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自2020年以来,历史竖琴专家玛格丽特·科埃尔(Margret Koell)一直拥有一把威尔士三重竖琴。这是著名竖琴制造商埃文斯的一件乐器的复制品,其1736年的原件保存在伦敦维多利亚和阿尔伯特博物馆。
, e5 o5 w5 ^( C) @5 u2 [这架美妙的竖琴是两位著名的英国作曲家约翰·道兰和亨利·普塞尔的作品录制的最佳时机。尽管不列颠群岛有悠久的竖琴传统,但这一时期没有竖琴的原始文献。Margret Koell不得不求助于文学创作琵琶或键盘乐器,她用竖琴演奏,但没有进行重大改变。) e3 y) p* Q, j% E4 q- B. ]
Dowland和Purcell的作品以他们那个时代流行的忧郁为特色,通常与轻快、舞蹈般的印象相结合。玛格丽特·柯尔(Margret Koell)带着我们参加了一场“无声舞蹈”,进入了初秋夏日渐行渐远的心情。. V/ X9 J! r; J: H- p" K3 ~
" G i2 Q& h9 G3 ?: P% b2 n1. Suite No. 4 in A Minor, Z. 663 (Arr. M. Köll for Harp): I. Prelude (0:48)1 W# `4 q2 h6 s+ W
2. Suite No. 4 in A Minor, Z. 663 (Arr. M. Köll for Harp): II. Almand (2:20)9 }* e$ E, ?8 l- T
3. Suite No. 4 in A Minor, Z. 663 (Arr. M. Köll for Harp): III. Corant (1:22)
' P! q; t, g3 f( D* l) @ X4. Suite No. 4 in A Minor, Z. 663 (Arr. M. Köll for Harp): IV. Saraband (1:33)
! X0 j# {/ K. k5. Hornpipe in E Minor, ZT. 685 (Arr. M. Köll for Harp) (0:42)6 p& E5 Q* Z$ H2 L% o- F. C$ x
6. A Fancy, P. 73 (Arr. M. Köll for Harp) (6:17)% E- `: \& \' t% x" G
7. Can She Excuse My Wrongs, P. 42 (Arr. M. Köll for Harp) (2:35)4 p) x( a. K9 ?8 Y. l
8. The Frog Galliard, P. 23 (Arr. M. Köll for Harp) (2:08)$ A- v8 i7 D% q" k! A
9. Semper Dowland semper dolens pavan, P. 9 (Arr. M. Köll for Harp) (3:16)
/ c1 l S2 S8 L10. Minuet in D Minor, ZT. 688 (Arr. M. Köll for Harp) (1:02)2 Y% ]* m' L8 g0 N9 k3 p
11. Suite No. 7 in D Minor, Z. 668 (Arr. M. Köll for Harp): I. Almand (4:42)( `$ l% j" L5 B5 [
12. Suite No. 7 in D Minor, Z. 668 (Arr. M. Köll for Harp): II. Corant (1:25)4 L: d8 C$ e0 Q- \! }/ r* n
13. Suite No. 7 in D Minor, Z. 668 (Arr. M. Köll for Harp): III. Hornpipe (0:45)
! q+ h: {: _$ @' ~' h$ [14. The Second Book of Songes: No. 2, Flow My Tears (Arr. M. Köll for Harp) (4:47)4 c% Z- g( U1 R8 k( [
15. Dowland’s Galliard, P. 20 (Arr. M. Köll for Harp) (1:14)6 i1 c0 W/ d6 b) ~* D) x$ W4 ~
16. A New Ground in E Minor, ZT. 682 (Arr. M. Köll for Harp) (2:56)
: g1 K7 c$ f0 a% V17. Farewell, P. 3 (Arr. M. Köll for Harp) (5:14)# N" z2 }7 S% ^: X
18. A New Scotch Tune, Z. 655 (Arr. M. Köll for Harp) (0:42)
9 `% l% l5 B' O) a# B+ c19. A New Irish Tune, Z. 646 (Arr. M. Köll for Harp) (1:00)1 E8 O8 |( t! s( A) B6 ?
20. Paduana lachrymae (After John Dowland’s Lachrimae pavan) [Arr. M. Köll for Harp] (5:40)
6 S" W7 \2 L0 \! P! i+ `% n21. Minuet in A Minor, Z. 650 (Arr. M. Köll for Harp) (1:06)( {, o+ \4 E$ t5 ~7 E/ J9 {
22. Suite No. 2 in G Minor, Z. 661: Prelude (Arr. M. Köll for Harp) (0:58) N% ^+ n* T: i0 M
23. Dido and Aeneas, Z. 626: When I Am Laid in Earth “Dido’s Lament” (Arr. M. Köll for Harp) (3:46)
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