Brecon Baroque & Rachel Podger - Vivaldi: L'Estro Armonico - 12 Concertos for Violins and String Orchestra [Hi-Res 24bit 192khz FLAC]

6 n% B. ]% ~  v4 y% c9 ]Artist: Brecon Baroque & Rachel Podger
- e( k& j* w' [% c, U3 D* MTitle Of Album: Vivaldi: L'Estro Armonico - 12 Concertos for Violins and String Orchestra
Year Of Release: 2015
Label: Channel Classics Records
4 v1 h6 V* ?! F9 B% L/ bGenre: Classical
Quality: FLAC 24bit/192Khz
Total Time: 96:39 min
Total Size: 4.13 GB
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1 \7 h( v  @3 a3 f8 l- L6 L9 r- \Hi-Res无损音乐专辑简介：
; o3 N$ J0 J% L! Q! \Vivaldi has, above all, always struck me as wonderfully entertaining. His musical shapes and figurations seem to exist in order to please and surprise. Always supremely idiomatic (although sometimes idiosyncratically specific), there’s also that sense of directing a sensation with a particular person in mind. In the 12 Concertos which comprise ‘L’Estro Armonico’, these qualities abound, not least because Vivaldi appears to have taken extraordinary trouble to exhibit his craft to the world, almost as a way of ‘setting out a stall’ for how a new 18thcentury concerto could now be written in the right hands. Underpinning Vivaldi’s flair, originality and meticulous attention to detail is an engine room of momentum: raw energy is regularly the order of the day with muscular layers of semiquavers and rapid acrobatics passed between the various configurations of soloists. These pieces are truly exhilarating to play and perform and their fresh impact never fails to hit some target or other, judging by the reaction of a live audience. Not often do you witness four violins trying to outdo each other! During Brecon Baroque’s concerts preceding the recording, the rapierlike turns in musical conversations between the four parts always seemed to lead to added expectation and excitement – all the more effective because of the contrasted moments of deep melancholy which Vivaldi some how manages to express irrespective of mode; like Schubert, a major key can be just as poignant and affecting as a minor in a conceit of sadness or loss. For example, in the slow movements of Concertos nos. 9 and 12 in D and E major respectively, there is an exquisite tenderness in his writing, something fragile, innocent and temporary; I catch myself wondering for whom these moments were created… I would like to thank all my wonderful colleagues for these many intense moments of energy, tenderness and joy while performing and recording these fantastic concertos – works which intrigued Bach and from which he mined so many of the very finest Vivaldian attributes. --Rachel Podger

6 T& F( I  T1 R3 eHi-Res无损音乐专辑曲目：
Antonio Vivaldi (1678–1741)
Concerto No. 1 in D Major (RV 549) for four violins, violoncello, strings and continuo
% k$ T6 s" {! i- e$ k2 g1 Allegro 2.58
2 Largo e spiccato 2.12
3 p1 q& v& D% a3 Allegro 2.23
$ s& |& _+ k' q+ v; k, WConcerto No. 2 in G Minor (RV 578) for two violins, violoncello, strings and continuo
- i, }* o7 [3 I& ~: d+ h- D4 Adagio e spiccato – Allegro 3.48
5 Larghetto 2.32
; K+ ^3 E! I; Q, S$ P6 Allegro 2.27
Concerto No. 3 in G Major (RV 310) for violin, strings and continuo
" h* J- n3 H/ O+ J7 Allegro 2.14
8 Largo 2.08
9 Allegro 2.08
Concerto No. 4 in E Minor (RV 550) for four violins, strings and continuo
! `' e3 `  h, _10 Andante 1.44
11 Allegro assai 2.15
! @4 a: |% O) ~; t) @; d( R12 Adagio – Allegro 2.41
Concerto No. 5 in A Major (RV 519) for two violins, strings and continuo
& `$ T$ \9 O; V* Y13 Allegro 2.51
14 Largo 1.23
15 Allegro 2.48
Concerto No. 6 in A Minor (RV 356) for violin, strings and continuo
16 Allegro 2.53
/ \5 z, f4 J% X, V* H5 [! E$ N: s7 u17 Largo 1.52
; G6 s( t7 y/ t) d2 H- Q. c9 M- ]6 L18 Presto 2.30
Concerto No. 7 in F Major (RV 567) for four violins, strings and continuo
5 N% @. @9 b3 M1 I9 S; k$ v" c% ]19 Andante 2.23
2 v0 ~% R; u- k. u' ^3 l20 Adagio 1.12
  R  |6 X- ]$ b21 Adagio – Allegro 4.34
* P6 y- i- y7 ~7 t6 R% c. ^* C5 CConcerto No. 8 in A Minor (RV 522) for two violins, strings and continuo
22 Allegro 3.12
3 z; t" {3 i1 F# ]6 j0 s6 G23 Larghetto e spiritoso 2.43
( t2 p; U4 ]1 J( z0 D24 Allegro 2.48
Concerto No. 9 in D Major (RV 230) for violin, strings and continuo
, e! V9 y& y- u' T8 u' h$ f25 Allegro 2.03
+ Y0 H8 s  ?( N( M) H# Z26 Larghetto 2.32
. ^" ]$ \3 k1 M. J, f27 Allegro 2.02
Concerto No. 10 in B Minor (RV 580) for four violins, violoncello, strings and continuo
  |5 F- n  u# y6 H2 H. U28 Allegro 3.25
29 Largo – Larghetto 1.56
5 X% S3 H1 M& }) T& P30 Allegro 3.16
  {0 [0 Y4 C* k0 A5 rConcerto No. 11 in D Minor (RV 565) for two violins, violoncello, strings and continuo
31 Allegro – Adagio 4.00
32 Largo e spiccato 2.19
33 Allegro 2.18
2 E% h1 x8 \! `( O/ gConcerto No. 12 in E Major (RV 265) for violin, strings and continuo
* g$ W8 u. |1 z+ h0 \34 Allegro 3.19
. }  V4 T. O; w; P, L4 {% y9 {35 Largo 3.37
: e0 ?2 y. T5 ~9 @36 Allegro 2.58
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