: t: {( N) L7 P2 Q) GArtist: London Symphony Orchestra & Gianandrea Noseda
7 X# D) _% f' j/ U. xTitle: Britten: War Requiem
& P2 ]4 ~" u: d9 ~. qYear Of Release: 2012
0 G4 B' Q9 z/ ?! K- ~, ]5 w8 c0 SLabel: LSO Live
: p8 e* f) V* K+ w, tGenre: Classical. `) h; v$ d0 _9 z& |7 Y
Quality: 24bit-48kHz FLAC" p. w& p- G( n8 K$ \3 \
Total Time: 01:23:31
7 J- |" d: F8 g/ u" `Total Size: 726 MB" f. q0 X# b4 e
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Hi-Res无损音乐专辑简介:* ^8 t" @4 t6 B* i* M
For his first LSO Live recording, Gianandrea Noseda is joined by three of today s most widely acclaimed singers for a magnificent performance of Benjamin Britten s choral masterpiece. Premiered 50 years ago on 30 May 1962, the 'War Requiem' was commissioned for the re-dedication of Coventry Cathedral, which was destroyed by bombing raids during the Second World War. Using the Latin mass of the dead, interspersed with texts by war poet Wilfred Owen, Britten, a pacifist and conscientious objector, created a work that both mourned the dead and pleaded the futility of war. The 'War Requiem' was to become one of the defining choral works of the 20th Century. Gianandrea Noseda was the first foreign Principal Guest Conductor of the Mariinsky Theatre in St Petersburg and over the past decade his reputation in the opera house and concert hall has blossomed. He regularly conducts the LSO, as well as many of the world s other great orchestras, and is Music Director of the Teatro Regio in Turin. Ian Bostridge, Simon Keenlyside and Sabina Cvilak perform regularly in the world s leading opera houses and are renowned for their performances in Britten s music. The LSO and LSC have both enjoyed long relationships with the composer and appeared on the first recording of the 'War Requiem', conducted by Britten himself.
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7 i5 [1 C: U2 P8 j& @5 H6 k# yWar Requiem, for soprano, tenor, baritone, boys' voices, chorus, chamber orchestra, orchestra & organ, Op. 66+ _+ _# @% v3 Z6 q
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1. Requiem aeternam chorus 3:37
9 q& m0 V' R% ~2. Te decet hymnus boys' chorus, chorus) 3:00
) [, q) ?* z' ]! Z% e* ^3. 'What passing-bells for these who die as cattle?' (tenor) 2:37
# ?; n: l" t* t. Y& H& G$ Y4. Kyrie eleison (chorus) 1:32) D/ p- O ^, e
Dies Irae! D8 J' |& P& Y# ^% K
5. Dies irae (chorus) 3:322 N* E+ {$ ]5 T9 ^) X
6. 'Bugles sang, saddening the evening air' (baritone) 2:32
$ }, |2 w7 d( A Y- [, a1 B7. Liber scriptus (soprano, chorus) 3:00" u4 v- x9 A) Q! l9 N
8. 'Out there, we've walked quite friendly up to Death' (tenor, baritone) 1:42
/ P* W- k, W( Z. |6 Q1 h* K+ P" n9. Recordare lesu pie (Chorus) 3:51, d5 {7 Z- x! z
10. Confutatis maledictis (chorus) 1:052 a7 Q/ e* r- H- S- Y) ~# d4 {
11. 'Be slowly lifted up, thou long black arm' (baritone) 2:10, v! l2 ?5 l9 o3 h+ o% @5 |
12. Dies irae (soprano, chorus) 3:00
5 S6 l5 N( I& S) ^3 W* g& r) m13. 'Move him into the sun' (tenor, soprano, chorus) 4:11$ D+ x6 I/ l6 J- c1 [/ M; X; v. b& K
14. Pie lesu Domine (chorus) 1:35
* v; p5 f! y1 }0 YOffertorium' L8 Y: v7 D4 T- U* V+ L, p2 d3 S
15. Domine lesu Christe (boys' chorus) 1:18' C. ]8 O3 H- b# ^- `0 j2 T
16. Sed signifer sanctus (chorus) 1:51
& n* j3 C" ?% T1 r! g0 k, u6 T17. 'So Abram rose, and clave the wood' (baritone, tenor) 3:226 Z7 k7 L& y; s& h& i! s
18. Hostias et preces tibi (tenor, baritone, boys' chorus, chorus) 2:403 s( l4 X0 O. ?& d8 Y& g3 t
Sanctus
- }: I+ q9 F' M5 P19. Sanctus (soprano, chorus) 7:05/ j9 Y* d/ b5 e. i& R2 m/ W6 ?
20. 'After the blast of lightning from the East' (baritone) 3:34
* f( [4 w; k& W: e% O( R% yAgnus Dei
, w# A! o7 W: z; x G% F3 t21. 'One ever hangs where shelled roads part'/Agnus Dei (tenor, chorus) 3:109 k# k5 g9 G0 n( l
Libera Me
5 H6 d9 ], t4 l* Q# V; f9 {/ I8 r22. Libera me (soprano, chorus) 8:02$ `( o, j1 y7 b3 z# Y8 ?: B! Z
23. 'It seemd that out of battle I escaped' (tenor) 2:50+ O% Y. |% ~( h0 J: M
24. 'None', said the other' (baritone) 6:50, l5 \ }: A7 {) z; n& h! T
25. 'Let us sleep now…' / In paradisum (tenor, baritone, soprano, boys'chorus, chorus) 4:26
2 E; }# p( J% `3 u8 r7 a5 Z9 W T26. Requiescant in pace (chorus) 1:16
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