3 h; [" P, o6 f; _. c# {% sArtist: Claudio Arrau0 l* K% G+ J- z* G' ?8 S
Title: The Complete RCA Victor And Columbia Album Collection9 _; f- S( Y& B, \# w
Year Of Release: 2016, a+ u) B& s' h! r2 d1 u' v
Label: Sony Classical
6 u5 D$ d$ p+ U% ?Genre: Classical! |# h) n I+ W! `1 E
Quality: flac 24bits - 44.1kHz +booklet: n( [6 }, J: C; G7 H
Total Time: 10:03:238 B7 d, t6 u- t7 e6 P
Total Size: 5.49 gb
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4 O T; }( q# z3 D; @" eHi-Res无损音乐专辑简介:- ^# W& j" T8 d2 Z* c% T- ?
) v& b/ @, Q# ^( c3 WHi-Res无损音乐专辑曲目:
- ^1 t, u X, IDISC 1, o' B( S3 a6 m/ X
Wolfgang Amadeus Mozart l+ s: ^2 V4 l! {
Piano Sonata No. 5 in G Major, K. 283 (K. 189h); k. b7 s& R) Q+ N
I. Allegro
1 `, J3 D* Q; SII. Andante - Attaca3 q4 _9 y# D% {( J2 Q
III. Presto; M) c! \% o1 w! q
Piano Sonata No. 18 in D Major, K. 576) i- s: q# g; E
I. Allegro
6 a4 [' H8 I- l" c c' o/ H& yII. Adagio
! M$ w& i0 R* b( \III. Allegretto
* s2 S8 Y% B# v0 b" k- W: fWolfgang Amadeus Mozart" |8 m3 c# S- l* Q9 _4 P+ Z
Fantasia in C Minor, K. 475
2 H/ }( Q! X& u3 P ^I. Adagio& m6 A3 x% j7 m, L
II. Allegro - Andantino/ ?- ]% v. S2 ~& P
III. Più allegro - Tempo I
R: A- Q9 S' I8 g; j$ UJohann Sebastian Bach: Invention No. 8 in F Major, BWV 779! n% I" b5 A# l. @1 P5 p* ~
Johann Sebastian Bach: Sinfonia No. 6 in E Major, BWV 792
2 f: F; l: R c! R6 NJohann Sebastian Bach: Sinfonia No. 15 in B Minor, BWV 801 m5 t- u* G6 \
Johann Sebastian Bach: Invention No. 2 in C Minor, BWV 7736 L9 q9 s0 i/ [7 Q
Johann Sebastian Bach: Sinfonia No. 2 in C Minor, BWV 788
y! I/ S" L, {# FJohann Sebastian Bach: Invention No. 6 in E Major, BWV 777. r" L) X2 e/ v. {) `% o' A0 d& M
Johann Sebastian Bach
$ Y3 x2 J7 f/ w9 GChromatic Fantasy and Fugue in D Minor, BWV 903
* j* y6 S" ~$ Q. KI. Fantasia - Recitativo+ y. D$ |4 w. i% \( }% c. ~
II. Fugue- \2 f" q4 Z: u$ k8 [
' ]) r, [* h: l; |DISC 2
% y. U3 T# l/ ^2 w$ j$ `- C& [Carl Maria von Weber5 D. u0 b/ \' W9 s3 {! ^! w
Piano Sonata No. 1 in C Major, J. 138$ ~: o: S' l a- C5 U; f; x5 C4 H
I. Allegro
. z; F3 Q7 s1 X* W B) h# l7 }II. Adagio
1 c$ a/ r- `: t4 u( e. R$ mIII. Minuetto - Allegro
- {( D! ~' ^' a2 Q' @IV. Rondo Presto "Perpetuum Mobile"+ `/ N' h4 z: I% I
Ludwig van Beethoven
T- [ ?8 |8 h8 w! u6 Variations on an Original Theme in F Major, Op. 34
' S @' p! f6 F6 p2 [& i zTheme - Adagio( B- G6 V) {! q& @, P7 {
Variation I
# m! ^' ~3 b& o3 S4 B$ R7 EVariation II
4 s5 s! B9 w% z; R! k L9 n5 ~Variation III, d+ e0 u! ~$ I$ `, o
Variation IV
. T6 |, i- S. a8 z: j9 ~Variation V
1 z& S p' I7 TVariation VI and Coda! E! g( J7 ~ p3 X0 T
Variations and Fugue in E-Flat Major, Op. 35 "Eroica Variations"
4 d9 x; {8 F/ h/ `0 u% uIntroduzione col basso del tema - Allegretto vivace - Tema
+ d8 { Z5 T4 w; `# R4 rVariation I1 z4 K7 J4 E4 ?
Variation II% X1 N/ q% Y& Z4 q& T$ s( p" `
Variation III
/ p! W! K6 g) [) ?- P, w3 CVariation IV3 A- l) O7 r8 s' T4 d
Variation V
2 O; E" s+ U/ q2 G- R6 `/ pVariation VI8 k1 `# v, a# V a+ O
Variation VII5 }- |. T: j( K2 h: }5 P1 [" t, |
Variation VIII* k4 v+ ]4 b9 B* I j w5 n5 D
Variation IX: Y0 i# `. X- t- G
Variation X' l9 Z- L- o( k$ d" E
Variation XI
& t5 x9 p( \/ G7 f" \Variation XII3 p, i3 W8 F0 n
Variation XIII
" [5 K% \- U+ N( ~7 MVariation XIV
6 k7 D; e4 k' X4 S" X; ~Variation XV7 \8 C" N2 z4 y7 X$ v4 J5 D. n
Finale - Alla fuga - Con brio z2 n4 q5 r) y' W" S& z; I
3 j4 B2 ?: N; hDISC 3 A7 W* T" i# {4 O# u9 u
Robert Schumann
* S% C' I9 @3 s! f8 tPiano Concerto in A Minor, Op. 54# p5 M& A" J# V x7 K; |5 V7 O
I. Allegro affettuoso
8 f/ R1 K( F# R' h- K VII. Intermezzo - Andantino grazioso
& |3 e9 E* c# g( PIII. Allegro vivace# a G/ x# V% k
! V& F$ E. A& Y" X2 N9 V
DISC 4/ [% n8 J0 D$ r2 c6 u
Richard Strauss. c: D, y# U- |. |
Burleske for Piano and Orchestra in D Minor, TrV 145
3 h% h/ z% |! ^: Y. sKonzertstück for Piano and Orchestra in F Minor, Op. 79, J. 282/ d1 S# `6 E" ~* _ _0 }$ O* E
I. Larghetto affettuoso( C% {+ m: Q" `8 M( p* ]9 `. n5 t
II. Allegro passionato
7 ^" j& h* ~: k# A0 L" GIII. Adagio - Tempo di marcia
* i+ \% U. ~6 x7 Z# J% Y
/ y2 }9 p: K7 v7 V4 WDISC 5
5 N2 O5 P0 ^ u, ~Isaac Albeniz
& a, t! ]! t- B; k* `0 R5 ^Iberia Book I
. ?) L* b2 ~6 C4 L5 R1 g8 dI. Evocación
# b0 y3 m$ j0 mII. El puerto
1 D/ x: h- V8 ^! R( ?3 J& g& wIII. El corpus Christi en Sevilla7 o5 G6 U7 g' Q! o! C. P( ^
Iberia Book II
7 L+ `5 g: l9 @: gI. Rondeña/ A* O3 X" D+ Z4 g# B
II. Almería
% A9 l: ~6 D/ c$ U* R- BIII. Triana
5 |, F( p7 C! p
) x& u* q, s6 ?DISC 61 y; j3 g' n9 Q, f- L- Y8 {
Claude Debussy
0 r4 U) [! D, }% g! r6 oPour le piano, L. 95
% a% {9 T8 C- Z+ II. Prélude - Assez animé et très rythmé
4 x3 b# P( u6 e. y) U$ b+ X: UII. Sarabande - Avec une élégance grave et lente
! c4 P5 m1 P+ ~8 ?III. Toccata - Vif
1 W g1 ?$ S$ d; `2 e1 P8 }Estampes, L. 100* ~" X6 i* f" p O
I. Pagodes - Moderement anime# |) ~* N2 j/ f8 N, o2 N
II. La soiree dans Grenade - Mouvement de Habanera
4 ~7 d/ K$ g" t3 N9 X1 T* B7 {+ QIII. Jardins sous la pluie - Net et vif% w6 e/ v; f4 V$ c
Images Book I, L. 110, H0 U) Y2 X4 V: E" j6 `
I. Reflets dans l'eau7 ]$ W) |7 ?7 z3 b) b
II. Hommage à Rameau7 M; y2 U, E3 r( Y
III. Mouvement
' w0 v0 j5 O2 e" I) q! e. bImages Book II, L. 1117 H9 d6 }' Q; w: ~' e+ V
I. Cloches à travers les feuilles J. X1 Q& v5 u3 X6 P
II. Et la lune descend sur le temple qui fut1 `. ~/ n9 N: x7 Z& |
III. Poissons d'or
& Q' v" t) x, N& ^! T+ z# r# h
+ x& H; q/ I2 \( Y) l Q* xDISC 7
$ K- \3 ]2 r h+ ? G& nLudwig van Beethoven
' l/ c2 P- m- _0 \5 ?Piano Concerto No. 3 in C Minor, Op. 37
. h; _! D; y: Q* q n5 H, A8 VI. Allegro con brio, f k$ [5 `- b! m
II. Largo
! D( s* S2 f n4 y) M) v( `III. Rondo - Allegro9 ~" I% ?; C) x3 x8 h3 g6 F, k
Piano Sonata No. 21 in C Major, Op. 53 "Waldstein"; m i, b* g3 X$ t2 A! B1 j( H$ n* m
I. Allegro con brio* x6 j7 G' G& U1 Z. [3 g
II. Introduzione - Adagio molto
" Y- s1 B& s9 u( GIII. Rondo - Allegretto moderato
/ T+ _/ U; j6 j p) Z( M& G3 f" [# l( C$ V9 |( O
DISC 8
6 |1 J- z9 e* Y3 l& G3 OFrédéric Chopin
# w; F: g, P* H" C24 Préludes, Op. 28
1 X2 {8 Y# k, h `8 E: @' v `$ {) fPrélude No. 1 in C Major6 W! z" L* i5 y1 g$ y9 x. i6 V
Prélude No. 2 in A Minor8 r) U5 _0 P j& J9 g1 \" `
Prélude No. 3 in G Major9 t3 x7 |( D5 e
Prélude No. 4 in E Minor
1 s7 X4 A6 \2 e4 G' ^% W+ b% ~5 P# KPrélude No. 5 in D Major
' Z% G) P J4 y) ^- K9 @3 tPrélude No. 6 in B Minor
5 l( t4 {/ T }4 e o VPrélude No. 7 in A Major
+ G0 M( \5 n, ^" Q- E. k6 FPrélude No. 8 in F-Sharp Minor
. L+ X% b# J/ d! IPrélude No. 9 in E Major
/ |3 `1 u/ X3 `2 S$ S% ?Prélude No. 10 in C-Sharp Minor; B! p2 h* |# _- n4 D" C$ j
Prélude No. 11 in B Major& M4 \6 M( X: H# a3 R/ Z
Prélude No. 12 in G-Sharp Minor0 t# @) H; J/ | s2 {
Prélude No. 13 in F-Sharp Major
8 q. J9 s, O( _' `; U2 MPrélude No. 15 in D-Flat Major& ~$ a9 ?1 B9 I
Prélude No. 14 in E-Flat Minor
. Z! o1 N! f3 b$ t& j9 uPrélude No. 16 in B-Flat Minor
: f9 V. u7 M @6 FPrélude No. 17 in A-Flat Major
# h" Q5 P- s$ C+ }Prélude No. 18 in F Minor7 D& E d1 Y4 n7 M, s8 d, v4 S; W
Prélude No. 19 in E-Flat Major+ Q) b% I% E9 y6 ~, {
Prélude No. 20 in C Minor0 Y- v" ^6 c4 Q
Prélude No. 21 in B-Flat Major- ^& b: X3 ?1 P9 F4 u
Prélude No. 22 in G Minor _% q7 i. `# C; P0 w1 V! g
Prélude No. 23 in F Major
! j. u; A! K c" i: ~Prélude No. 24 in D Minor- F# D% L# S* ]
1 D, W$ W( |3 Q" Y: ` ? _6 K
DISC 96 l6 q! Z4 \' }1 G
Franz Liszt* c5 g& o( f4 O# D$ K0 a- a4 K
Piano Concerto No. 1 in E-Flat Major, S. 124
4 n3 M3 `2 c1 YI. Allegro maestoso- A) B9 P' y/ I1 j$ H
II. Quasi Adagio
9 S6 p- n" A9 u' jIII. Allegretto vivace - Allegro animato
O5 f; T8 M1 LIV. Allegro marziale animato
j, u$ T7 e8 o# n9 WFantasy on Hungarian Themes, S. 123- U- h0 E& R! I( `# G
Andante mesto
}! ^$ N. p! T; d+ ~Allegro eroico - Piú animato
- g2 ]2 c" y. k/ w, w0 eMolto adagio - Quasi fantasia - Allegretto alla zingarese - Molto animato, q' a$ ^$ P$ p* |! b' T# l+ Q
Vivace assai - Prestissimo( H, X' ?0 k1 u4 z
$ e- W6 H4 ^! A2 m( w
DISC 103 c4 p: S1 c5 k0 `: n
Robert Schumann Q, g( _( M9 z1 B: Q6 W/ M3 \" u
Kreisleriana, Op. 16) T9 \* p1 \0 @$ K- A7 l
I. Äußerst bewegt) e& J3 ^ s' o1 p! A! P
II. Sehr innig und nicht zu rasch2 P$ f2 o( Y* V9 T! H5 V
III. Sehr aufgeregt/ T# X( |! S( d5 M
IV. Sehr langsam
2 {! |8 W' M# LV. Sehr lebhaft
* W! ^% `: c% x ZVI. Sehr langsam
6 n7 H; M8 Y) |) D& y& A( a7 |VII. Sehr rasch
7 J4 v/ @7 j- `9 s& |6 d8 e5 YVIII. Schnell und spielend0 ]3 V) o; g7 ?5 l1 Z. i* a: ?
Arabeske, Op. 18& ~% N% {* t- Y4 U
# V0 X( e0 p" u# h3 U
DISC 11
P; L" b4 M; K8 C7 zFrédéric Chopin: Andante spianato et grande polonaise brillante in E-Flat Major, Op. 22+ p7 c% O. ~) _) Q
Frédéric Chopin: Waltz No. 1 in E-Flat Major, Op. 18 "Grande valse brillante"
! _3 g! _. x1 X0 H) dLudwig van Beethoven: Bagatelle in A Minor, WoO 59 "Für Elise"/ x8 `2 g: d& `- Q( @6 D
Franz Schubert: Allegretto in C Minor, D. 915
8 c- I, U) T b, x- a9 MMaurice Ravel
6 h1 q7 P$ T/ V: W8 J5 Z9 P6 VGaspard de la nuit, M. 55, k3 h. O1 U" z. c( {& F
I. Ondine
5 U$ q8 ?8 T. ~II. Le gibet
8 f4 ~% m+ c1 X8 [- mFranz Liszt! ~! ~! {5 w0 t0 o0 m
Hungarian Rhapsodies, S. 244
0 C8 Q* ?' g. l6 @9 zNo. 8 in F-Sharp Minor - Capriccio' h% \0 u3 e0 F* z+ Z9 F
No. 9 in E-Flat Major - The Carnival of Pest- _3 D# N( G! r0 m) t9 }/ }
No. 10 in E Major! `' B5 c/ Q! W. m/ x
No. 11 in A Minor
6 R' F. a! H8 e; _$ L: VNo. 13 in A Minor
" k6 J. E+ C* ^, x% j% X
1 t; }; h. K: tDISC 12
+ U% I# f, A4 ? x5 {Johann Sebastian Bach
7 I% h1 J2 ^* T/ l2 WGoldberg Variations, BWV 988
' p* A. n1 {+ F9 ?3 C* ]Aria
; {# {) s- I; j* j) KVariation I
3 I- L# _+ O1 W2 vVariation II' ^- @) z4 i# k2 ]% R4 x
Variation III - Canon at the Unison
7 m+ j2 ?; v v8 _* x! w4 eVariation IV
6 V t: H( N" [! YVariation V: Q, i8 X3 [/ Q% Z/ ~" d
Variation VI - Canon at the Second
v- Z ]4 J6 K* [& o/ C7 iVariation VII
, ]) {- G1 _% N) OVariation VIII9 `1 {4 F8 ^$ a" y
Variation IX - Canon at the Third! w& B0 l6 ]" ]9 R3 v
Variation X
% M7 }* v& c9 \1 s1 |Variation XI/ T+ W, Z( ` F& I1 q
Variation XII - Canon at the Fourth
E# ]+ z/ X' [3 bVariation XIII6 |; m) e/ e/ |: u- ?; B
Variation XIV; c6 \! r+ r( \
Variation XV - Canon at the Fifth
4 @8 O3 W3 B: U+ Q& KVariation XVI - Overture
4 a* x6 Z& K- XVariation XVII# O- q' V8 z3 O% K
Variation XVIII - Canon at the Sixth. B, F9 e2 C+ n+ q
Variation XIX6 J M/ A, m5 B8 g$ u& w" A+ k, \
Variation XX6 \; X) _4 H9 \: y, B$ `+ _' z/ s. A
Variation XXI - Canon at the Seventh
) } W7 U; s) ^" h0 Q: oVariation XXII
3 w( Z& Q' K. }Variation XXIII
9 T; H/ }- m, x* _( KVariation XXIV: Canon at the Octave
& D* [/ C$ Z# mVariation XXV
1 U1 G& Z- G. Y; x `Variation XXVI
; c( U4 ~; v9 j$ h3 lVariation XXVII - Canon at the Ninth
3 j3 @: `# q7 L) D* f( h9 |2 D7 `Variation XXVIII
5 P$ x9 Y) m6 |/ Q+ v7 y3 [Variation XXIX6 @5 u" u& L/ } ?' W( D% ^6 ?
Variation XXX - Quodlibet5 Q, n4 N/ c" s: Z" G9 H$ b
Aria# e4 E8 W9 y* E& y
' G! R9 y" w' h" z6 ^# }7 a) b! J0 R9 e
! C2 I# E6 _+ }5 A$ T4 N
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