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HiRes专辑名称:The Frans Brüggen Project. r( H) `" e& q# _, A1 P! }
音乐格式:FLAC. P" G; E1 i! t
音乐流派:古典
5 `/ k" W: A d- x# B# s发行年代:20245 L( X) Z) K A2 g& j0 p* A
音乐分辨率:24bit -96khz
) A5 |$ [7 ]- e: v CIn the 1980s and 90s Frans Brüggen became one of the leading conductors in the period-instrument movement; he was co-founder of the Orchestra of the Eighteenth Century, and regularly worked with other period bands, including the Orchestra of the Age of Enlightenment. But in the early years of his career he was an outstanding recorder player, who from the mid 1950s onwards brought a new expressive flexibility and rhythmic freedom to the recorder repertoire, as well as commissioning new works for the instrument.
, v. m3 D% X' d2 _* x3 ?% wTen years after Brüggen’s death, it’s that achievement as an instrumentalist that is celebrated on Lucie Horsch’s disc. More specifically it’s the remarkable array of recorders from the late 17th and early 18th centuries which he collected and played that are in the spotlight here, all of them documented, together with illustrations, in the accompanying CD booklet. For the 26 tracks Horsch uses 15 different instruments – sopranino, descant, treble and tenor recorders – some of which are now so fragile that she was only able to record a couple of takes on each. There is a mixture of original pieces – by Telemann, Handel, and Couperin, among others – alongside arrangements of Haydn, Marcello and Bach, with the Orchestra of the Eighteenth Century used for the larger-scale movements.. x- C+ N2 y$ B$ J( c. T5 f6 d1 c
With instruments from different eras and countries, the pitch of the performances naturally varies, as does their individual tone quality. Horsch points out in the booklet that she had to play them much more carefully and delicately than she would a modern recorder, and to emphasise the differences she plays movements of Handel’s F major sonata on different instruments, one made in London and one in Berlin. For once it’s the instruments that matter more than the music; anyone remotely interested in recorder playing will find it fascinating, and get a reminder of just what an extraordinary musician Brüggen was.5 ^6 b. @4 k6 a, g; H( @: u0 S, e
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Hi-Res音乐专辑曲目:
0 I* M0 I( m5 J( L/ C5 E. ~- Y* ~01. Haydn_ Piano Trio in G Major, Hob. XV_25 _Gypsy Rondo__ III. Rondo all'Ongarese. Presto (Arr. Farrington for Recorder, Violin, Cello & Harpsicho
% W8 `+ `) L9 }0 ]( M02. Corelli_ Concerto grosso No. 8 in G Minor, Op. 6_8 _Christmas Concerto__ V. Allegro (Performed on Recorder).flac
* T# N2 f4 X4 z1 I03. Marcello_ Oboe Concerto in D Minor, S. Z799_ II. Adagio (Performed on Recorder).flac9 c* ?1 }( _) p' M2 }; C
04. J.S. Bach_ Keyboard Concerto No. 2 in E Major, BWV 1053 (Arr. Bruggen_Horsch for Recorder & Orchestra)_ I. [Allegro].flac
. @! J' T6 ]- R& h8 f, q% q, m05. J.S. Bach_ Keyboard Concerto No. 2 in E Major, BWV 1053 (Arr. Bruggen_Horsch for Recorder & Orchestra)_ II. Siciliano.flac5 c! E: T3 `& F* R+ R" X$ D
06. J.S. Bach_ Keyboard Concerto No. 2 in E Major, BWV 1053 (Arr. Bruggen_Horsch for Recorder & Orchestra)_ III. Allegro.flac4 L1 c' P; U* T5 I/ D& U3 h
07. J.S. Bach_ Orchestral Suite No. 3 in D Major, BWV 1068_ II. Air (Performed on Recorder).flac! i3 E0 H# Y) Z! ^) L& @. v
08.J.S. Bach_ Partita No. 3 for Solo Violin in E Major, BWV 1006_ VI. Gigue (Arr. Bruggen_Horsch for Recorder).flac
2 o% v, b6 H% X) _! c09. Telemann_ Trio Sonata in A Minor, TWV 42_a4_ I. Largo.flac
7 y# n3 p& H/ I, r# Z+ w5 w2 A7 ~10. Telemann_ Trio Sonata in A Minor, TWV 42_a4_ IV. Allegro.flac9 l9 D. c( Q, g7 \: k0 M6 r
11. Fantasia No. 3 for Solo Flute in B Minor, TWV 40_4 - Telemann_ Fantasia No. 3 in B Minor, TWV 40_4_ I. Largo – Vivace – Largo – Vivace.flac
; C5 M3 `6 R& w. M% q4 c12. Fantasia No. 3 for Solo Flute in B Minor, TWV 40_4 - Telemann_ Fantasia No. 3 in B Minor, TWV 40_4_ II. Allegro.flac
. Z" U7 i" j% ~3 ]- e13. Eyck_ Der Fluyten Lust-hof, Vol. 2_ Boffons.flac
: x- P+ ~: r5 E n* t( e14. Hotteterre_ L'art de preluder, Op. 7, Pt. 5_ Prelude No. 3 in G Minor. Rondement.flac: T( w/ g/ w% @2 N
15. Hotteterre_ L'art de preluder, Op. 7, Pt. 5_ Prelude No. 2 in C Minor. Gay.flac+ t. j" x/ J/ h; T/ i8 }* }
16. Boismortier_ Sonata for Flute and Violin, Op. 51 No. 2_ IV. Gigha (Performed on Recorder).flac$ [ }) W( s1 \9 [1 C
17. F. Couperin_ Concert royaux, Quatrieme concert in E Minor_ V. Sarabande. Tres tendrement.flac3 |7 V% Z6 m W; N4 g
18. F. Couperin_ Concert royaux, Quatrieme concert in E Minor_ VI. Rigaudon. Legerement, et marque.flac. f0 Y. Y/ c: i: ^& D/ p9 c
19. F. Couperin_ Concert royaux, Quatrieme concert in E Minor_ VII. Forlane en rondeau. Gaiement.flac
5 J0 d$ d) ^0 I( }; e& `. r3 W20. Chedeville_ Il pastor fido, Sonata No. 6 in G Minor (Formerly Attrib. Vivaldi as RV 58)_ IV. Allegro ma non presto.flac
; _& d, O! b& A# T/ v21.Walsh_ The Bird Fancyer's Delight_ Bull Finch in F Major.flac
# r6 P4 d5 A. }22. Walsh_ The Bird Fancyer's Delight_ Canary Bird in C Minor.flac# J+ b. T$ w! u
23. Walsh_ The Bird Fancyer's Delight_ Canary Bird in C Minor.flac
9 i' d) c" Z% y3 }24. Handel_ Recorder Sonata in F Major, Op. 1_11, HWV 369_ I. Grave.flac
. @$ E% v& x" b3 d25. Handel_ Recorder Sonata in F Major, Op. 1_11, HWV 369_ IV. Allegro.flac
3 S$ ~, a- w& V/ U9 \26. Eyck_ Der Fluyten Lust-Hof, Vol. 1_ Derde Daphne.flac
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