Friedrich Gulda - Friedrich Gulda: The Early Rias Recordings (2017) [Hi-Res 24bit/48KHz FLAC]

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HiRes专辑名称：Friedrich Gulda - Friedrich Gulda: The Early Rias Recordings
* g$ m* D& x. }6 |0 w音乐格式：FLAC
( `& a  r7 S; F# F5 k  V. h音乐流派：CLASSICAL古典
发行年代：2017
音乐分辨率：24bit - 48khz　

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CD1
# |  _- D1 d4 e5 |: v7 h1.01. Piano Sonata in G Major, Op. 14,2 I. Allegro
1.02. Piano Sonata in G Major, Op. 14,2 II. Andante
1.03. Piano Sonata in G Major, Op. 14,2 III. Scherzo. Allegro assai
1.04. Piano Sonata in E Major, Op. 109 No. 30 I. Vivace, ma non troppo Adagio espressivo
1.05. Piano Sonata in E Major, Op. 109 No. 30 II. Prestissimo
: o8 L; ?; m2 q- P: }1.06. Piano Sonata in E Major, Op. 109 No. 30 III. Gesangvoll, mit innigster Empfindung. Andante molto cantabile ed espressivo
3 E' L7 X7 x0 U4 A6 U1.07. Variations and Fugue for Piano in E-Flat Major, Eroica Variations, Op. 35 Introduzione col basso del tema. Allegro vivace
! {  n$ j4 S1 E% Q' w! P) j1.08. Variations and Fugue for Piano in E-Flat Major, Eroica Variations, Op. 35 Var. 1 - Var. 15
1 X0 j7 {! L: g* @, U, [: D. L1.09. Variations and Fugue for Piano in E-Flat Major, Eroica Variations, Op. 35 Finale. Alla fuga. Allegro con brio.
9 r* q6 U" L! }# z( S1 r1.10. 32 Variations in C Minor, WoO 80
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' s$ n' k! u, {: w3 y( d- _6 cCD2
6 A. ?, Y9 V! @2.01. Pour le Piano, L. 95 I. Prelude. Assez anime et tres rythme
2.02. Pour le Piano, L. 95 II. Sarabande. Avec une elegance grave et lente
! V5 W0 Q' ]2 C4 v* f0 ?- N2.03. Pour le Piano, L. 95 III. Toccata. Vif
3 l( S2 z; Z2 j, P. W- C! m. q2.04. Estampes, L. 100 II. La soiree dans Grenada. Mouvement de Habanera
2.05. Images, L. 111 (2eme Livre) III. Poissons d'or. Anime
' d3 n) Q8 E0 ]1 }: w2.06. Preludes, L. 117 (1er Livre) VI. Des pas sur la neige. Triste et lent.
2.07. Preludes, L. 117 (1er Livre) IX. La serenade interrompue. Moderement anime - Quasi Guitarra.
2.08. Suite Bergamasque, L. 75 I. Prelude. Moderato
2.09. Suite Bergamasque, L. 75 II. Menuet. Andantino
: O/ Z! j. E. B) J2.10. Suite Bergamasque, L. 75 III. Clair de Lune. Andante tres expressif
2.11. Suite Bergamasque, L. 75 IV. Passepied. Allegretto ma non troppo
2.12. Gaspard de la nuit, Trois poemes pour Piano d'apres Aloysius Bertrand, M. 55 I. Ondine. Lent
3 Y" c1 A" s+ D6 m& H! f2.13. Gaspard de la nuit, Trois poemes pour Piano d'apres Aloysius Bertrand, M. 55 II. Le Gibet. Tres lent
! I, u' B* A$ A. f* n( z' N2.14. Gaspard de la nuit, Trois poemes pour Piano d'apres Aloysius Bertrand, M. 55 III. Scarbo. Modere

CD3
3.01. 24 Preludes, Op. 28 Prelude No. 1 in C Major. Agitato
3.02. 24 Preludes, Op. 28 Prelude No. 2 in A Minor. Lento
3.03. 24 Preludes, Op. 28 Prelude No. 3 in G Major. Vivace
6 G2 T* d1 |0 m- |9 L% U% _3.04. 24 Preludes, Op. 28 Prelude No. 4 in E Minor. Largo
+ m! m, T. J# `# |" |3.05. 24 Preludes, Op. 28 Prelude No. 5 in D Major. Allegro molto
3.06. 24 Preludes, Op. 28 Prelude No. 6 in B Minor. Lento assai
3.07. 24 Preludes, Op. 28 Prelude No. 7 in A Major. Andantino
+ W' K" l: V  M: K+ B! r3.08. 24 Preludes, Op. 28 Prelude No. 8 in F-Sharp Minor. Molto Agitato
3.09. 24 Preludes, Op. 28 Prelude No. 9 in E Major. Largo
3.10. 24 Preludes, Op. 28 Prelude No. 10 in C-Sharp Minor. Allegro molto
8 c/ |& W+ k( M* y2 r8 C1 m3.11. 24 Preludes, Op. 28 Prelude No. 11 in B Major. Vivace
3.12. 24 Preludes, Op. 28 Prelude No. 12 in G-Sharp Minor. Presto
) }* Z% N: N* Y3.13. 24 Preludes, Op. 28 Prelude No. 13 in F-Sharp Major. Lento
6 {. r! `: C$ k5 ~3.14. 24 Preludes, Op. 28 Prelude No. 14 in E-Flat Minor. Allegro
& m0 c2 D; y$ e2 l3.15. 24 Preludes, Op. 28 Prelude No. 15 in D-Flat Major Raindrop. Sostenuto
3.16. 24 Preludes, Op. 28 Prelude No. 16 in B-Flat Minor. Presto con fuoco
, V- `+ C% P5 \3.17. 24 Preludes, Op. 28 Prelude No. 17 in A-Flat Major. Allegretto
3.18. 24 Preludes, Op. 28 Prelude No. 18 in F Minor. Allegro molto
2 B4 c7 [9 e1 ]) ?3.19. 24 Preludes, Op. 28 Prelude No. 19 in E-Flat Major. Vivace
' V1 m/ v! D! j5 b5 F6 [$ e3.20. 24 Preludes, Op. 28 Prelude No. 20 in C Minor. Largo
  m. O; I7 ?5 @: w1 G! N- M. y" v. `3.21. 24 Preludes, Op. 28 Prelude No. 21 in B-Flat Major. Cantabile
3.22. 24 Preludes, Op. 28 Prelude No. 22 in G Minor. Molto Agitato
" J. }6 G5 i2 o# ^1 E0 ~- W2 p3.23. 24 Preludes, Op. 28 Prelude No. 23 in F Major. Moderato
6 W+ [9 X9 _. t* _3.24. 24 Preludes, Op. 28 Prelude No. 24 in D Minor. Allegro appassionato
5 M, @+ A& L  P) ^3.25. Nocturne in C Minor, Op. 48 No. 1
: B4 J0 u2 A) F. [& D2 r3.26. Barcarolle in F-Sharp Major, Op. 60
7 d- ~( _& A0 U. V3.27. Piano Sonata No. 7 in B-Flat Major, Op. 83 I. Allegro inquieto - Andantino
: _" z1 s3 t2 e4 c& A  ?3.28. Piano Sonata No. 7 in B-Flat Major, Op. 83 II. Andante caloroso
. E$ _0 P$ t& r3 p3.29. Piano Sonata No. 7 in B-Flat Major, Op. 83 III. Precipitato
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CD4
4.01. Piano Concerto No. 24 in C Minor, K. 491 I. Allegro (Cadenza by Johann Nepomuk Hummel)
3 _$ m+ T! R/ o0 j4.02. Piano Concerto No. 24 in C Minor, K. 491 II. Larghetto (Eingang by Johann Nepomuk Hummel)
4.03. Piano Concerto No. 24 in C Minor, K. 491 III. Allegretto (Eingang by Johann Nepomuk Hummel)
- D; H, m  T0 A# z, ]5 J4.04. Piano Sonata No. 28 in A Major, Op. 101 I. Etwas lebhaft und mit der innigsten Empfindung. Allegretto ma non Troppo
4.05. Piano Sonata No. 28 in A Major, Op. 101 II. Lebhaft, marschma?ig. Vivace alla marcia
1 x# e. U; w8 j: e0 l4.06. Piano Sonata No. 28 in A Major, Op. 101 III. Langsam und sehnsuchtsvoll. Adagio ma non troppo con affetto
4.07. Piano Sonata No. 28 in A Major, Op. 101 IV. Geschwind, doch nicht zu sehr und mit Entschlossenheit. Allegro

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