Olli Mustonen, Deutsche Kammerphilharmonie) ~" S2 j: Q' C1 |
Dmitri Shostakovich (1906 - 1975)8 p7 X# F' R1 a6 S9 r4 P, @% V
Twenty-Four Preludes, Op.34" C* O2 I6 x/ L" ?2 p6 T2 x3 F2 H4 C
7. No.1 in C major - Moderato 1:21
$ y$ ~! e& F$ s1 i1 W! Y6 X1 F/ r# i8. No.2 in A minor - Allegretto 0:46$ |8 m0 J  h6 F+ W9 O8 e
9. No.3 in G major - Andante 2:12: n8 b; N  }/ A" f( j
10. No.4 in E minor - Moderato 1:524 S5 q9 ]9 p* v% b2 d5 z
11. No.5 in D major - Allegro vivace 0:28) }0 a2 @, e2 v2 H0 `# Y
12. No.6 in B minor - Allegretto 1:10
+ J7 q# p/ }0 F5 }" h" v$ f13. No.7 in A major - Andante 1:17
# g3 \8 Q/ U$ Z6 ]# q& u14. No.8 in F sharp minor - Allegretto 0:51
. D5 t* l# |; u: j) z15. No.9 in E major - Presto 0:364 l& F# R' q5 r7 I% g! D. H
16. No.10 in C sharp minor - Moderato non troppo 1:48" T. }4 h0 L/ A
17. No.11 in B major - Allegretto 0:46
" O. V$ F! \% H+ Q! e' T18. No.12 in G sharp minor - Allegro non troppo 1:037 W; D. _. b& z9 M% |2 V1 s' ~- M
19. No.13 in F sharp major - Moderato 1:14! h1 W7 ~9 q  x. I2 ~: w" I
20. No.14 in E flat minor - Adagio 1:58
0 Q" @! l. [# k( I21. No.15 in D flat major - Allegretto 0:50% w! D' _" n# v! i7 B- Z" M
22. No.16 in B flat minor - Andantino 1:073 j! l2 |+ V0 c
23. No.17 in A flat major - Largo 1:53
. M- L, ?2 ^% r) [. m24. No.18 in F minor - Allegretto 0:42
! ^+ ^8 @! L/ B9 z3 p( a25. No.19 in E flat major - Andantino 1:29
5 Y7 r" x. G# u1 v9 Z26. No.20 in C minor - Allegretto furioso 0:36" R1 k* C& M. a. y
27. No.21 in F flat major - Allegretto poco moderato 0:35
6 w: _5 R  M1 w$ z% C28. No.22 in G minor - Adagio 2:027 ?! m1 o! Q; l+ |. s2 ~2 q
29. No.23 in F major - Moderato 1:22$ X- y1 v0 S* O5 [8 z5 e( T& [
30. No.24 in D minor - Allegretto 1:085 w- ]5 p% V2 A: P$ d! |
Olli Mustonen  @- D4 v4 j# W* b+ X8 |
Total Playing Time 1:23:16# ~5 N1 J2 E2 ?# H% z5 n

- o1 O0 g  V" V% i7 fCD41-42 Messiaen: Vingt régards sur l'Enfant-Jésus
* Q; x1 s8 [- A9 I, j4 [  mJohn Ogdon
! d6 a+ E- X$ A3 @' W4 H9 Z+ F: [+ Britten: Piano Concerto (Britten) Sviatoslav Richter
/ x* V% ]5 I+ z* m- O/ S1 N7 K1 jRichter’s only concerto recording for Decca! K3 ?6 x1 D( L. z2 [
梅西安:圣婴二十默想(奥格登)- 布里顿:钢琴协奏曲(李赫特)
. \) i2 A" @" x, D7 I( }CD 41: Messiaen: Vingt Regards sur L'enfant-Jésus) `3 o$ R; j' f8 K8 {. p1 u
Olivier Messiaen (1908 - 1992)
+ l* S) I. O% F2 N2 P4 IVingt regards sur l'Enfant-Jésus& c) z1 Q7 G+ q, V: [3 Q
1. 1. Regard du Père 8:06& D  z0 ^0 U+ x% e
2. 2. Regard de l'étoile 2:35! R( z) ?( M: b: B7 }3 @
3. 3. L'échange 1:517 s% _0 J# m5 D% G- W
4. 4. Regard de la Vierge 6:45+ s' R; \" S8 a2 @* l, E( Q, _
5. 5. Regard du Fils sur le Fils 8:37
; ?5 ~/ h, F+ Y) t6. 6. Par Lui tout a été fait 9:12
0 s+ A0 l- [+ K7. 7. Regard de la Croix 4:29
4 O: a2 c, a7 C+ x8. 8. Regard des hauteurs 2:022 L: P7 l! [8 J5 \" B
9. 9. Regard du temps 2:28& S: y% Z8 N6 ]/ n: p
10. 10. Regard de l'Esprit de joie 8:227 l$ M7 j6 l( ^- z6 p
11. 11. Première communion de la Vierge 7:34
0 P8 n) k( N5 E$ R4 e' S0 ~9 D+ v12. 12. La Parole toute puissante 2:345 F# f& F) q5 D; z+ \
13. 13. Noël 3:54
& c; x, g) m. T14. 14. Regard des anges 4:41
+ T. {- U0 x& V15. 15. Le baiser de l'Enfant-Jésus 12:28
( d) l9 ~0 q; G- F4 RJohn Ogdon, o- D0 `5 v& Z7 g6 }
Total Playing Time 1:25:38
- D7 C) ~4 z9 P' g( _& T* F0 B( L1 u; L# s
CD 42: Messiaen: Vingt Regards sur L'enfant-Jésus; Britten: Piano Concerto) j6 ~. V0 z$ o  Z  j  O5 g  q' p1 g
Olivier Messiaen (1908 - 1992)3 i9 I" c) x/ {$ E' U% J3 o
Vingt regards sur l'Enfant-Jésus
; d$ h# E% T/ F. O- e. a1. 16. Regard des prophètes, des bergers et des mages 3:42) O5 s. [+ C# O9 s
2. 17. Regard du silence 5:36* D) Y2 n) i4 n8 W. I8 \4 a+ l: h
3. 18. Regard de l'Onction terrible 8:32
- ~+ S4 s/ R3 @$ m' i- |4. 19. Je dors, mais mon coeur veille 11:47
2 n* C' T+ k) Q2 d5 o0 D3 y3 m5. 20. Regard de l'Église d'amour 12:57' P$ m6 l/ Q! z, l& I( M, Y, S
John Ogdon! L7 M) h; q3 C3 _4 F& v
Benjamin Britten (1913 - 1976)
4 y* f+ q' v, T' H6 M! {- pPiano Concerto, Op.13& j" j/ o" F  c) a$ V
6. 1. Toccata 12:02$ W; W. M9 _) `
7. 2. Waltz 5:06$ u& B  C% K3 Q& c) l% z$ z
8. 3. Impromptu 8:07- d& H, [# \5 G: L* m
9. 4. March 8:566 O$ o, \3 H0 y
Sviatoslav Richter, English Chamber Orchestra, Benjamin Britten
# J1 G* M9 p9 a6 |6 |5 XTotal Playing Time 1:16:45
; v1 G+ S: m* F$ j4 c
* Q0 T* k' ^& B" i
1 P& ~7 Z/ h3 r; U9 SCD43-44 Chopin: Complete music for piano and orchestra (Wit); D; t3 \+ Q1 {. |
Kun Woo Paik
$ Z- H" K' \3 f) o4 M! b肖邦:钢琴与乐队作品全集 (白建宇), c8 u- L, b( D+ L
CD 43: Chopin: Works for Piano & Orchestra
# d' @' j1 U* M5 Z1 Y$ A# n$ vFrédéric Chopin (1810 - 1849)3 w0 N# B4 E' g0 r- F6 {7 E' x
1. Krakowiak - Concert Rondo in F, Op.14 13:59) I# k5 P2 }9 L+ g+ I0 ?
Fantasy On Polish Airs, Op. 13
8 w6 F2 G0 j4 I7 F4 R  Y/ [2. Introduction 4:25
; J4 B2 i3 @* ^" d: ?0 vFantasy On Polish Airs, Op. 134 l( x9 [; [9 E* ]  o
3. Air: "Juz miesiac zaszedl" 3:15
5 W# C3 N' b3 @. s1 v/ ^Fantasy On Polish Airs, Op. 13
5 S4 e* u+ q1 l4. Thème de Charles Kurpinski 4:13
7 Y; u2 C1 j  {Fantasy On Polish Airs, Op. 13* U$ ~1 J) s5 a9 _" G" d: u- e4 `
5. Kujawiak 3:06
- \. k' A0 b) q# YPiano Concerto No.1 In E Minor, Op.11
& v. U" ~9 |' b8 \3 V0 T+ Z0 E- i6. 1. Allegro maestoso 20:37, B$ c! F3 a) m8 Q* `# r1 t
7. 2. Romance (Larghetto) 11:43
! R7 j/ j* f) W+ K! H& u8. 3. Rondo (Vivace) 10:077 W. Q. ]3 m0 b% I1 a, a  C  J
Kun-Woo Paik, Warsaw Philharmonic Orchestra, Antoni Wit# f8 {/ S# q6 V4 a8 D3 V7 K2 r- i
Total Playing Time 1:11:25
% e  c( S( s* q) T8 ?; _* N/ e  J7 e4 g( R2 |) f6 _3 r1 f1 d$ |  e
CD 44: Chopin: Works for Piano & Orchestra
$ P5 U* r) `3 z7 A( DFrédéric Chopin (1810 - 1849)/ ]( v* n' e+ o+ o
Andante Spianato & Grande Polonaise Brillante In G Major / E Flat Major, Op. 22
5 f0 {/ q3 [* N* _. U' w+ e' AArr. for Piano Solo
( Y7 O" d7 U+ O$ O& g+ B* e1. Andante spianato 5:51
  Y4 Y- N/ _, h0 A& f4 @0 o2. Grande Polonaise 9:58/ o6 S. f; ?/ `3 s0 W
Variations In B-Flat "La ci darem la mano" From Mozart's "Don Giovanni", Op.2
$ l  u; l' o5 w8 _2 k( G8 @2 m3. Introduction (Largo) 5:15
5 O5 G0 J) P+ D7 d- ~+ d8 I4. Tema 1:30
7 A4 r" y  F+ b: l" i5. Variation 1 (Brillante) 1:016 w8 s! |. w4 {# a0 }& {6 r. G4 y4 k
6. Variation 2 (Veloce, ma accuratamente) 1:05/ y+ s( H# l" y  ]
7. Variation 3 (Sempre sostenuto) 1:17) V+ N: Q3 R7 l6 w! R
8. Variation 4 1:12
. ^8 b' q  h& T! d% p; f6 O* y" t9. Variation 5 (Adagio) 2:59
( \4 V3 H" m4 a7 C+ j' ?10. Alla Polacca 3:36
0 |$ X2 I' K/ y; g/ RPiano Concerto No.2 In F Minor, Op.21% R, K/ \3 ]5 q8 \4 ]) e
11. 1. Maestoso 15:29, }5 v$ f" V$ T  y
12. 2. Larghetto 10:36
% G# T# @' g0 E3 V: C/ y13. 3. Allegro vivace 8:49# g' @! @! G! s6 k
Kun-Woo Paik, Warsaw Philharmonic Orchestra, Antoni Wit
7 p* {2 D. H' R9 `8 ZTotal Playing Time 1:08:38
/ x- {& J2 w# ?2 q2 ?
) I4 m! I8 C4 @. I5 F9 y5 f# kCD45 Live in Zaragoza
, K6 {9 f& Z! c! B7 FJorge Luis Prats
8 @( ?0 R" o1 n7 h" d# D0 fJorge Luis Prats萨拉戈萨独奏会
) L3 g# M( p5 g/ m- O/ S& YCD 45: Prats Live In Zaragoza5 O  \! e5 s1 H% x9 ?( u
Enrique Granados (1867 - 1916)0 U3 R- a$ v) p+ u
Goyescas - Suite
  `7 J) j2 w4 d1. 1. Los requiebros 7:39* n" ^& [/ @8 D
2. 2. Coloquio en la reja 9:09
( p4 d# d+ u! `: G' w, p  i4 i- n6 h. p3. 3. El Fandango del Candil 6:13: `$ \! N. q& r) h3 t6 ?* Z
4. 4. Quejas ó la maja y el ruiseñor 5:56. b5 ]0 E7 [, W3 ^" B2 x
5. 7. El pelele (Escena goyesca) 4:163 `% j5 Z# i- T! X$ b0 j, a
6. 5. El amor y la muerte (Balada) 12:11
+ q6 k, ]" }( s+ XHeitor Villa-Lobos (1887 - 1959)2 V8 I2 t- V$ Q& h% N
Bachianas Brasileiras No.4
/ X9 b( v: s+ w$ E7. 1. Préludio (Introducao) 5:126 _, A# B$ G4 _% t1 c, c. [4 }! O. p
8. 2. Coral (Canto do Sertao) 3:517 y* a2 `8 d& a1 W
9. 3. Aria (Cantiga) 5:107 z) `+ j  @9 D1 ~
10. 4. Dansa (Miudinho) 3:18
8 o  r3 x$ R  B5 ?Carlos Fariñas (1934 - 2002)
, |+ s5 P! l7 @% \- Y  }' @11. Alta Gracia 7:32: S( r, U! u0 M! Z4 v
I. Cervantes (1847 - 1905)' s+ P% q' F7 Q& ~9 o: Q2 n( G
12. Danzas Cubanas 7:30' V! T% j4 {$ \
Ernesto Lecuona (1896 - 1963)
, h9 F* F( S: x8 q* J' f( g0 XAndalucía - Suite- Y! T% Q. `( M9 c
13. Malagueña 3:53' y8 q# d. _7 r  z- t0 l, g
Jorge Luis Prats: w, i9 }+ o+ n% f8 _7 b- ^3 q7 {" o
Total Playing Time 1:21:50
, Q6 s& q9 U, N$ d2 d& h# W4 L2 `5 W) R
CD46 Bartók: Piano Concertos 1-3  (Weller). ?2 _3 [$ v& y% Y/ |
Pascal Rogé9 q6 t2 s# h& Q8 n  {
First international CD release; K0 }2 J% c, o
巴托克:三首钢琴协奏曲(Roge)! _% o0 k" c& Z, {
CD 46: Bartók: Piano Concertos Nos. 1-3
3 c! Q; t& [6 t% r! A4 e* @$ fBéla Bartók (1881 - 1945)9 F9 ^9 \8 P2 Z4 H* g
Piano Concerto No.1, BB 91, Sz. 83
2 F3 E+ p; J& K/ [! I1. 1. Allegro moderato - Allegro 9:57- j/ m( |. ^! O  I: j0 e, h5 q
2. 2. Andante 8:58* c2 l0 l7 X5 m, h+ ^, I
3. 3. Allegro molto 7:20
" q' H  V6 W# W5 J+ fPiano Concerto No.2, BB 101, Sz. 95
% O/ C% K9 [7 t, E' O1 C- O4. 1. Allegro 9:596 m4 b0 W# u0 u1 d& w
5. 2. Adagio - Più adagio - Presto 15:511 t. U4 q# T. o: y: F# B0 S
6. 3. Allegro molto 6:43  p/ o4 [0 s) w* `7 ^: v0 D% r; X
Piano Concerto No.3, BB 127, Sz. 119# j+ F5 g3 P8 g! k; `9 B, J$ g
7. 1. Allegretto 7:33
4 i  v* h$ B' n+ f; a  l. {8. 2. Adagio religioso 10:59
9 n- q. `; \7 R( d9. 3. Allegro vivace 6:285 T6 J, B1 f+ s
Pascal Rogé, London Symphony Orchestra, Walter Weller. T3 A* s; b6 N& g1 ]
Total Playing Time 1:23:48/ t/ ^! _( h& f, X

: }0 H* P- v& v6 ECD47 Fauré: Piano works% Z+ s% o9 s9 b& B) R! k
Pascal Rogé
8 O& i; S3 l; ?! v5 g* ^福莱:钢琴作品集(Roge)0 r1 i5 _5 r: B5 l% Q% _) g1 n% ]
CD 47: Fauré: Piano Works5 C4 }! E; N, B- s  J3 _
Gabriel Fauré (1845 - 1924)
( R% D; R* F; N7 S* x% y" L0 Z1. Impromptu No.2 in F Minor, Op.31 3:35
1 J! y+ l6 I7 l+ |2. Impromptu No.3 in A Flat Major, Op.34 4:47& B; A& O2 P9 x" h5 O+ E
3. Nocturne No.1 in E Flat Minor, Op.33, No.1 7:394 p6 T# ~. D' x6 w1 F
4. Nocturne No.2 in B Major, Op.33 No.2 5:47
: A, `" ]/ a3 O* ^5. Nocturne No.3 in A Flat Major, Op.33 No.3 4:37' I  b& ]2 f* M8 c% a; q
6. Nocturne No.4 in E Flat Major, Op.36 7:17
0 ?2 y$ e( v- n1 ^3 z( _7. Nocturne No.5 in B Flat Major, Op.37 8:27( n' m/ p3 q& v9 C$ C# S2 o9 M3 ]2 [
Trois Romances sans paroles, Op.17
1 i6 S7 O+ b$ k5 g) ^% d8. 1. Andante, quasi allegretto 2:10
3 S3 V1 d7 A% s+ ~" R; X+ C& i! U9. 2. Allegro molto 2:26
, D  K' p) B! Q4 ]1 s  F- ]10. 3. Andante moderato 2:15
& G  m% x, y, ^% q11. Barcarolle No.1 in A Minor, Op.26 4:30
  {% b6 q. W0 b) t2 c* Q12. Barcarolle No.2 in G Major, Op.41 6:46
& s* o; `! m. @9 v3 [0 [( {$ N" k# p13. Barcarolle No.4 in A Flat Major, Op.44 4:05
; e9 A1 K+ O5 m" d2 C14. Valse-caprice No.1 in A, Op.30 7:08  _0 \4 F! R1 Z
Pascal Rogé
. ]# L' |9 @5 I7 F0 hTotal Playing Time 1:11:29
1 E- M9 A& @# Z1 J. m3 {4 G6 a" G# E0 m
CD48 Satie: Piano works# T& @: q6 p0 P& @, @+ B0 I; _$ L
Pascal Rogé  u+ `0 ~1 N4 p/ r5 ]* e
萨蒂:钢琴作品集(Roge)
7 [7 r+ T+ G+ N1 h0 mCD 48: Satie: Piano Works( G1 U7 o) H$ Q7 x
Erik Satie (1866 - 1925)' ?% `2 Y! f4 S- q* V# e* k. a
3 Gymnopédies
  R1 i- f, e9 v- z% d! j1. No.1 Lent et douloureux 3:08( h8 K* O- a, V+ Q: h
2. No.2 Lent et triste 2:30* S4 u  i# ]! x8 s9 S
3. No.3 Lent et grave 2:31
5 E9 `) [% @! V$ D  ~4. Je te veux 5:09! v7 x) ]- ?: S$ J/ Y( O+ ?
5. 4 Préludes flasques 5:167 G. v$ B# Q  D0 j( j  _7 D
6. Prélude en tapisserie 2:54
$ g6 W$ `% c# r7 iNocturnes
% v: c8 d8 d: Z4 t! ~7. 4. No.4 2:55* ?1 P2 q: l- @+ L2 ~7 t$ X- I
8. Vieux sequins et vieilles cuirasses 4:23+ e8 }# B/ S1 B+ v4 ?
9. Embryons desséchés 6:119 D: @; `& z: T  o: s
Gnossiennes
' W0 }3 ]9 Z* g; K1 _" [# y10. No. 1 - Lent 3:41
& K- n/ p. G1 d# Q: Y11. No. 2 - Avec étonnement 2:30
' m, M3 `! c; w2 [+ e( K12. No. 3 - Lent 3:08
1 c3 v5 v7 u3 G3 M# o13. No. 4 3:29  T+ Y: ]* c6 \; q) Z5 p
14. No. 5 4:02
' p7 X' U& K# {9 T( E' |8 g2 \( }5 z15. No. 6 1:52
  j1 k: l2 |4 p9 G16. Sonatine bureaucratique 4:17, a; z  J$ r+ O* w
17. Le Piccadilly 1:36
4 h0 x2 R* L3 v6 F# g0 iPascal Rogé. x1 ]# r2 w1 r4 O4 _# m
Total Playing Time 59:32
7 n" U* M9 M- b; r% _; ?
6 J6 \, Y0 r0 W8 l! DCD49 Brahms: Piano Concerto No. 1 (Mehta). {1 c6 r3 Z- C
Arthur Rubinstein  Rubinstein's only Decca recording; his final concerto recording
* ]" a: a6 e0 r' v, O8 ?+ Bartók: Rhapsody No. 1 for Piano & Orchestra (Weller) Pascal Rogé
! ^* d0 E& |/ L2 }  G勃拉姆斯:第一钢琴协奏曲(鲁宾斯坦)- 巴托克:第一狂想曲(Roge)
4 t3 h) b" i, {0 y0 J0 {/ E4 DCD 49: Brahms: Piano Concerto No.1; Bartók: Rhapsody for Piano and Orchestra8 u; h. ^3 ^% f8 y4 `( {
Johannes Brahms (1833 - 1897)3 \' M% A$ ]8 L, x2 O( g
Piano Concerto No.1 in D Minor, Op.154 `" p! @, t- S8 P/ d
1. 1. Maestoso - Poco più moderato 22:58
7 P6 u7 ?  d9 n1 L- W* L- L2. 2. Adagio 14:30) H8 K; E0 _6 D
3. 3. Rondo (Allegro non troppo) 12:380 p( M: k2 j) D, W! z3 q2 F
Arthur Rubinstein, Israel Philharmonic Orchestra, Zubin Mehta" Q& c# M/ E9 f3 W
Béla Bartók (1881 - 1945)
& [9 w# x0 u% r" [$ r% c4. Rhapsody for Piano and Orchestra, BB 36b, Op.1 (Sz.27) 22:53
+ |7 v0 c" e0 b. QPascal Rogé, London Symphony Orchestra, Walter Weller/ b, |. \0 H) c  A( B; T
Total Playing Time 1:12:59/ A) D$ g: H% v2 X

$ S* ]1 B9 `) e2 Q/ K8 J  F2 rCD50 Bach: Goldberg Variations8 y% W+ }! H& p/ {. Q# L% D' H/ x
András Schiff
! }- A9 g$ v9 G  O- n3 h4 y巴赫:哥德堡变奏曲(席夫)( v7 c) Y9 x, S' ?8 ?
CD 50: Bach: Goldberg Variations, BWV 998
' n) o/ t2 }2 [  e! w: [& SJohann Sebastian Bach (1685 - 1750)3 J; `6 r* O$ e* t7 i
Goldberg Variations, BWV 988% g* [6 z' _# _
1. Aria 3:50
; ]8 ^5 X, m7 v2. Var. 1 a 1 Clav. 1:551 v: x/ y  x9 X& Y
3. Var. 2 a 1 Clav. 1:22
5 g: ]) y+ u, h5 p2 P4 V# i1 w4. Var. 3 Canone all'Unisono a 1 Clav. 2:03
) k# I$ u# ~. }5. Var. 4 a 1 Clav. 1:04$ `0 K& e* J5 u' h" M
6. Var. 5 a 1 ovvero 2 Clav. 1:27" h& a+ j' I* f& Y& g
7. Var. 6 Canone alla Seconda a 1 Clav. 1:180 A3 v# ^1 Z8 B) \# _) i
8. Var. 7 a 1 ovvero 2 Clav. 1:43
, _; {6 D, E3 Y( P8 x" P  H1 s' u9. Var. 8 a 2 Clav. 1:41- ?- C( R$ `, Q/ N/ Y- V4 l" n, M
10. Var. 9 Canone alla Terza a 1 Clav. 1:22
* w# B& W& w4 A0 b' f; M% t11. Var. 10 Fughetta a 1 Clav. 1:39) [+ U& \1 B1 K  B$ ]- `; r, F
12. Var. 11 a 2 Clav. 1:582 r! ~& r! H5 u  ~
13. Var. 12 Canone alla Quarta 2:00
: m0 Y# d% Y- c* a# S14. Var. 13 a 2 Clav. 4:06
! P, `* V# z3 v+ H15. Var. 14 a 2 Clav. 2:01
. [3 \; i5 g  ?3 ?8 E16. Var. 15 Canone alla Quinta in moto contrario 4:02
, n+ a! N$ `7 e7 T! L! _: f2 V3 Q9 R17. Var. 16 Ouverture a 1 Clav. 2:46
! `: z% p$ O/ M1 y, `# E( o18. Var. 17 a 2 Clav. 2:00* z5 t6 g9 G. H  ~. P1 N: o- m3 ]
19. Var. 18 Canone alla Sesta a 1 Clav. 1:26. ?; t9 Q1 S) y0 g( l9 B  R( R
20. Var. 19 a 1 Clav. 1:17: W3 r7 K" H# P3 V; w
21. Var. 20 a 2 Clav. 1:491 w/ e, h1 m1 \1 d& ?& h" w9 C" |
22. Var. 21 Canone alla Settima 2:14/ V# k; K" n9 }: E9 J
23. Var. 22 Alla breve a 1 Clav. 1:51
3 b7 N! R. i* G2 K9 k24. Var. 23 a 2 Clav. 2:09
) _1 a, j, C; ?5 G& A" ^1 m7 h0 g25. Var. 24 Canone all'Ottava a 1 Clav. 2:178 q* D0 \4 {2 d% _% ~+ \% [
26. Var. 25 a 2 Clav. 6:59
& B* q$ ~: {& O5 a27. Var. 26 a 2 Clav. 2:06
- ]4 }) G( q$ l% W% v5 ?1 Z28. Var. 27 Canone alla Nona 1:446 J' y& o3 S  g$ h* j) _- [
29. Var. 28 a 2 Clav. 2:40
3 y$ [' N" a6 P" C  r30. Var. 29 a 1 ovvero 2 Clav. 1:53
% [$ P4 b) m+ B8 ~31. Var. 30 Quodlibet a 1 Clav. 1:45
6 Y6 |$ b; u$ N  n! ?3 T# `& _: c+ b32. Aria 3:52: Z" q" X( G# b- l, O' [$ j
András Schiff5 t8 J6 r. n$ _" L6 D( P
Total Playing Time 1:12:19' P" v( K) o7 y& u" V5 A8 Z+ ]: k- B
% N' q# t3 X$ e* y' R* e
CD51 Mozart: Piano music for four hands) C9 K4 m6 g3 i/ J  i8 L
András Schiff; George Malcolm/ A" }) y5 \0 `3 q( H# P
Performed on Mozart’s own fortepiano
- D, d  t' Y9 v  p/ V- X# N莫扎特:钢琴四手联弹作品(席夫,George Malcolm)
0 `+ r" ?1 a; x/ ?8 ?: U2 bCD 51: Mozart: Piano Music for 4 Hands
+ N5 u) _8 K9 U; N2 i' wWolfgang Amadeus Mozart (1756 - 1791)
4 D' O5 X: A7 X" s7 [# [Sonata For Piano Four-Hands In C Major, K.521
0 U( V; Q, \% g" C, p3 W! [: n5 q1. 1. Allegro 9:09& U# I# O- `5 G- e( A0 K
2. 2. Andante 6:377 c+ M5 A' Q" d! m$ z3 |
3. 3. Allegretto 8:31
: [6 O3 V5 a4 N) s$ g4 h4. Andante And Five Variations For Piano Four-Hands In G Major, K.501 7:45
, E& X' _( Z0 B) {. }! z3 {5. Adagio and Allegro for Organ in F minor, K.594 9:38
4 c' ~( i5 i% M: y3 w- r5 wSonata For Piano Four-Hands In F Major, K.497
7 g- D+ @8 p2 S' x" r6. 1. Adagio - Allegro di molto 9:02
/ d2 Q' d* H2 n9 L1 @, n: Q# Q. |7. 2. Andante 7:26! l- e$ b( R' W4 \/ Q- V4 J
8. 3. Allegro 8:02
% f2 ]+ V% ]6 ^8 v0 @6 Q; {- u9. Orgelstück (Fantasia) für eine Uhr in F minor, K.608 9:359 f, j! ], D3 P8 u/ B; B! y
András Schiff, George Malcolm
9 V3 u* U1 N' M$ K$ r1 c0 DTotal Playing Time 1:15:454 K% F7 @# K; _$ E1 ~0 K' \
: F6 {; X4 y/ n
CD52 Scarlatti: Sonatas
! n$ f' U) t3 F- g- D/ f9 V% `( uAndrás Schiff' L. }2 p& W6 f+ L& m$ [
斯卡拉蒂:奏鸣曲集(席夫)
1 {! M7 Z% n* `% E2 P% u  m3 U6 hCD 52: Scarlatti: Keyboard Sonatas( }( @" ]  F+ y: G, u6 M7 m
Domenico Scarlatti (1685 - 1757)
! g/ C! \- z" ^( v) b% a1. Sonata in a minor, K.175 3:45
: W- m/ [; j) m: ^7 D2. Sonata in C, K.513 5:36
9 M) p# Z4 I% D- }3. Sonata in E minor, K.402 11:00
8 X8 K6 K& U4 w) ]4 I0 |, W4. Sonata in E, K.403 4:42
7 H* \7 _! S4 v  V) u5. Sonata in G major, K.144 4:14
6 \8 U! G9 A4 p2 t9 j+ {  n$ d6. Sonata in C minor, K.115 7:05
+ m7 b1 E+ ~8 T1 C. l9 V( t7 K7. Sonata in C minor, K.116 3:33
, e- b" q5 h8 o1 x' K8. Sonata in E flat major, K.474 5:42% }; ?# m9 {9 f
9. Sonata in E flat major, K.475 4:23
& o) G: ^& E# \% T) l$ v8 ~4 V10. Sonata in G major, K.449 3:00
6 P0 J; i2 K" Y8 c- N11. Sonata in G minor, K.450 3:21. y+ H0 _, h5 ]9 N
12. Sonata in B flat major, K.544 4:12
; Q) E9 M) {2 H* Q$ g9 T13. Sonata in B flat major, K.545 2:51  w' \: C. e% z# C) A; |) }
14. Sonata in D minor, K.516 6:23
7 H8 r: \, h3 v5 M. i15. Sonata in D minor, K.517 3:25
4 {5 e- N( ?) dAndrás Schiff" X9 k# Q$ W# f- C7 k
Total Playing Time 1:13:12
' R  ^( B  o5 K( d% |7 Z! Z" r1 \# Z+ L7 H0 {
CD53 Chopin: Piano works
9 ~4 F8 w" K- hJean-Yves Thibaudet2 p# ^5 d& p1 G4 a* [: o
Includes works performed on Chopin's Érard piano
4 ^) S6 G; S3 U$ [6 v% o' j肖邦:钢琴作品集(蒂博代)- t5 M" u, J5 K  Q; S+ {
CD 53: Chopin: Piano Works) @) ~. F) r& c; }8 G
Frédéric Chopin (1810 - 1849)* d! ]2 ~/ X: d, E2 k+ j% `8 p
1. Polonaise No.6 In A-Flat, Op.53 "Heroic" 6:29* k" n" ^. o" J8 n& d# |2 t  Q2 h
2. Waltz No.6 in D flat, Op.64 No.1 -"Minute" 1:50
7 W" I3 t+ g0 U& `$ p24 Préludes, Op.28+ ?- N, L" u8 s1 ?
3. No.4. in E Minor 2:26" l6 {; F7 }  ^, H
4. Mazurka No.51 in F minor Op.68 No.4 1:51# C+ z8 x; J0 u, {* V
5. Waltz No.1 in E flat, Op.18 -"Grande valse brillante" 4:58
, S! E/ f$ n& p* J* o6. Nocturne No.1 in B flat minor, Op.9 No.1 5:18* y: V/ Y4 a. Q  D  j. O
7. Scherzo No.2 In B Flat Minor, Op.31 9:27
: f% x# Q( z" R8. Barcarolle in F Sharp, Op.60 7:534 A! G8 P; |# Y  b: o+ M* ]' m
9. Nocturne No.2 in E flat, Op.9 No.2 3:519 ^- l; _& |( n, m
12 Etudes, Op.25* Y* K* W; T5 e, j, J. e0 k  L1 B
10. No.3 In F Major 1:294 w4 I3 `0 {( m0 {6 M# C2 }8 I( F
11. Mazurka No.5 in B flat Op.7 No.1 2:01
! B" O; _5 ?+ i) v; v; J12. Ballade No.1 In G Minor, Op.23 8:43
; J2 g& H% }8 N% h$ }12 Etudes, Op.25
) k; p2 {! a" e' Z# T; m) U# Y13. No.1 In A-Flat Major - "Harp Study" 2:09
4 e: ]( O, ~( ]2 N* B2 a12 Etudes, Op.10
& r7 S( Y5 `8 `. B- z+ M! ~14. No.12 In C Minor 2:27
# Z' V+ w5 g5 _- w; r24 Préludes, Op.28, n- i0 u) _2 a
15. No.24 in D Minor 2:06
$ w% ~' `3 R$ \$ Q  X* O6 W; R! O" k16. No.15 in D Flat Major ("Raindrop") 6:24: }+ s2 _1 [+ X4 T6 ?% H
12 Etudes, Op.252 `" ^4 R, u- i) V6 X! b2 m$ Y: B
17. No.3 In F Major 1:33- z; s: F" H9 _8 v1 O4 a. C' E$ H
18. Nocturne No.20 in C sharp minor, Op.posth. 3:42
3 j& [! z( b1 M, R) N+ ~% i24 Préludes, Op.28( \( t7 o6 `) h  ^0 O8 b" O9 C
19. No.24 in D Minor 2:08* t4 e$ n/ E) g. f
Jean-Yves Thibaudet- l* o& w% j' b( g2 m
Total Playing Time 1:16:45+ z+ X3 C& B( g0 h1 @! p

* ^1 z" L- h2 K. C7 h. S6 \CD54 Conversations with Bill Evans7 I9 x" \0 g1 r& x9 n
Jean-Yves Thibaudet + Nyman: from The Piano - 1. The heart asks pleasure first; 2. Silver fingered fling5 j( F( a# Q' Y; c% ]  y0 q
First international release of Nyman% ]  P  d' Y* N. p( [' ]5 `
蒂博代演奏Bill Evans、Nyman作品( i4 e1 U% {- u: D& X- N0 u
CD 54: Conversations With Bill Evans; Two Pieces from "The Piano"* O: z- k! w3 k
Bill Evans (1929 - 1980)
6 j" J5 i& J9 }4 U9 M$ `& m: v* pSong for Helen. m2 j& x" c7 p' Q1 {$ t/ k1 g
1. transc & arr Jed Distler 4:16
) R  N7 s/ k$ B4 S) aBill Evans (1929 - 1980), Eugene Lees; M( {1 A: F, G" k# t
2. Waltz For Debby 1:57
/ y: _) \5 B6 ^3 }Bill Evans (1929 - 1980)
/ j! d- P$ f5 C; Y8 {Turn Out The Stars
/ H5 o4 O2 {# S* X: M" b  [* N3. transc Jed Distler 5:16
9 C) o1 a1 v6 y- \8 K( jMichel Legrand (1932 - )
9 t! _+ j- n7 Z( z( T/ _Noelle's Theme& i5 _1 O3 |! o, w
4. transc. by Jed Distler 5:18
) n0 g7 f' m; X) EDuke Ellington (1899 - 1974)
, j! X  _6 N- G/ G2 O: n. O5. Reflections in D 7:21
( x- x" g2 k: N) B" Y. g0 U9 }3 g  tJimmy van Heusen (1913 - 1990)5 Q' G, M# X. B4 u/ ~% Q
Here's That Rainy Day; _! G9 u* c. z- M
6. transc. by Jed Distler & David Pearl 6:102 ^3 S: o5 {- M
Steve Swallow
6 x& x/ E7 P$ ?, ]Hulo, Bolinas
6 Y+ C+ H6 g) r! R# n7. transc. by Jed Distler 4:13
" D* L) K) o, h, dAlex North (1910 - 1991)7 ?2 w) R/ \% V
Love Theme From "Spartacus"2 w) @) p) Q; Y0 d
8. transc. by Jed Distler 3:33" p3 I, I) ^% B4 C
Bill Evans (1929 - 1980)" n2 R+ S3 M, K: h
Since We Met& j$ R8 S7 e" y+ m& j! k5 L. K
9. transc. by Jed Distler, based on transc. by Bob Bonver 4:52
9 s9 q5 ~3 D/ a8 K! ]  n7 m( b1 bPeace Piece
3 z# H+ o- G' i- j+ A- h  K10. transc. by Jim Aikin 7:32. B# F1 N1 T, K1 @8 `
Your Story
7 ]9 l- G) b) D  @7 y2 F- F: ]11. transc. and arr. by Jed Distler 5:37
+ u# v0 a- l. XLeonard Bernstein (1918 - 1990)( `1 F4 K1 E% ?1 z
12. Lucky To Be Me 3:57
/ l6 {; _: N& u6 W6 j0 T2 FMichael Nyman (1948 - ), w6 `3 l* E6 W) \
The Piano
; a4 w" Z, y' j$ U3 t8 K5 h13. The Heart Asks Pleasure First 2:14. s4 N; q, ~' S7 z# x7 s/ j. o
14. Silver-Fingered Fling 4:38
# \; O2 @2 W% S( }0 G+ JJean-Yves Thibaudet
! Z$ P' h2 x, w/ B$ A: a5 RTotal Playing Time 1:06:54
7 ?! j) ~+ R0 a. r# p
4 p6 N9 r! o5 z5 w2 b' WCD55 Gershwin: Rhapsody in Blue, Variations on I got Rhythm; Piano Concerto in F
1 r: H* T; t: B! |; S5 N8 p(Alsop)1 z" F4 v7 ]! W( g9 M
Jean-Yves Thibaudet' p. N9 y' F8 T9 ?# X  R
Jazz-band Grofé versions
& x  T8 `5 C/ ~& w5 l7 s+ P格什温:蓝色狂想曲,钢琴协奏曲# S6 X1 N; {& U6 D
CD 55: Gershwin: Rhapsody In Blue; Piano Concerto in F
! o; w9 p( K3 ?# k1 S* \George Gershwin (1898 - 1937)
# `, D$ F/ ]& ]2 n# ~: P0 B1. Rhapsody In Blue 16:51
  l& D' A/ Z' T+ `. I, B2. Variations On I Got Rhythm 9:05
, ?# }( L1 I# h. E4 t: |Piano Concerto in F Major8 b, O) J5 U  [! V. F4 o$ P
Arr. Ferde Grofé- N$ `  J. |- [5 y# [3 V# e: j/ V
3. 1. Allegro 13:12  T) S  Q$ e3 f% ~$ `
4. 2. Adagio - Andante con moto 11:44) J' j- @- v. p+ y2 R
5. 3. Allegro agitato 6:32
3 G0 q9 ~2 h1 p+ @+ S( p/ d* p4 ~: zJean-Yves Thibaudet, Baltimore Symphony Orchestra, Marin Alsop5 O# M) s  I, T1 T5 f1 }
Total Playing Time 57:24
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5 H2 u& B( E. H5 e7 H* a. g* j" w 新建文本文档.txt (114 Bytes, 下载次数: 16, 售价: 10 米粒)
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alspp | 2020-6-9 09:12:36 | 显示全部楼层
不错,必须支持
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不得了了
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