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专辑名称:Bill Evans, Greek Tycoon, Holly Cole, Paul Hindemith, Robert Len, Sonny Boy Williamson, Ya - Audiophile Speaker Set-Up$ [1 i: }" J0 ]; n
音乐格式:DSD256 DSF
l2 c: i' l! u音乐流派:CLASSICAL古典
$ s9 a8 ^, Q) |) _! G发行年代:2018
6 i2 X \# L7 Y" X音乐分辨率:1bit/2.82Mhz1 m) d" U0 W" I( Q
声道:2.0 &" O; G2 O: j) ?0 \- D
0 d2 P8 O! g1 Y; e" G! w专辑曲目:
* v+ ^0 W' P: z( q& I1 - Audiophile Speakers Test Presentation 00:58
$ @% k6 G0 v5 x. }8 \2 - The Pink Panther 03:54
0 J- r0 T3 ^+ E( b v4 v3 - Everybody Loves Somebody 04:24
2 Q9 z5 Y" V. D) b( `4 - Story 04:47
) U5 u3 p7 ^+ `; Q; [( X4 _$ u1 }5 - Very Early 05:142 A/ `9 h5 ]- X
6 - Good Morning Heartache 03:42
' C& v, o( n( N; d% d7 - Jazz Session 03:47, M5 y' w v& z8 b0 }: n
8 - Greek Tycoon - Bouzouki Music 03:14
; {4 `+ n2 D$ O9 - Cello Suite (excerpt) 02:274 \8 Y4 C `7 l3 I
10 - String Quartet in G Minor (excerpt) 03:46
6 j- F* \8 w. t11 - Concert Piano 02:17
5 l; Y9 I# c" v& V( h3 \12 - J'entend la chanson des filles 01:127 b" w$ ` a K0 m
13 - Brandenburg Concerto No. 1 in F Major, BWV 1046 (excerpt) 05:28: C# K, x/ g5 a* h. y! s
14 - Trumpet Solo 01:28; p6 o' K' z/ `4 E
15 - Lieder Recital 02:22
, ~' q6 w& d% ]6 _" o3 n16 - Harp 03:35
5 c* ` u/ A; |. P2 d, ` X& P17 - Cello Sonata, Op. 25, No. 3 (excerpt) 01:41
b, q: S* p& w/ M* p18 - Guitar 01:10) L7 R9 I1 E$ U$ y" T+ g
19 - Bassoon - Bassoon 1 00:22; r4 t0 `4 u6 J$ o5 }
20 - Bassoon - Bassoon 2 00:40
# `; s% _8 J! A a) e21 - Violin 02:007 }$ m6 _" |6 v
22 - Duduk 00:597 [: A7 K& i+ K4 X. ^( `
23 - Bawu 00:529 T! T v2 a6 E+ S4 S
24 - Trumpet 00:455 ?$ U9 l2 z: p E
25 - Flugelhorn 01:065 T, B) A' ?' ]( M
26 - Violin Concerto (excerpt) 06:438 \. C0 m- Y1 R L
27 - Romeo and Juliet Suite No. 1, Op. 64bis - Dance of the Knights 02:09
6 |* k/ V: _4 u. ~0 X: X+ p5 ]$ `- R8 T28 - Orchestra Excerpt 00:44 PlayPause! M0 R" W* g4 s4 r2 X0 q
29 - Pictures at an Exhibition (arr. for orchestra) - Pictures at an Exibition (excerpt) 01:14
# m. Z8 |: _5 H. I; Y- g) |, V30 - Le sacre du printemps (The Rite of Spring) (excerpt) 04:58) i9 W5 Y$ ^; W4 \
31 - Organ Music 01:30
e9 Z" v- u! o/ B- t; [& D32 - Extreme Dynamics 00:38 I* t7 \6 {) L7 K& w
33 - Extreme Dynamics - Percussion 1 02:399 K1 d3 e2 a- M+ M- X! b
34 - Extreme Dynamics - World Music 1 01:04
k8 j2 K; X, j, W35 - Extreme Dynamics - World Music 2 01:026 I. j1 _4 ~. R; s, r- J5 N
36 - Extreme Dynamics - Percussion 2 01:47( S x2 e( M/ {. Q! `
37 - Extreme Dynamics - Percussion 3 01:094 d1 `- D2 x7 j- E& T) c- P# @7 b3 f
38 - Extreme Dynamics - Percussion 4 00:41
F7 p, S8 o( H2 [ p; a39 - Extreme Dynamics - Percussion 5 01:39& P' W% [; n# s
40 - Extreme Dynamics - Percussion 6 01:05
4 C' y+ y' M6 W41 - Extreme Dynamics - Percussion 7 01:16" C+ d8 K" w8 ? I0 Y
42 - Instructions for Speaker Placement - STEP 1 - BaSS 02:07
4 X+ L6 W+ f7 @ E+ r# H43 - Instructions for Speaker Placement - Djembe - extreme bass 01:30
4 F& P2 `! w3 q. @ t! |44 - Instructions for Speaker Placement - Octobass - 28Hz, 56Hz 00:27
; g3 M" `$ T% ^45 - Instructions for Speaker Placement - Octobass - 42Hz, 84Hz 00:26
& f, o2 f' U* Q1 v46 - Instructions for Speaker Placement - Octobass - 28Hz to 224Hz 00:32
* k9 M- W3 I s+ i47 - Instructions for Speaker Placement - Octobass - 36Hz, 56Hz,112Hz, 224Hz 00:27) J9 Q4 `, s1 T2 |; E
48 - Instructions for Speaker Placement - STEP 2. Toe-in 01:33
) y4 G( V# _1 p/ c7 ?- ~0 T49 - Instructions for Speaker Placement - STEP 3. Levelling 00:27
* v+ P' r& c: k50 - Instructions for Speaker Placement - Angle 00:44
x/ m O* F# _1 }: e7 t# I2 P* r51 - Instructions for Speaker Placement - STEP 4. Subwoofer Placement and Phasing 01:01$ ], T" z" k/ y: E( b
52 - Instructions for Speaker Placement - Crossover Setting 00:48
3 m" h' |* _: }1 U, x1 S53 - Instructions for Speaker Placement - Subwoofer Second Option 00:208 N/ S5 o# _' P3 o) P
54 - Instructions for Speaker Placement - STEP 5. Corner Treatment and Imaging 00:55! t p {0 W: }; i3 L9 s& r
55 - Instructions for Speaker Placement - Corner Absorber 00:13" i$ L- U; o; B9 c% q2 d
56 - Instructions for Speaker Placement - Room Challenges 00:32
2 C4 t5 h+ U3 }57 - Precise Location and Depth of Field 00:35
( o! d! s8 v1 a( p0 A2 L$ g; S! s58 - Precise Location and Depth of Field - Center, 8 ft. 00:49
; g) f2 t% W1 z( Q59 - Precise Location and Depth of Field - Mid left, 11 ft. 00:37
) C/ N/ ?: {8 x; a4 K; ?4 A' m60 - Precise Location and Depth of Field - Left, 18 ft. 00:45
* q6 n, m B; d2 P. f" |. j61 - Precise Location and Depth of Field - Mid right, 11 ft. 00:468 T- [0 ^# M+ k
62 - Precise Location and Depth of Field - Right, 18 ft. 00:43; M+ G) i% j4 `3 L0 f! p: q- _/ @
63 - Precise Location and Depth of Field - Left, 30 ft. 00:38 PlayPause
; t) j- \) n6 H: U64 - Precise Location and Depth of Field - Mid left, 28 ft. 00:28
6 B6 _8 O( M; y: C2 S65 - Precise Location and Depth of Field - Center, 28 ft. 00:39
C7 J% @; L) R# U0 R7 v: t66 - Precise Location and Depth of Field - Mid right, 28 ft. 00:34
' t M0 p3 o0 F% I" n9 {" ~67 - Precise Location and Depth of Field - Right, 30 ft. 00:353 @# O+ ]* V/ c1 L+ [- |
68 - Precise Location and Depth of Field - Octobass recording 01:28
5 B& N9 V; d' T; N69 - Precise Location and Depth of Field - 2xHD Audiophile High res system test album 00:23, l" o8 V1 I/ @ h" ^+ n2 f$ Y$ D
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